Ethnic Germans made an enormous contribution to east central Missouri culture and left a permanent legacy. The stories of dozens of German families who came to the region between 1770 and 1835 are included in the narrative. This book tells their story: who they were, where they came from, how they got here and what they did.

Many Germans who immigrated to America in the nineteenth century settled in the lower Missouri River valley between St. Charles and Boonville, Missouri. In this magnificent book, which includes some six hundred photographs and drawings, Charles van Ravenswaay examines that immigration--who came, how, and why--and surveys the distinctive Missouri-German architecture, art, and crafts produced in the towns or on the farms of the rural counties of Cooper, Cole, Osage, Gasconade, Franklin, Montgomery, Warren, and St. Charles from the 1830s until the closing years of the century. As the immigrants sought to transplant their native culture to the Missouri backwoods, the compromises they were forced to make with conditions in Missouri produced many fascinating and individualistic structures and objects. They built half-timbered, stone, and brick houses and barns with designs reflecting the traditions of the many German regions from which the builders emigrated. The author's far-reaching study of immigrants' arts and crafts included furniture in traditional peasant designs as well as the Biedermeier and eclectic styles, redware and stoneware pottery, textiles, wood and stone carving, metalwares, firearms, baskets, musical instruments, prints, and paintings and identifies craftsmen working in all of these fields. One chapter is devoted to the objects the immigrants brought with them from the Old World. Added to this new printing of The Arts and Architecture of German Settlements in Missouri is a touching and informative introduction by Adolf E. Schroeder. Schroeder's long friendship with Charles van Ravenswaay allows him to reflect on the vast contributions this author made to our knowledge of Missouri's German culture. Everyone interested in architecture, crafts, or Missouriana will find this book indispensable as they savor van Ravenswaay's excellent presentation of the craftsmen and their products against the background of the aspirations and folkways of a distinctive culture.

The author's intent was to promote and describe the midwest, specifically Missouri. His audience was the people of his native Germany.

Representing one-fourth of the population, German-Americans constitute the largest ethnic element, according to the U.S. Census, with well over 60 million people claiming German heritage. In twenty-six states, they comprise at least 20 percent of the population, and in five states they number more than 50 percent-important statistics in understanding the role played by German-Americans in U.S. history. The German-American Experience provides a comprehensive record of the essential facts in the history of this group, from its first U.S. settlements in the seventeenth century to the present. Beginning with "The Age of Discovery," this volume explores the earliest contacts between America and Germany, immigration and settlement patterns of Germans, foundations of German-American community life, their major involvement in the American Revolution, and the role German-Americans played in our Civil War. Both world wars are chronicled, including the anti-German sentiment and the internment of German-Americans during both wars. The revival of German heritage and the renaissance of German-American ethnicity since the 1970s is surveyed, along with recent events, including the impact of German unification and the 1990 census. The author also analyzes German-American influences on agriculture, industry, religion, education, music, art, architecture, politics, military service, journalism, literature, and language. In addition, he comments on prominent German-Americans, German names, sister cities, historical statistics, and much more.

German Americans were one of the largest immigrant groups in the Civil War era, and they comprised nearly 10 percent of all Union troops. Yet little attention has been paid to their daily lives--both on the battlefield and on the home front--during the war. This collection of letters, written by German immigrants to friends and family back home, provides a new angle to our understanding of the Civil War experience and challenges some long-held assumptions about the immigrant experience at this time. Originally published in Germany in 2002, this collection contains more than three hundred letters written by seventy-eight German immigrants--men and women, soldiers and civilians, from the North and South. Their missives tell of battles and boredom, privation and profiteering, motives for enlistment and desertion and for avoiding involvement altogether. Although written by people with a variety of backgrounds, these letters describe the conflict from a distinctly German standpoint, the editors argue, casting doubt on the claim that the Civil War was the great melting pot that eradicated ethnic antagonisms.

German immigrants came to America for two main reasons: to seek opportunities in the New World, and to avoid political and economic problems in Europe. In German Settlement in Missouri, Robyn Burnett and Ken Luebbering demonstrate the crucial role that the German immigrants and their descendants played in the settlement and development of Missouri's architectural, political, religious, economic, and social landscape. Relying heavily on unpublished memoirs, letters, diaries, and official records, the authors provide important new narratives and firsthand commentary from the immigrants themselves. Between 1800 and 1919, more than 7 million people came to the United States from German-speaking lands. The German immigrants established towns as they moved up the Missouri River into the frontier, resuming their traditional ways as they settled. As a result, the culture of the frontier changed dramatically. The Germans farmed differently from their American neighbors. They started vineyards and wineries, published German-language newspapers, and entered Missouri politics. The decades following the Civil War brought the golden age of German culture in the state. The populations of many small towns were entirely German, and traditions from the homeland thrived. German-language schools, publications, and church services were common. As the German businesses in St. Louis and other towns flourished, the immigrants and their descendants prospered. The loyalty of the Missouri Germans was tested in World War I, and the anti-immigrant sentiment during the war and the period of prohibition after it dealt serious blows to their culture. However, German traditions had already found their way into mainstream American life. Informative and clearly written, German Settlement in Missouri will be of interest to all readers, especially those interested in ethnic history.

Before the Civil War, Northern, Southern, and Western political cultures crashed together on the middle border, where the Ohio, Mississippi, and Missouri Rivers meet. German Americans who settled in the region took an antislavery stance, asserting a liberal nationalist philosophy rooted in their revolutionary experience in Europe that emphasized individual rights and freedoms. By contextualizing German Americans in their European past and exploring their ideological formation in failed nationalist revolutions, Zachary Stuart Garrison adds nuance and complexity to their story. Liberal German immigrants, having escaped the European aristocracy who undermined their revolution and the formation of a free nation, viewed slaveholders as a specter of European feudalism. During the antebellum years, many liberal German Americans feared slavery would inhibit westward progress, and so they embraced the Free Soil and Free Labor movements and the new Republican Party. Most joined the Union ranks during the Civil War. After the war, in a region largely opposed to black citizenship and Radical Republican rule, German Americans were seen as dangerous outsiders. Facing a conservative resurgence, liberal German Republicans employed the same line of reasoning they had once used to justify emancipation: A united nation required the end of both federal occupation in the South and special protections for African Americans. Having played a role in securing the Union, Germans largely abandoned the freedmen and freedwomen. They adopted reconciliation in order to secure their place in the reunified nation. Garrison’s unique transnational perspective to the sectional crisis, the Civil War, and the postwar era complicates our understanding of German Americans on the middle border.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx