(This is the TRUE STORY of Sister Act) The purpose of this book is to hold on to your innate gifts that God has endowed you with. Creative energy comes from the Creator, let no man rob you of your inspirations, your reflections and your spiritual awakening that only the Creator can endow you. There are those that want to abuse, snatch, rape, pillage, exploit and annihilate your gifts. They will do anything in their power to silence you from claiming what is rightfully yours. No one has a right to dehumanize you in your mystical and sacred space because you are destined to be here. Divine Gifts must be cherished from a force that is the beginning and the end of all things. Your soul energy is the energy that guides and leads you throughout time. I call on all of us to cherish our culture, our traditions, our spirit and heritage in a healing that is unrecognized by the forces of mankind. Let us live in the moment of the universe. Love of our universe and peace, love and harmony that balances the scale of justice. As the mountains bow to the valley and as the rivers and the lakes flow in silence as a lagoon, blessings to all as I share the memories of my life. (Buy the Book and contact the author: [email protected])

For fans of Hidden Figures and The Immortal Life of Henrietta Lacks 'The kind of history I wish I learned as a child dreaming of the stage!' MISTY COPELAND 'Vibrant, propulsive and inspiring' TIA WILLIAMS Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the lives of so many of the male dancers. It's about racism and activism through art. And it's about the eternal glamour of ballet; these swans appeared at the grandest opera houses and theatres, dancing at the White House, and even for the Queen. Their fans included Mick Jagger and they performed alongside the likes of Michael Jackson and Josephine Baker. But most importantly it tells the universal story of female friendship, and in particular how these five young women formed a bond - while experimenting with different ways of dying ballet shoes and tights to match their skin tones - which still endures many decades later.

The New York Times Book Review Editors' Choice • A one-volume selection of four novels in the legendary detective series—blistering, groundbreaking capers set in Harlem's criminal underworld—by master crime writer Chester Himes. With an introduction by New York Times bestselling author S.A. Cosby. “[Himes] put a spin on crime fiction—emphasizing urban atmosphere, street smarts, and uptown carryings-on—unlike anything the genre had previously seen.” —The Boston Globe “Himes’s Harlem saga vies with the novels of David Goodis and Jim Thompson as the inescapable achievement of postwar American crime fiction.” —The New York Times "His implacable drive to examine the Black experience, the disingenuous nature of the American Dream, the reality of pain and sorrow and what it does to the soul, that is what makes [Himes] the bard of the existential African American psyche." —S.A. Cosby, from his Introduction Here in one volume is an exceptional selection from Chester Himes's acclaimed Harlem Detectives series. Winner of France's prestigious Grand Prix de Littérature Policière and lauded by Jean Cocteau as a "prodigious masterpiece," A Rage in Harlem introduces detectives Grave Digger Jones and Coffin Ed Johnson in a searing escapade. In The Real Cool Killers, the duo investigates a shooting and discovers an unsettling personal connection. In The Crazy Kill, a man is found in a breadbasket, stabbed to death, leaving Himes's detectives to find out who among the many suspects did it. And in Cotton Comes to Harlem, the brazen robbery of a notorious con man running a back-to-Africa scam sets off a hunt for a bale of Southern cotton. These masterful novels exhibit Himes's evocative, baroque descriptions of Black life in Harlem and his famously blistering social commentary. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times. "The best writer of mayhem yarns since Raymond Chandler." —San Francisco Chronicle

A rip-roaring introduction to Coffin Ed Johnson and Grave Digger Jones, patrolling New York City’s roughest streets in the groundbreaking Harlem Detectives series. “[This] Harlem saga vies with the novels of David Goodis and Jim Thompson as the inescapable achievement of postwar American crime fiction.” —The New York Times For the love of fine, wily Imabelle, hapless Jackson surrenders his life savings to a con man who knows the secret of turning ten-dollar bills into hundreds—and then he steals from his boss, only to lose the stolen money at a craps table. Luckily for him, he can turn to his savvy twin brother, Goldy, who earns a living—disguised as a Sister of Mercy—by selling tickets to Heaven in Harlem. With Goldy on his side, Jackson is ready for payback.

