Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

John Wesley, eighteenth century Church of England priest and founder of Methodism, was strongly influenced by the works of Roman Catholic mystics early in his ministry. These writings shaped his widely known doctrine of Christian perfection or entire sanctification. The mystics inspired Wesley to advocate for a lofty spiritual goal that he believed to be attainable in this life. In time, however, he developed many contentions with extremes as well as some particulars found in the mystical tradition. Beginning in 1749, Wesley began to publish his Christian Library—a fifty-volume compilation of abridged works that he believed to be among the best writings on practical divinity that had been published in English. Among this vast collection, he incorporated two works originally written in Spanish including a sampling of Letters by Juan de Ávila and the Spiritual Guide by Miguel de Molinos. This book examines Wesley’s editing of these works as a way of evaluating Wesley’s theology in comparison and contrast with Spanish mysticism. In particular, this book serves as a comparative study among these authors on matters of theological authority, self-knowledge and epistemology, soteriology, spiritual growth, suffering and divine withdrawal, prayer, meditation, contemplation, and the spiritual goal.

In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.