The Harmonic Organization Of The Rite Of Spring
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Author |
: Allen Forte |
Publisher |
: Yale University Press |
Total Pages |
: 168 |
Release |
: 1978-01-01 |
ISBN-10 |
: 0300105371 |
ISBN-13 |
: 9780300105377 |
Rating |
: 4/5 (71 Downloads) |
Synopsis The Harmonic Organization of The Rite of Spring by : Allen Forte
Forte here applies his analytical approach as set forth in The Structure of Atonal Music to one of the monuments of modern music. Together the introduction and the analysis, with its more than 100 musical examples, both illuminate the structure of the work and demonstrate the way in which Forte's method may be applied in the analysis of complex music. "[This study] is welcome and long overdue.. The influence of Allen Forte on contemporary music theory has been enormous, and The Harmonic Organization of "The Rite of Spring" has importance for a number of serious musicians, particularly, for disciples and others interested in set-theoretic approach, and for those interested in Stravinsky's work..Seeing the theory applied consistently to a specific work can show if it provides any true illumination of the work..This study should not be ignored."-Frank Retzel, Notes
Author |
: Craig Ayrey |
Publisher |
: Cambridge University Press |
Total Pages |
: 340 |
Release |
: 2004-01-29 |
ISBN-10 |
: 0521543975 |
ISBN-13 |
: 9780521543972 |
Rating |
: 4/5 (75 Downloads) |
Synopsis Analytical Strategies and Musical Interpretation by : Craig Ayrey
Interpretation is often considered only in theory, or as a philosophical problem, but this book demonstrates and reflects on the interpretive results of analysis.
Author |
: Allen Forte |
Publisher |
: Yale University Press |
Total Pages |
: 244 |
Release |
: 1973-01-01 |
ISBN-10 |
: 0300021208 |
ISBN-13 |
: 9780300021202 |
Rating |
: 4/5 (08 Downloads) |
Synopsis The Structure of Atonal Music by : Allen Forte
Describes and cites examples of pitch-class sets and relations in atonal music
Author |
: Jonathan Cross |
Publisher |
: Cambridge University Press |
Total Pages |
: 348 |
Release |
: 2003-07-24 |
ISBN-10 |
: 0521663776 |
ISBN-13 |
: 9780521663779 |
Rating |
: 4/5 (76 Downloads) |
Synopsis The Cambridge Companion to Stravinsky by : Jonathan Cross
Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
Author |
: Severine Neff |
Publisher |
: Indiana University Press |
Total Pages |
: 615 |
Release |
: 2017-04-27 |
ISBN-10 |
: 9780253024442 |
ISBN-13 |
: 0253024447 |
Rating |
: 4/5 (42 Downloads) |
Synopsis The Rite of Spring at 100 by : Severine Neff
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.
Author |
: Kenneth Gloag |
Publisher |
: Cambridge University Press |
Total Pages |
: 335 |
Release |
: 2013-01-17 |
ISBN-10 |
: 9781107021976 |
ISBN-13 |
: 1107021979 |
Rating |
: 4/5 (76 Downloads) |
Synopsis The Cambridge Companion to Michael Tippett by : Kenneth Gloag
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.
Author |
: Richard Taruskin |
Publisher |
: Univ of California Press |
Total Pages |
: 556 |
Release |
: 2016-09-06 |
ISBN-10 |
: 9780520288096 |
ISBN-13 |
: 0520288092 |
Rating |
: 4/5 (96 Downloads) |
Synopsis Russian Music at Home and Abroad by : Richard Taruskin
This new collection views Russian music through the Greek triad of “the Good, the True, and the Beautiful” to investigate how the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post–Cold War, and now post–9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky’s Sacre du Printemps or Prokofieff’s Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin’s authority and ability to bring living history out of the shadows.
Author |
: Anthony Pople |
Publisher |
: Cambridge University Press |
Total Pages |
: 248 |
Release |
: 2006-11-02 |
ISBN-10 |
: 0521028302 |
ISBN-13 |
: 9780521028301 |
Rating |
: 4/5 (02 Downloads) |
Synopsis Theory, Analysis and Meaning in Music by : Anthony Pople
There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
Author |
: Pieter C. van den Toorn |
Publisher |
: Univ of California Press |
Total Pages |
: 256 |
Release |
: 1996-01-01 |
ISBN-10 |
: 0520916441 |
ISBN-13 |
: 9780520916449 |
Rating |
: 4/5 (41 Downloads) |
Synopsis Music, Politics, and the Academy by : Pieter C. van den Toorn
Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends? Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.
Author |
: Louis Andriessen |
Publisher |
: Amsterdam University Press |
Total Pages |
: 315 |
Release |
: 2006 |
ISBN-10 |
: 9789053568569 |
ISBN-13 |
: 9053568565 |
Rating |
: 4/5 (69 Downloads) |
Synopsis The Apollonian Clockwork by : Louis Andriessen
The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.