An authoritative history of the groundbreaking syndicated television show that has become an icon of American pop culture, from acclaimed author and filmmaker Nelson George, “the most accomplished black music critic of his generation” (Washington Post Book World). When it debuted in October 1971, seven years after the Civil Rights Act, Soul Train boldly went where no variety show had gone before, showcasing the cultural preferences of young African-Americans and the sounds that defined their lives: R&B, funk, jazz, disco, and gospel music. The brainchild of radio announcer Don Cornelius, the show’s producer and host, Soul Train featured a diverse range of stars, from James Brown and David Bowie to Christine Aguilera and R. Kelly; Marvin Gaye and Elton John to the New Kids on the Block and Stevie Wonder. The Hippest Trip in America tells the full story of this pop culture phenomenon that appealed not only to blacks, but to a wide crossover audience as well. Famous dancers like Rosie Perez and Jody Watley, performers such as Aretha Franklin, Al Green, and Barry White, and Cornelius himself share their memories, offering insights into the show and its time—a period of extraordinary social and political change. Colorful and pulsating, The Hippest Trip In America is a fascinating portrait of a revered cultural institution that has left an indelible mark on our national consciousness.

From Ahmir "Questlove" Thompson of the award-winning hip-hop group the Roots, comes this vibrant book commemorating the legacy of Soul Train—the cultural phenomenon that launched the careers of artists such as Tina Turner, Stevie Wonder, the Jackson 5, Whitney Houston, Lenny Kravitz, LL Cool J, and Aretha Franklin. Questlove reveals the remarkable story of the captivating program, and his text is paired with more than 350 photographs of the show's most memorable episodes and the larger-than-life characters who defined it: the great host Don Cornelius, the extraordinary musicians, and the people who lived the phenomenon from dance floor. Gladys Knight contributed a foreword to this incredible volume. Nick Cannon contributed the preface.

As a wildly popular local dance show, Soul Train provided a venue for Chicago's soul singers and political activists and gave African American teenagers their first significant chance to see and identify with their peers on television. The subsequent national series garnered even more popularity, establishing producer and host Don Cornelius as one of the most successful pioneers of African American television production. This work discusses Cornelius's role in the evolution of his groundbreaking series from a small, all-black 1970s television show to a lucrative brand name applying not only to the program, but also to awards and various merchandise in the present day. The first two chapters focus on Cornelius's years in Chicago and the initial launching of Soul Train in 1970. The next two chapters explore how the nationally televised, California-based version of the show rose steadily in both popularity and cultural influence among primarily African American viewers, and how Cornelius himself became a rising celebrity during that time. The final chapters illustrate Cornelius's efforts in branching out beyond the dance show through various music-related business ventures, including the Soul Train Music Awards. The work includes interviews with several former cast members and guests, along with a complete chronology of the series and Cornelius's other professional ventures.

Love, Peace, and Soul tells the story of the television phenomenon known as Soul Train, a show created in the land of bell bottoms, afros, and soul power; a show that became the touchstone of the Baby Boomer generation. Don Cornelius, host and owner of the show, was one of the coolest cats on television. With his platform shoes, wide neckties, and mellifluous voice, he showed the world just how corny American Bandstand was in comparison. In 2012, fans were shocked to hear one of the most powerful men in the music and television business took his own life. Love, Peace, and Soul is a celebratory, behind-the-scenes collection of anecdotes, stories, and reflections, from the people who were there, about the host, the show, and the power of black music and dance on television. Music and television connoisseurs will enjoy the history of not just Soul Train, but of other shows, including Shindig!, Don Kirshner's Rock Concert, Hullabaloo, American Bandstand, and Graffiti Rock. Entrepreneurs will be interested in Cornelius' humble beginnings with the local version of the show in Chicago, created with his own money. Fans will delight in the lively images and the quirky details. The first mass market book on Soul Train since Cornelius's passing, this volume has something for everyone. Includes afterword by Gary Harris.

A vibrant narrative history of three hallowed Manhattan blocks—the epicenter of American cool. St. Marks Place in New York City has spawned countless artistic and political movements. Here Frank O’Hara caroused, Emma Goldman plotted, and the Velvet Underground wailed. But every generation of miscreant denizens believes that their era, and no other, marked the street’s apex. This idiosyncratic work of reportage tells the many layered history of the street—from its beginnings as Colonial Dutch Director-General Peter Stuyvesant’s pear orchard to today’s hipster playground—organized around those pivotal moments when critics declared “St. Marks is dead.” In a narrative enriched by hundreds of interviews and dozens of rare images, St. Marks native Ada Calhoun profiles iconic characters from W. H. Auden to Abbie Hoffman, from Keith Haring to the Beastie Boys, among many others. She argues that St. Marks has variously been an elite address, an immigrants’ haven, a mafia warzone, a hippie paradise, and a backdrop to the film Kids—but it has always been a place that outsiders call home. This idiosyncratic work offers a bold new perspective on gentrification, urban nostalgia, and the evolution of a community.

From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

A collection of poetry by Allison Joseph.

From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.

From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.

As one of the most popular performers on Comedy Central’s mega-hit The Chappelle Show, Charlie Murphy—older brother of comedy legend Eddie Murphy—shares his passion for comedy and tells his true Hollywood stories in this juicy and highly entertaining memoir. Once described by Chris Rock as “Eddie Murphy on acid,” Charlie Murphy has achieved fame as a recurring performer on the critically acclaimed, three-time Emmy-nominated cult sensation Chappelle’s Show on Comedy Central. Celebrated in particular for his “Charlie Murphy’s True Hollywood Stories” skits, featuring hilarious renditions of Rick James and Prince, Murphy now recounts many of the actual stories that inspired these popular sketches in vivid and comical detail in Doing Time: The Making of a Stand-Up Guy. With his flare for storytelling and his distinctive and fearless voice, it’s no wonder that Charlie Murphy has been the subject of many featured stories in numerous magazines, including GQ, Essence, Rolling Stone, and he was recently listed as one of the Hottest People to Watch in Entertainment Weekly’s “Must List.” Featuring outrageous misadventures as part of his younger brother Eddie’s entourage, and hysterical encounters with numerous celebrities, Doing Time: The Making of a Stand-Up Guy is a fascinating and wildly funny chronicle from one of the most talented comedians today.