Two married writers express their shared activism in a surprising range of styles and voices.

A comprehensive selection from Ferlinghetti's famed City Lights Pocket Poets Series, published on the 60th anniversary of its founding.

Drawing on Indigenous peoples' struggles against settler colonialism, Theft Is Property! reconstructs the concept of dispossession as a means of explaining how shifting configurations of law, property, race, and rights have functioned as modes of governance, both historically and in the present. Through close analysis of arguments by Indigenous scholars and activists from the nineteenth century to the present, Robert Nichols argues that dispossession has come to name a unique recursive process whereby systematic theft is the mechanism by which property relations are generated. In so doing, Nichols also brings long-standing debates in anarchist, Black radical, feminist, Marxist, and postcolonial thought into direct conversation with the frequently overlooked intellectual contributions of Indigenous peoples.

Throughout these stories, Robert Nichols' moral outrage is the more eloquent for being muted. His characters continually confront the intrusion of the grotesque and absurd into everyday life with an understated puzzlement reminiscent of Kafka's Joseph K. Depicting a world in which the comfortable and well-off are denied the luxury of isolation from those who suffer, these stories are---like Mr. Goss's unusually sensitive electric meter---a place 'where the invisible and hidden is measured.' Readers of Robert Nichols' short stories will find his United States of America to be a place that is at once familiar and yet strangely different.

In this remarkable tetralogy of short novels, Nichols envisions the nature of our communal, yet highly individualized society in which decentralized democracy, ecological sensibility, bioregional principles, and liberatory technologies are integrated into a traditional culture. It is a vision of utopia emerging out of the rich particularity of history and lived experience. First published in five separate volumes in the late 1970s, Daily Lives in Nghsi-Altai has never gained the recognition it deserves. It is an extraordinary contribution to both literary and theoretical utopianism and should be recognized both for its radical ideology and for the fecundity of the imagination that informs it at all moments. It is a beguiling and inventive mixture of hallucinogenic prose and poetry that has demonstrates a fiercely independent mind and talent at its pinnacle. This reissue includes the full series, Red Shift (with illustrations from Peter Schumann), Arrival, Gahr City, The Harditts in Sawna, and Exile. "As those lucky enough to have read Daily Lives in Nghsi-Altai know, Robert Nichols is one of our most profoundly original writers, his political passion, and acuteness transfigured by a visionary gleam." --Ursula K. Le Guin

Freedom and Democracy in an Imperial Context: Dialogues with James Tully gathers leading thinkers from across the humanities and social sciences in a celebration of, and critical engagement with, the recent work of Canadian political philosopher James Tully. Over the past thirty years, James Tully has made key contributions to some of the most pressing questions of our time, including: interventions in the history of moral and political thought, contemporary political philosophy, democracy, citizenship, imperialism, recognition and cultural diversity. In 2008, he published Public Philosophy in a New Key, a two-volume work that promises to be one of the most influential and important statements of legal and political thought in recent history. This work, along with numerous other books and articles, is foundational to a distinctive school of political thought, influencing thinkers in fields as diverse as Anthropology, History, Indigenous Studies, Law, Philosophy and Political Science. Critically engaging with James Tully’s thought, the essays in this volume take up what is his central, and ever more pressing, question: how to enact democratic practices of freedom within and against historically sedimented and actually existing relationships of imperialism?

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