Studies in particular monastic revivals in the 19th and 20th centuries, as epitomized by Trinity-Sergius.

In the 1830s and 1840s, increasing numbers of Russians renounced the modernized, secularized, Westernized Russia created by Peter the Great in an effort to revive alternative lifestyles based on Orthodox spirituality and values. This effort found expression in a revival of monasticism that began in the era of Nicholas I and would last for the duration of the imperial period, brought to an end only by the cataclysm of revolution and repression of the new Bolshevik regime. Suppressed by the communists, Russian monasticism experienced another revival in the post-World War II era and again in the post-Soviet period, demonstrating that the impulse to renounce the contemporary world for the cloister is a central pattern of Russian religiosity. This book is the first comprehensive analysis of these monastic revivals, presenting a fundamentally new picture of religion in modern Russia. Scott Kenworthy's approach is that of a contextualized microhistory: an in-depth study of one monastic complex, framed within research on monasticism more broadly. The case study here is Russia's largest and most famous monastery, the Trinity-Sergius Lavra in Sergiev Posad, near Moscow. With the collapse of the Soviet Union, the Russian Orthodox Church is again experiencing a revival, and monasticism is playing a central role in this resurgence. In the search to recover the past, Russian Orthodox are turning to the nineteenth century revival as a normative model. Numerous Russians are once again renouncing the contemporary world--in this case, both the socialist past and the post-socialist capitalist present--and opting for a mode of life that represents a return to past values. Monasteries are again foci of popular piety as well as of important publishing activities, and their spirituality is regarded as the purest expression of Orthodox ideals. This book provides an essential basis for understanding Orthodoxy in its historical context and its contemporary manifestations.

Charlotte Hobson spent her gap year as a student in Voronezh, in deepest provincial Russia. Her arrival coincided with the collapse of this society, as initial optimism about the fall of communism gave way to disillusionment and uncertainy. These feelings are mirrored in the doomed love affair she has with the vodka-swilling Mitya. They too started out in a mood of wild optimism, and felt that anything was possible. Until in the spring the snow thawed, and revealed the black earth beneath.

A journey into the glittering, surreal heart of 21st century Russia, where even dictatorship is a reality show Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the wild and bizarre heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West. When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system. Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

Costlow explores the central place the forest came to hold in a century of intense seeking for articulations of national and spiritual identity.

Red at Heart conjures a tale of cross-cultural romance from a topic that is normally seen in geopolitical or ideological terms--and thereby offers a new interpretation of twentieth century communism's most crucial alliance. This is the multigenerational history of people who experienced Sino-Soviet affairs most intimately: prominent Chinese revolutionaries who traveled to Russia in their youths to study, often falling in love and having children there. Their deeply personal memoirs, interviews with their children, and a vivid collection of documents from the Russian archives allow Elizabeth McGuire to reconstruct the sexually-charged, physically difficult, and politically dangerous lives of Chinese communists in the Soviet Union. The choices they made shaped not only the lives of their children, but also the postwar alliance between the People's Republic of China and Soviet Russia. Red at Heart brings to life a cast of transnational characters--including a son of Chiang Kai-shek and a wife of Mao Zedong--who connected the two great communist revolutions in human terms. Weaving personal stories and cultural interactions into political history, McGuire movingly shows that the Sino-Soviet relationship was not a brotherhood or a friendship, but rather played out in phases like many lifelong love affairs - from first love, early betrayal, and love children; through eventual marriage with its conveniences and annoyances, guarded optimism, and official heirs; to divorce, reconciliation, and a nostalgia that lingers even today. A century after 1917, this book offers a novel story about Chinese communism, the Russian Revolution's most geopolitically significant legacy.

WINNER OF THE WOLFSON PRIZE 2013 The extraordinary story of the Kremlin - from prize-winning author and historian Catherine Merridale Both beautiful and profoundly menacing, the Kremlin has dominated Moscow for many centuries. Behind its great red walls and towers many of the most startling events in Russia's history have been acted out. It is both a real place and an imaginative idea; a shorthand for a certain kind of secretive power, but also the heart of a specific Russian authenticity. Catherine Merridale's exceptional book revels in both the drama of the Kremlin and its sheer unexpectedness: an impregnable fortress which has repeatedly been devastated, a symbol of all that is Russian substantially created by Italians. The many inhabitants of the Kremlin have continually reshaped it to accord with shifting ideological needs, with buildings conjured up or demolished to conform with the current ruler's social, spiritual, military or regal priorities. In the process, all have claimed to be the heirs of Russia's great historic destiny.

I Found God in Soviet Russia, first published in 1959, is a profoundly moving account of author John Noble's religious epiphany while confined in a brutal Soviet prison following World War II. The book also recounts Noble's harrowing survival of the massive Allied fire-bombing of Dresden, where he and his family took shelter in the cellar of their home (which was partially destroyed during the raid). Following World War II, Noble, along with his father, were arrested in East Germany and held in several prison camps in Germany including the infamous Nazi-era Buchenwald. Noble is eventually transferred to Vorkuta in far northern Russia where he works in a coal mine. Sustained by his faith and devotion to God, Noble recounts his experiences, stories of his captors and fellow inmates, and the deep faith shown by many of the other prisoners. Of special note is a chapter devoted to three nuns who, as punishment for refusing to work, were placed outdoors in sub-zero weather in only lightweight-clothing. Miraculously, the nuns came through the ordeal without frostbite and were thereafter excused from work details. Following an imprisonment of nearly 10 years, Noble was eventually released to the West, and would go on to lecture about his experiences for the remainder of his life. I Found God in Soviet Russia complements the author's other book entitled I Was a Slave in Russia, which details the day-to-day life in the Soviet gulag.

"My goal is to show the reader that the Soviet political and economic system was unstable by its very nature. It was just a question of when and how it would collapse...." —From the Introduction to Collapse of an Empire The Soviet Union was an empire in many senses of the word—a vast mix of far-flung regions and accidental citizens by way of conquest or annexation. Typical of such empires, it was built on shaky foundations. That instability made its demise inevitable, asserts Yegor Gaidar, former prime minister of Russia and architect of the "shock therapy" economic reforms of the 1990s. Yet a growing desire to return to the glory days of empire is pushing today's Russia backward into many of the same traps that made the Soviet Union untenable. In this important new book, Gaidar clearly illustrates why Russian nostalgia for empire is dangerous and ill-fated: "Dreams of returning to another era are illusory. Attempts to do so will lead to defeat." Gaidar uses world history, the Soviet experience, and economic analysis to demonstrate why swimming against this tide of history would be a huge mistake. The USSR sowed the seeds of its own economic destruction, and Gaidar worries that Russia is repeating some of those mistakes. Once again, for example, the nation is putting too many eggs into one basket, leaving the nation vulnerable to fluctuations in the energy market. The Soviets had used revenues from energy sales to prop up struggling sectors such as agriculture, which was so thoroughly ravaged by hyperindustrialization that the Soviet Union became a net importer of food. When oil prices dropped in the 1980s, that revenue stream diminished, and dependent sectors suffered heavily. Although strategies requiring austerity or sacrifice can be politically difficult, Russia needs to prepare for such downturns and restrain spending during prosperous times. Collapse of an Empire shows why it is imperative to fix the roof before it starts to rain, and why so