When fate conspires many things have to happen in just the right order, and at just the right time. In Britain during the early 60s a youth culture revolution was taking place. The austerity of the late 50s was rapidly becoming a distant memory with full employment and the children of the post war baby boom moving into adulthood. The new British youth were divided into primarily two groups, mods and rockers, based on their musical tastes. The mods had formed an allegiance to R&B and British rock bands like The Who and Small Faces; perhaps most significantly they had taken to Jamaican ska. When the psychedelic 60s hit Britain the mods split into a wide variety of fashions and styles including hippies and the skinhead. This period is where the style of the skinhead was first defined. Skinhead fashion was intended to show a pride in the traditional English working class look. The hard mod's who couldn't empathise with the hippie attitude and style got harder, and with a little influence from the Jamaican rude boys the traditional skinhead was born. The musical force in Jamaica during 67 was rocksteady having slowed down from the energetic ska beat that had dominated the Islands output from the early sixties. Ska was flirting with the UK charts with Train To Skaville from The Ethiopians making it to number 40 in September 1967. In 1968 Bunny 'Striker' Lee came to England to meet Dave Betteridge from Island Records and had a chance meeting with the Palmer brothers. He returned to Jamaica with a request to speed up the music making it more appealing to the youth, in particular a new movement that was starting out all over, following on from the Mods. Bunny returned to Jamaica and as he will tell you reggae was born, with the organ shuffle introduced on Bangarang, upping the tempo once again. In 1968 Wet Dream was released and picked up by the emerging skinheads, and along with Israelites and It Meik reggae began charting, now bought in volumes by the skinheads and the

The Pioneers' sleeves both collectively and individually over 5 decades, celebrates their 50 years in the reggae music business and takes fans around the world pictorially with the group. The book includes sleeves from albums, CDs/DVD, and singles incorporating works executed as the group, as individuals, as duos, and in collaborations with other artists.

As a nation, we should preserve our social memory by honoring those who paved the way for us to exist, recognizing those who etched their indelible mark on our lives, and remembering those who went to the great beyond before us as expressed in the Salute to the Dearly Departed segment (People); our regions, areas, and territories; our locales, hotspots, and hangouts and places we love to visit and events we constantly attend in (Places), and the happenings and the things that we cherish to death - items, commodities, artifacts, and products (Things). So dear readers, enjoy the mind "triggers" and heart-wrenching "diggers" you will find in this book honouring the 55th year of celebrating Jamaica's independence and the tantalizing trip down memory lane with this unofficial reference/resource guide by your side. You will recollect who is who (people), where is where (places), and what is what (things) in both the Jamaican and the Diaspora/Global context.

This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.

In recent years Public History the engagement with history now has grown in Britain. Visits to heritage sites, museums and galleries are packed with enthusiasts. In this collection, the contributors write about history as part of a living present which is re-created, contested and challenged. The starting points are places, people and images the writers encounter in their everyday lives. They have a commitment to those whose lives are still excluded from historical practice and their essays blur the boundaries between history, art, culture and everyday life.

The renowned Pama label was launched by Harry Palmer at a time when the BBC held disregard for Jamaican music with the burgeoning skinheads taking reggae to their heart. The labels first release was in 1967 and within three years Pama could boast a dozen subsidiary labels catering for Jamaican and UK based producers. The sheer volume of recordings was phenomenal but it was announced in1973 that the company had gone out of business. Featuring comprehensive discographies and full colour album artwork the book chronicles the iconic Pama labels including Punch, Crab and Camel and looks in admiration at the artistes and producers. A real treasure for reggae and in particular Pama aficionados with a foreword written by Harry Palmer. The perfect companion to the Boss Sounds from Pama now made available digitally in the highest quality audio to stream or download.

Provides a complete historic overview of the sounds of the entire English-speaking Caribbean region, bringing together informative essays on the development of a range of music styles and the industry's top performers. Original.

'Skinheads' is the story of a way of life, told through three generations of a family - Terry English, original ska-loving skinhead and boss of a mini-cab firm; Nutty Ray, street-punk skin and active football hooligan; and Lol, son of Terry, nephew of Ray, a 15-year-old kid just starting out.

Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.

AcknowledgmentsIntroduction: Outside the Whale1. Otherworldly Knowledge: Toward a "Language of Perspicuous Contrast"2. Guess Who's Coming to Dinner? The Political Morality of Investigating Whiteness in the Gray Zone3. Seeing through Skin/Seeing through Epidermalization4. Wagner and Power Chords: Skinheadism, White Power Music, and the Internet5. Mothers of Invention: Good Hearts, Intelligent Minds, and Subversive Acts6. Syncopated Synergy: Dance, Embodiment, and the Call of the Jitterbug7. Ghosts, Trails, and Bones: Circuits of Memory and Traditions of Resistance8. Out of Sight: Southern Music and the Coloring of Sound9. Room with a ViewNotesIndex Copyright © Libri GmbH. All rights reserved.