Agness "Aggie" Underwood never intended to become a reporter-all she really wanted was a pair of silk stockings. When her husband told her they couldn't afford them, she threatened to get a job and buy them herself. Those silk stockings launched a career that started with Aggie at the switchboard of the Los Angeles Record newspaper in 1926, and ended more than four decades later when she retired as City Editor of the Los Angeles Herald Examiner. As a reporter for the Los Angeles Evening Herald and Express (later, Herald Examiner), Aggie not only reported on crimes throughout the city, but sometimes helped solve them. Using quick wit and intuition, Aggie helped her newspaper live up to its motto "The First with the Latest." Through the Los Angeles Herald Examiner's photo archive, now held by the Los Angeles Public Library, the cases Aggie covered are more than just faded headlines, but come to life in light and shadow. This catalog of nearly 100 images, which compliments an exhibit at the Los Angeles Public Library's Central Library gives a brief overview of Agness Underwood and some of the cases she covered.

This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.

This second volume in Kevin Starr's passionate and ambitious cultural history of the Golden State focuses on the turn-of-the-century years and the emergence of Southern California as a regional culture in its own right. "How hauntingly beautiful, how replete with lost possibilities, seems that Southern California of two and three generations ago, now that a dramatically diferent society has emerged in its place," writes Starr. As he recreates the "lost California," Starr examines the rich variety of elements that figured in the growth of the Southern California way of life: the Spanish/Mexican roots, the fertile land, the Mediterranean-like climate, the special styles in architecture, the rise of Hollywood. He gives us a broad array of engaging (and often eccentric) characters: from Harrision Gray Otis to Helen Hunt Jackson to Cecil B. DeMille. Whether discussing the growth of winemaking or the burgeoning of reform movements, Starr keeps his central theme in sharp focus: how Californians defined their identity to themselves and to the nation.

Previously published: New York: Hastings House, 1941, under the title Los Angeles: a guide to the city and its environs, as part of the American guide series.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.

Historians have largely ignored the western city; although a number of specialized studies have appeared in recent years, this volume is the first to assess the importance of the urban frontier in broad fashion. Lawrence H. Larsen studies the process of urbanization as it occurred in twenty-four major frontier towns. Cities examined are Kansas City, St. Joseph, Lincoln, Omaha, Atchison, Lawrence, Leavenworth, Topeka, Austin, Dallas, Galveston, Houston, San Antonio, Denver, Leadville, Salt Lake City, Virginia City, Portland, Los Angeles, Oakland, Sacramento, San Francisco, San Jose, and Stockton. Larsen bases his analysis of western cities and their problems on social statistics obtained from the 1880 United States Census. This census is particularly important because it represents the first time that the federal government regarded the United States as an urban nation. The author is the first scholar to do a comprehensive investigation of this important source. This volume gives an accurate portrayal of western urban life. Here are promoters and urban planners crowding as many lots as possible into tracts in the middle of vast, uninhabited valleys. Here are streets clogged with filth because of inadequate sanitation systems; people crowded together in packed quarters with only fledgling police and fire services. Here, too, is the advance of nineteenth-century technology: gaslights, telephones, interurbans. Most important, this study dispels the misconceptions concerning the process of exploration, settlement, and growth of the urban west. City building in the American West, despite popular mythology, was not a response to geographic or climatic conditions. It was the extension of a process perfected earlier, the promotion and building of sites—no matter how undesirable—into successful localities. Uncontrolled capitalism led to disorderly development that reflected the abilities of individual entrepreneurs rather than most other factors. The result was the establishment of a society that mirrored and made the same mistakes as those made earlier in the rest of the country.

In October 1871, a simmering, small-scale turf war involving three Chinese gangs exploded into a riot that engulfed the small but growing town of Los Angeles. A large mob of white Angelenos, spurred by racial resentment, rampaged through the city and lynched some 18 people before order was restored. In The Chinatown War, Scott Zesch offers a compelling account of this little-known event, which ranks among the worst hate crimes in American history. The story begins in the 1850s, when the first wave of Chinese immigrants arrived in Los Angeles in the wake of the 1849 California gold rush. Upon arrival, these immigrants usually took up low-wage jobs, settled in the slum neighborhood of the Calle de los Negros, and joined one of a number of Chinese community associations. Though such associations provided job placement and other services to their members, they were also involved in extortion and illicit businesses, including prostitution. In 1870 the largest of these, the See-Yup Company, imploded in an acrimonious division. The violent succession battle that ensued, as well as the highly publicized torture of Chinese prostitute Sing-Ye, eventually provided the spark for the racially motivated riot that ripped through L.A. Zesch vividly evokes the figures and events in the See-Yup dispute, deftly situates the riot within its historical and political context, and illuminates the workings of the early Chinese-American community in Los Angeles, while simultaneously exploring issues that continue to trouble Americans today. Engaging and deeply researched, The Chinatown War above all delivers a riveting story of a dominant American city and the darker side of its early days that offers powerful insights for our own time.

Interrogates the connections between a city’s physical landscape and the poverty and social problems that are often concentrated at its literal lowest points. In Urban Lowlands, Steven T. Moga looks closely at the Harlem Flats in New York City, Black Bottom in Nashville, Swede Hollow in Saint Paul, and the Flats in Los Angeles, to interrogate the connections between a city’s actual landscape and the poverty and social problems that are often concentrated at its literal lowest points. Taking an interdisciplinary perspective on the history of US urban development from the nineteenth to the mid-twentieth century, Moga reveals patterns of inequitable land use, economic dispossession, and social discrimination against immigrants and minorities. In attending to the landscapes of neighborhoods typically considered slums, Moga shows how physical and policy-driven containment has shaped the lives of the urban poor, while wealth and access to resources have been historically concentrated in elevated areas—truly “the heights.” Moga’s innovative framework expands our understanding of how planning and economic segregation alike have molded the American city.