At its heart, The Hi Lo Country is the story of the friendship between two men, their mutual love of a woman, and their allegiance to the harsh, dry, achingly beautiful New Mexico high-desert grassland. The story is told by Pete, a young ranch hand, whose best friend is Big Boy Matson. Together they drink, gamble, fight, work, and rodeo. They both fall hard for a married woman--the attractive, bored, and dangerous Mona. When it was first published in 1961, the novel was both a celebration and an elegy. It captured something jagged and authentic in the West, and it caught the attention of Hollywood--notably Sam Peckinpah, who spent twenty years trying to make a movie of this multilayered and plainspoken novel. It would take another twenty years for Martin Scorsese and Stephen Frears to finally do it. Now in a special 60th anniversary edition, The Hi Lo Country continues to tell a quintessential story of the people and the land found in the American West.

This is the story of the friendship between two men, their mutual love for one woman, and their bone-deep allegiance to the harsh, dry New Mexican land. Pete hells around with his closest friend Big Boy Matson. Together they drink, gamble, fight, rodeo and both fall in love with an attractive and dangerous married woman.

The northeastern quadrant of New Mexico, with a slice of Colorado, Oklahoma, and West Texas, is the area Max Evans has dubbed the Hi Lo Country. He bought a ranch there when he was seventeen, he painted it as a young artist, and has used the land as the setting for most of his well-known writings. His novels The Rounders and The Hi Lo Country were made into Hollywood movies. Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes of northeast New Mexico will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country. The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever. "Jan Haley's photographs show a place where the people were so tough the Depression felt right at home, and it never left. The rusting 1950 purple Hudson still sits on blocks where the owner left it, imagining shiny renovation someday. . . . Winds so strong, it seemed the outhouse blew over, and is still horizontal. . . . And many an old ranchhouse . . . lean[s] abandoned in the wind."--Richard Benke, Associated Press reporter and author of The Ghost Ocean (UNM Press)

From among his numerous publications, award-winning author Max Evans has selected his personal favorites. The more than thirty pieces include short novels, essays, short stories, introductions to other works, and magazine articles spanning several genres and most of his writing career. Through them all runs a common thread: the understanding of and love Evans has for the West and its peoples, and his ability to convey that understanding with humor and compassion. Included works: Short novels Xavier's Folly One Eyed Sky The Wild One Old Bum My Pardner Essays "Sam Peckinpah: A Very Personal Remembrance" "King John" "Long John Dunn" "Dinner with Frank Waters" "Riding the Outside Circle in Hollywood" "Many Deaths, Many Lives" "Song of the West" Short Stories "The Ultimate Giver" "Blizzard" "Don't Kill My Dog" "The Far Cry" "The Wooden Cove" "The Third Grade Reunion" "Sky of Gold" "A Man Who Never Missed" "Big Shad's Bridge" "The Call" Introductions and Forewords "Patricino Barela" "Some Sweet Day" "The Hi Lo Country" "Final Harvest and other Convictions and Opinions" "Rounders 3" Magazine Articles "The Cowboy and the Professor" "A Horse to Brag About" "Showdown at Hollywood Park" "The Wild Bunch" "The World's Strangest Creature" "Super Bull"

At its heart, The Hi Lo Country is the story of the friendship between two men, their mutual love of a woman, and their allegiance to the harsh, dry, achingly beautiful New Mexico high-desert grassland. The story is told by Pete, a young ranch hand, whose best friend is Big Boy Matson. Together they drink, gamble, fight, work, and rodeo. They both fall hard for a married woman—the attractive, bored, and dangerous Mona. When it was first published in 1961, the novel was both a celebration and an elegy. It captured something jagged and authentic in the West, and it caught the attention of Hollywood—notably Sam Peckinpah, who spent twenty years trying to make a movie of this multilayered and plainspoken novel. It would take another twenty years for Martin Scorsese and Stephen Frears to finally do it. Now in a special 60th anniversary edition, The Hi Lo Country continues to tell a quintessential story of the people and the land found in the American West.

The movie High Fidelity is sacred ground for music lovers and cinephiles alike. Through the story of hapless record store owner Rob Gordon and his coterie of vinyl snobs, the 1997 film made it cool to let your geek flag fly and embrace your irrational enthusiasms. In Top Five, journalist Andrew Buss offers a rollicking oral history of the making of the film and its continued influence on popular culture. When a book is as universally praised as Nick Hornby’s original novel, adapting it for screen can be a tricky prospect. Top Five examines the difficulties that went into writing the movie: although the book was set in London, the screenwriting team (which included star John Cusack) transplanted the story to Chicago, drawing on their own experiences growing up there. Fears that the film would be an Americanized dilution of the source material evaporated when fans of the book saw just how true the film stayed to Rob’s story. Buss draws on interviews with actors like Cusack, Jack Black, and Iben Hjejle, along with all the key principals behind the scenes, including director Stephen Frears and the movie’s screenwriter, producers, and composer. Together they offer a multi-perspectival account that captures the legacy of the film, showing how it created an indelible snapshot of ’90s culture while anticipating our current era of media surfeit and content overload.

Almost as famous for the legendary excesses of his personal life as for his films, Sam Peckinpah (1925-1984) cemented his reputation as one of the great American directors with movies such as The Wild Bunch and Pat Garrett and Billy the Kid. Max Evans, one of Peckinpah's best friends, experienced the director's mercurial character and personal demons firsthand. In this enthralling memoir we follow Evans and Peckinpah through conversations in bars, family gatherings, binges on drugs and alcohol, struggles with film producers and executives, and Peckinpah's abusive behavior--sometimes directed at Evans himself. Evans's stories--most previously unpublished--provide a uniquely intimate look at Peckinpah, their famous friends (including Lee Marvin, Brian Keith, Joel McCrea, and James Coburn), and the business of Hollywood in the 1960s and 1970s.