Between World War II and Vatican II, as Italy struggled to rebuild after decades of Mussolini’s fascism, an eleventh-century order of contemplative monks in the Apennines were urged by Thomas Merton to found a daughter house on the rugged coast of California. A brilliant but world-weary ex-Jesuit, who had recently withdrawn from a high-intensity public life to go into reclusion at the ancient Sacro Eremo of Camaldoli, was tapped for the job. Based on notes kept for over sixty years by an early American novice at New Camaldoli Hermitage, The Hermits of Big Sur tellsthe compelling story of what unfolds within this small and idealistic community when medievalism must finally come to terms with modernism. It traces the call toward fuga mundi in the young seekers who arrive to try their vocations, only to discover that the monastic life requires much more of them than a bare desire for solitude. And it describes the miraculous transformation that sometimes occurs in individual monks after decades of lectio divina, silent meditation, liturgical faithfulness, and the communal bonds they have formed through the practice of the “privilege of love.”

Between World War II and Vatican II, as Italy struggled to rebuild after decades of Mussolini’s fascism, an eleventh-century order of contemplative monks in the Apennines were urged by Thomas Merton to found a daughter house on the rugged coast of California. A brilliant but world-weary ex-Jesuit, who had recently withdrawn from a high-intensity public life to go into reclusion at the ancient Sacro Eremo of Camaldoli, was tapped for the job. Based on notes kept for over sixty years by an early American novice at New Camaldoli Hermitage, The Hermits of Big Sur tells the compelling story of what unfolds within this small and idealistic community when medievalism must finally come to terms with modernism. It traces the call toward fuga mundi in the young seekers who arrive to try their vocations, only to discover that the monastic life requires much more of them than a bare desire for solitude. And it describes the miraculous transformation that sometimes occurs in individual monks after decades of lectio divina, silent meditation, liturgical faithfulness, and the communal bonds they have formed through the practice of the “privilege of love.”

We live in a culture that tells us there are few things worse than aging, that we should avoid aging at all costs, and that we must shun death. And yet, no matter how much money we spend on health supplements, no matter how many gurus we consult, the fact remains unchanged: We will grow old. In A Season of Mystery, 60-year-old Paula Huston—a grandmother, and also a caretaker for her own mother and for her in-laws—shares with readers a far more fulfilling way to approach how we live and how we think about the second half of life. Each chapter offers a spiritual practice that is particularly suited to nurturing us in ways we would never have recognized in our younger lives. For example, the practice of “listening” helps us quit superimposing our own take on every situation before we have a chance to hear and see what is truly there; the practice of “delighting” encourages us to notice and be thankful for what is small and seemingly insignificant. Each of the 10 practices serves as an antidote to the classic afflictions of old age, such as close-mindedness, complaining, and fear of change. A Season of Mystery is not intended to be a selection of self-improvement secrets; the goal of Huston’s work is to encourage people in the second half of life to become “ordinary mystics” who are no longer bound by the world’s false ideas on aging but instead be freed by God’s grace to embrace the riches that come only with growing older.

From the author of "Souls Raised from the Dead" and winner of the Southern Book Critics Circle Award comes a collection of stories that showcases Betts at the top of her form: compassionate, witty, and unforgettable.

Into the Wild meets Walden—a lyrical memoir for nature lovers and for anyone who has wondered what it would be like to disconnect from our hyper-connected culture and seek more meaningful connections After losing vision in one eye and becoming estranged from his family and friends, a young man spent two years searching for identity in self-imposed solitude in the backwoods of northern Vermont, where he embarked on a project of stripping away facades and all social ties--and learned to face himself. On a clear May afternoon at the end of his junior year at Harvard, Howard Axelrod played a pick-up game of basketball. In a skirmish for a loose ball, a boy’s finger hooked behind Axelrod’s eyeball and left him permanently blinded in his right eye. A week later, he returned to the same dorm room, but to a different world. A world where nothing looked solid, where the distance between how people saw him and how he saw had widened into a gulf. Desperate for a sense of orientation he could trust, he retreated to a jerry-rigged house in the Vermont woods, where he lived without a computer or television, and largely without human contact, for two years. He needed to find a more lasting sense of meaning away from society’s pressures and rush. Named one of the best books of the year by Slate, Chicago Tribune, Entropy Magazine, and named one of the top 10 memoirs by Library Journal

A poignant masterpiece of wrenching personal expression from the acclaimed author of On the Road “In many ways, particularly in the lyrical immediacy that is his distinctive glory, this is Kerouac’s best book . . . certainly he has never displayed more ‘gentle sweetness.’”—San Francisco Chronicle Jack Kerouac’s alter ego Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur “reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion.”

Award-winning writer Paula Huston offers a rich spiritual reflection on the origin and meaning of the Catholic Mass. For Catholics, the Mass is the "source and summit of the Christian life," as the documents of the Church put it. Yet many Catholics might confess to not understand in any depth what goes on in a typical celebration of the Eucharist. In One Ordinary Sunday Paula Huston guides us through a Mass at her home parish in a rural California town. Huston's personal and spiritual reflections offer fresh and often unexpected insights into the profound mystery at the heart of the Catholic faith. A natural storyteller, Huston deftly illuminates what might seem either mysterious to those unfamiliar with the Mass or overly familiar to those who have lost an appreciation of its mystery. In the Mass "we are healed and restored and spiritually fed," she writes. "We are unified and made whole as a people and as a Church. We get a little taste of heaven."

The 1980s and 1990s, the height of the AIDS crisis in the United States, was decades ago now, and many of the stories from this time remain hidden: A Catholic nun from a small Midwestern town packs up her life to move to New York City, where she throws herself into a community under assault from HIV and AIDS. A young priest sees himself in the many gay men dying from AIDS and grapples with how best to respond, eventually coming out as gay and putting his own career on the line. A gay Catholic with HIV loses his partner to AIDS and then flees the church, focusing his energy on his own health rather than fight an institution seemingly rejecting him. Set against the backdrop of the HIV and AIDS epidemic of the late twentieth century and the Catholic Church's crackdown on gay and lesbian activists, journalist Michael O'Loughlin searches out the untold stories of those who didn't look away, who at great personal cost chose compassion--even as he seeks insight for LGBTQ people of faith struggling to find a home in religious communities today. This is one journalist's--gay and Catholic himself--compelling picture of those quiet heroes who responded to human suffering when so much of society--and so much of the church--told them to look away. These pure acts of compassion and mercy offer us hope and inspiration as we continue to confront existential questions about what it means to be Americans, Christians, and human beings responding to those most in need.

What does it mean to be anonymous in the gospels? Isn’t God the one who calls us by name and knows us even before we are born? In Gifts from Friends We’ve Yet to Meet, Virginia Herbers introduces readers to nameless gospel characters, each of whom provides us with a story, a journey, and a gift. Reflecting on experiences in her own life, Herbers journeys through these gospel stories, inviting us to reflect on seemingly insignificant encounters in our own lives. Who are the “anonymous figures” who have played a critical role for each of us? How do the experiences of the nameless gospel characters continue to reach and teach us today? Can it be that their anonymity allows their experience to be both individual and universal? In each of these anonymous characters, Herbers introduces us to dear friends we just haven’t met yet. And each of their ages-old encounters with Jesus contains a gift for all of us today.