Free Yourself From the Past & Live the Life you DesireIf you have ever found yourself blowing up over something seemingly minor, if you find that you're are unable to maintain a standard of happiness in your life, or ever felt stuck in your life unable to move through that stagnation---chances are that old stuffed emotions are causing your pain. Stuffed emotions are a collection of emotions that can be triggered anytime the emotion surfaces. An accumulation of stuffed emotions can trigger bodily symptoms, relationship woes, and financial crisis. Author, Janelle Christa breaks down emotions into four different states: paralytic, imprisoning, transitional, and expansive. She explains that ALL emotions are positive and only become negative when they are stuffed. (And how "positive" emotions such as joy, happiness, and forgiveness also get stuffed and they are the most detrimental to our health when we can't access them.) The Harmony Keys is a step-by-step guide that teaches you how to systematically identify these old stuffed emotions, what block they are creating, and how to release them once and for all. This system has been used on thousands of people with remarkable magic and miracles. Connect with Janelle Christa at www.janellechrista.com Follow Janelle Christa on Instagram @janelle_christa

This book will make keyboard harmony easier than ever to understand and to play. It's a complete step-by-step guide to keyboard chords and how they work. You'll find music and diagrams covering the basics, inversions, chord progressions and more, with fun-filled drills and superb, clear explanations to make chords easy to understand.

Key Zest arises from Harmony Korine's 2019 film The Beach Bum, which follows the misadventures of a poet named Moondog (Matthew McConaughey), a "rebellious burnout who only knows how to live life by his own rules." Set in Key West, Florida, and also starring Snoop Dogg, Isla Fisher, Zac Efron, Jimmy Buffett, Martin Lawrence and Jonah Hill, the movie tracks Moondog's comical mishaps and assignations, culminating in his unlikely fame after the publication of his memoirs, which are universally lauded and win him a Pulitzer Prize. Key Zest is a collection of Moondog's poems. Hilarious, preposterous and ribald, it includes such gems as "Alright, sunrise. / Let's get this party started." and "We can do whatever we want or nothing at all. / Eh, civilization." Harmony Korine writes, "Moondog is the greatest poet in the history of Key West. I read a few of these pages and loved every minute of it."

A workbook that discusses the main elements of tonal harmony, and contains numerous music examples and exercises for working. Particularly helpful to bridge the gap between Grade 5 and Grade 6 theory, and also very useful material for all higher-grade theory exam entrants, and for A Level, Diploma and undergraduate music students.

(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

This comprehensive study of harmony is a must for any musician interested in jazz. This book explains the essentials of jazz harmony in a friendly, easy-to-understand manner. A 12-key system is used to help you learn each concept in every key. Learn about rootless voicings, shell voicings, spread voicings, clusters, and how to select which voicings to use. Other topics include ii-V-I progressions, dominant chord cycles, Rhythm Changes," Giant Steps substitutions, thinking in modes, non-diatonic progressions and much more."

From the FOREWORD. In writing this book my aim has been not only to show the student how to manage and use the various possibilities, but also when to introduce them - a point which is obviously of prime importance. One so often encounters students who can talk glibly about the "treatment" of all kinds of chords, but who seem not to have the slightest idea of when to use them, or how to know when their use is implied in a given part. While the harmonisation of a melody or a bass is to a great extent dependent on the musical sensibility of the student, it has to be realised that certain melodic progressions imply, normally, certain definite harmonies, and these implications I have tried to make clear. Elementary work, at least, is largely compounded of commonplaces, and my object has been as far as possible to show how the underlying commonplace may be "spotted." An appendix on Figured Bass, for the benefit of those who use it in teaching, is published separately. It provides instruction and exercises on each chapter. The chapters and material have been arranged not only to provide a good grounding, but also to cover what is generally needed in the more elementary Harmony examinations, such as the paper work of the A.T.C.L., A.R.C.M., and L.R.A.M., and the whole book is based on my own practical experience in the teaching of Harmony. An attempt has also been made to show how exercises can be made reasonably interesting and flowing, by the early introduction of the unessential, and in particular Suspensions, which are often left to a later stage on account of their supposed difficulty. Actually they are easy enough to manage if dealt with on the lines indicated. The treatment of certain matters has been deliberately restricted and limited for the sake of clarity and simplicity; Modulation, for example, has been dealt with only in an elementary manner. The student is recommended to follow this book by my "Hints for Paper Work Candidates" (Hammond & Co. which will serve for general revision. Ample supplementary exercises are to be found in my "108 Exercises in Harmonisation," -W. Lovelock.