Bradley Simpson. A 34 year old, single, civil servant who is desperate. Desperate to find out about his mother so he can finish his family tree. The trouble is he knows nothing about her. He doesn't even know her name, and to make matters worse, all her details have been removed from his birth certificate. But help is at hand. There is a place that holds the secrets of people, like Bradley's mother, who the Government wants us to forget. The Hidden Archive. But be warned. Others are also seeking the Hidden Archive's treasures, but not for peaceful means like Bradley. Oh no. They are not in the least peaceful. They have murder on their minds.

Thanks to Bradley Simpson, non-human life in the United Kingdom is coming out of its self-imposed hiding places. The High Council Against Non-Human Life is no more; non-humans are safe.But that's not strictly true. One of the High Council's members still survives, and through cunning and preying on the fears of ordinary people, she has won a landslide victory in the General Election. As Prime Minister, she has all the power she requires to resume her murderous campaign against non-humans.Bradley Simpson, the one-time saviour of non-human life, is called into reluctant action again. But, this time, he really is out of his depth. Surely, he won't be as lucky as he was before...?

A noted Middle East specialist looks at conspiracy theories and the way they control life and politics in the region.

A Soviet journalist documents the experiences of Soviet soldiers in Afghanistan, detailing the soldiers' morale, the prevalence of drug problems, and the Russian withdrawal and the aftermath.

In 1940, in the Jewish ghetto of Nazi-occupied Warsaw, the Polish historian Emanuel Ringelblum established a clandestine scholarly organization called the Oyneg Shabes to record the experiences of the ghetto's inhabitants. For three years, members of the Oyneb Shabes worked in secret to chronicle the lives of hundereds of thousands as they suffered starvation, disease, and deportation by the Nazis. Shortly before the Warsaw ghetto was emptied and razed in 1943, the Oyneg Shabes buried thousands of documents from this massive archive in milk cans and tin boxes, ensuring that the voice and culture of a doomed people would outlast the efforts of their enemies to silence them. Impeccably researched and thoroughly compelling, Samuel D. Kassow's Who Will Write Our History? tells the tragic story of Ringelblum and his heroic determination to use historical scholarship to preserve the memory of a threatened people.

A rip-roaring lost worlds thriller written in the early 1900s by a pioneering black writer of black fiction. The story of Reuel is fuelled by love, betrayal and a heavy undertow of the supernatural; an impulsive medical student, he travels from Boston to Ethiopia, discovers a hidden city, ancient treasure and his own heritage. A new edition with a new introduction which considers Pauline Hopkin's development of the social and racial themes also explored by W.E.B. Du Bois. A new title in Foundations of Black Science Fiction series. Foundations of Black Science Fiction. New forewords and fresh introductions give long-overdue perspectives on significant, early Black proto-sci-fi and speculative fiction authors who wrote with natural justice and civil rights in their hearts, their voices reaching forward to the writers of today. The series foreword is by Dr Sandra Grayson.

Melancholy and the Archive examines how trauma, history and memory are represented in key works of major contemporary writers such as David Mitchell, Paul Auster, Haruki Murakami and Jose Saramago. The book explores how these authors construct crucial relationships between sites of memory-the archive becomes a central trope here-and the self that has been subjected to various traumas, various losses. The archive-be it a bureaucratic office (Saramago), an underground bunker (Auster), a geographical space or landscape (Mitchell) or even a hole (Murakami)-becomes the means by which the self attempts to preserve and conserve his or her sense of history even as the economy of trauma threatens to erase the grounds of such preservation: as the subject or self is threatened so the archive becomes a festishized site wherein history is housed, accommodated, created, even fabricated. The archive, in Freudian terms, becomes a space of melancholy precisely as the subject preserves not only a personal history or a culture's history, but also the history of the traumas that necessitates the creation of the archive as such.

The Vaisnava-sahajiya cult that arose in Bengal in the sixteenth century was an intensely emotional attempt to reconcile the sensual and the ascetic. Exploring the history and doctrine of this cult, Edward C. Dimock, Jr., examines the works of numerous poets who are the source of knowledge about this sect. Dimock examines the life of the saint Caitanya, the mad Baul singers, the doctrines of Tantrism, the origins of the figure of Radha, and the worship of Krishna. His study will appeal to students of the history of religion as well as of Indian culture. This edition includes a new Foreword by Wendy Doniger. "This is a magnificent book—painstakingly researched and gracefully written. . . . Professor Dimock's book is one of the most rewarding and stimulating studies to appear in recent years."—G. Richard Weldon, Journal of Asian Studies

Almine probes further into the nature and meaning of existence, introducing the Goddess mysteries as they apply not only to individual human lives, but to the cycles of the cosmos.

These fabulous, whimsical paintings, created for his own pleasure and never shown to the public, show Geisel (a.k.a. Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.