The Hermetic Museum was published in Latin at Frankfort, in the year 1678, and, as its title implies, it was an enlarged form of an anterior work which, appearing in 1625, is more scarce, but, intrinsically, of less value. Its design was apparently to supply in a compact form a representative collection of the more brief and less ancient alchemical writers; in this respect, it may be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, and that scarcely less colossal of Mangetus, the Bibliotheca Chemica Curiosa, which are largely concerned with the cream of the archaic literature, with the works of Geber and the adepts of the school of Arabia, with the writings attributed to Hermes, with those of Raymond Lully, Arnold de Villa Nova, Bernard Trevisan, and others. This is volume 1 out of 2. Contents: Preface To The English Edition. The Preface Of The Original Edition. The Golden Tract The Golden Age Restored: The Sophic Hydrolith A Brief Exposition Of The Wonderful Water Stone Of The Wise, Commonly Called The Philosopher's Stone. A Demonstration Of Nature, A Short Tract, Or Philosophical Summary The Only True Way; The Glory Of The World; The Third Part Of This Treatise, Containing The Dicta Of The Sages. Another Tract,Corresponding To The First, Which May Be Read With Great Profit. A Tract Of Great Price Concerning The Philosophical Stone. The True Teaching Of Philosophy Concerning The Generation Of Metals And Their True Origin. A Very Brief Tract Concerning The Philosophical Stone. The Book Of Alze. The Book Of Lambspring, The Golden Tripod (First Tract)

A classic, prize-winning novel about an epic migration and a lone woman haunted by the past in frontier Waipu. In the 1850s, a group of settlers established a community at Waipu in the northern part of New Zealand. They were led there by a stern preacher, Norman McLeod. The community had followed him from Scotland in 1817 to found a settlement in Nova Scotia, then subsequently to New Zealand via Australia. Their incredible journeys actually happened, and in this winner of the New Zealand Book Awards, Fiona Kidman breathes life and contemporary relevance into the facts by creating a remarkable fictional story of three women entangled in the migrations - Isabella, her daughter Annie and granddaughter Maria. McLeod's harsh leadership meant that anyone who ran counter to him had to live a life of secrets. The 'secrets' encapsulated the spirit of these women in their varied reactions to McLeod's strict edicts and connect the past to the present and future.

HERMETIC MUSEUM, VOLUME 1 of 2 RESTORED AND ENLARGED: MOST FAITHFULLY INSTRUCTING ALL DISCIPLES OF THE SOPHO SPAGYRIC ART HOW THAT GREATEST AND TRUEST MEDICINE OF THE PHILOSOPHER'S STONE MAY BE FOUND AND HELD. NOW FIRST DONE INTO ENGLISH FROM THE LATIN ORIGINAL PUBLISHED AT FRANKFORT IN THE YEAR 1678. Translated by Arthur Edward Waite Containing Twenty two most celebrated Chemical Tracts.

The Hermetic Museum was published in Latin at Frankfort, in the year 1678, and, as its title implies, it was an enlarged form of an anterior work which, appearing in 1625, is more scarce, but, intrinsically, of less value. Its design was apparently to supply in a compact form a representative collection of the more brief and less ancient alchemical writers; in this respect, it may be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, and that scarcely less colossal of Mangetus, the Bibliotheca Chemica Curiosa, which are largely concerned with the cream of the archaic literature, with the works of Geber and the adepts of the school of Arabia, with the writings attributed to Hermes, with those of Raymond Lully, Arnold de Villa Nova, Bernard Trevisan, and others. This edition contains both original volumes one and two.

Is Masonry merely a club created to collect dues and offer light entertainment or is it something far more inspired? Are the Rosicrucians a mythical, nonexistent group or very real seekers of wisdom on a mystical path? Manly Palmer Hall, one of the most enlightened esoteric authors of the 20th century, offers his sage thoughts on the Freemasons and Rosicrucians in this collection of thought-provoking essays. Includes "The Lost Keys of Freemasonry"; "Freemasonic Symbolism"; "Rosicrucian and Masonic Origins" and more.

A concise guide to the history, theory, and practice of alchemy (the “great work”)—the art of working with the energies of nature for spiritual development, healing, and transformation. Alchemy is a means of understanding and working in concert with the energies of nature for spiritual development, healing, and transformation. In this book, Brian Cotnoir offers a step-by-step introduction that explores alchemy’s mysteries while illustrating its use as a modern spiritual system of attainment. He provides an overview of the history of alchemy, from the first meldings of Egyptian technology to the Middle Ages—the golden age of alchemy—to contemporary techniques. He demystifies the relationship between alchemy and chemistry, and provides evidence that alchemy is much more than a medieval form of psychotherapy. The guide also includes practical laboratory experiments that safely and intelligently lead readers to an understanding of this ancient art and spiritual practice. Provides step-by-step instruction for beginning a practice in alchemy Explains the theory underlying the art and science of alchemy and how it works Demystifies the relationship between alchemy and chemistry, while going well beyond the “psychological interpretation” advanced by nonscientists Introduces the practice of alchemy to students of the Western magical arts This book was previously published as The Weiser Concise Guide to Alchemy. This new edition includes a foreword by Robert Allen Bartlett, author of Real Alchemy.

The composition, which the editors entitle the "Book of Thoth", is preserved on over forty Graeco-Roman Period papyri from collections in Berlin, Copenhagen, Florence, New Haven, Paris, and Vienna. The central witness is a papyrus of fifteen columns in the Berlin Museum. Written almost entirely in the Demotic script, the Book of Thoth is probably the product of scribes of the "House of Life", the temple scriptorium. It comprises largely a dialogue between a deity, usually called "He-who-praises-knowledge" (presumably Thoth himself) and a mortal, "He-who-loves-knowledge". The work covers such topics as the scribal craft, sacred geography, the underworld, wisdom, prophecy, animal knowledge, and temple ritual. Particularly remarkable is one section (the "Vulture Text") in which each of the 42 nomes of Egypt is identified with a vulture. The language is poetic; the lines are often clearly organized into verses. The subject-matter, dialogue structure, and striking phraseology raise many issues of scholarly interest; especially intriguing are the possible connections between this Egyptian work, in which Thoth is called "thrice-great", and the classical Hermetic Corpus, in which Hermes Trismegistos plays the key role. The first volume comprises interpretative essays, discussion of specific points such as the manuscript tradition, script, and language. The core of the publication is the transliteration of the Demotic text, translation, and commentary. A consecutive translation, glossary, bibliography, and indices conclude the first volume. The second volume contains photographs of the papyri, almost all of which reproduce their original size.

Why is this book written? Authorities pointing to the existence of a former Continent and City. Definite assertions of destruction by deluge, of an island Continent, positively declared. Testimony of the whirling straws, the flotsam and jetsam of the day. Concurrent evidence of the existence and influence of these people on our civilization. Poem, "Atlantian Memories." Continued cross- examination of witnesses, human and divine, concerning the facts in evidence of the existence of Atlantis Island and City. Description of mountains, cities, caves, and other evidences of occupation by civilized and enlightened people. Speculations and deductions of the Past, Present and Future. Beginning of a voyage. The attractive stranger. Acquaintance ripens rapidly. "Such a face as children love and scoundrels hate." An eloquent and instructive talker. Atlantian memories seem to the new friend, personal experiences. The wonderful cities of the Past that have disappeared. The little black-lettered manuscript in a strange language. History of Atlantis. "Your desire for information on these lines will be gratified

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.