A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions. The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.

The book centres on the spiritual and social dynamics of a priest whose uncle is the Don of the most powerful Mafia family in America. Father Don Carlos Albanese discovers the truism of the saying, 'blood is thicker than water', as he becomes an integral part of the Family. His hope is to assist in transforming the Family into a legitimate organisation, as it originally was in Sicily, wherein the Mafia sustained the Sicilians against foreign invaders and assisted the poor in time of need. In America, however, Don Albanese's quest proves to be challenging.

In Subversive Habits, Shannen Dee Williams provides the first full history of Black Catholic nuns in the United States, hailing them as the forgotten prophets of Catholicism and democracy. Drawing on oral histories and previously sealed Church records, Williams demonstrates how master narratives of women’s religious life and Catholic commitments to racial and gender justice fundamentally change when the lives and experiences of African American nuns are taken seriously. For Black Catholic women and girls, embracing the celibate religious state constituted a radical act of resistance to white supremacy and the sexual terrorism built into chattel slavery and segregation. Williams shows how Black sisters—such as Sister Mary Antona Ebo, who was the only Black member of the inaugural delegation of Catholic sisters to travel to Selma, Alabama, and join the Black voting rights marches of 1965—were pioneering religious leaders, educators, healthcare professionals, desegregation foot soldiers, Black Power activists, and womanist theologians. In the process, Williams calls attention to Catholic women’s religious life as a stronghold of white supremacy and racial segregation—and thus an important battleground in the long African American freedom struggle.

A tour of Harlem combines photographs with interviews to profile a community in transition, as money pours in to revitalize a once decaying cityscape, a situation that threatens the homes and livelihoods of long-time residents.

"Long on sass and spirit . . . brims with brio. . . As a politician/raconteur with a hell of a tale to tell, he sure has my vote."—The New York Times Book Review In this inspiring and often humorous memoir, the outspoken Democratic congressman from Harlem—later the chairman of the powerful House Ways and Means Committee—tells about his early years on Lenox Avenue, being awarded a Bronze Star and a Purple Heart for wounds sustained in a horrific Korean War battle (the last bad day of his life, he says), and his many years in Congress. A charming, natural storyteller, Rangel recalls growing up in Harlem, where from the age of nine he always had at least one job, including selling the legendary Adam Clayton Powell's newspaper; his group of streetwise sophisticates who called themselves Les Garçons; and his time in law school—a decision made as much to win his grandfather's approval as to establish a career. He recounts as well his life in New York politics during the 1960s and the grueling civil rights march from Selma to Montgomery. With New York street smarts, Rangel is a tough liberal and an independent thinker, but also a collegial legislator respected by Democrats and Republicans alike who knows and honors the House's traditions. First elected to Congress in 1970, Rangel served on the House Judiciary Committee during the hearings on the articles of impeachment of President Nixon, helped found the Congressional Black Caucus, and led the fight in Congress to pressure U.S. corporations to divest from apartheid South Africa. Best of all, this is a political memoir with heart, the story of a life filled with friends, humor, and accomplishments. Charles Rangel is one of a kind, and this is the story of how he became the celebrated person and politician he is today. He opens his memoir with a preface about the 2006 elections and an outline of his goals as chairman of Ways and Means. From day one he wants to put the public first so that more Americans can say they haven't had a bad day since.

Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katherine and the Sisters Who Shared Her Vision moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities—without receiving the bulk of the money left by Drexel's father. The author’s careful examination of the work Drexel and her Sisters accomplished in Philadelphia and elsewhere shows impacts on the Church while also revealing racial issues at work in the story. This brings a critical perspective to Drexel's ministry to further our understanding of the Black Catholic community and renew our commitment to the difficult, ongoing conversation about race in America.