This book tells a great philosophical tale. The backstory of this tale is simple: the famous philosopher Ludwig Wittgenstein published only one philosophical book during his lifetime: the Tractatus Logico-Philosophicus. He left the lion’s share of his philosophical writings to posterity in the form of unpublished manuscripts and typescripts amounting to more than 18,000 pages. In his will, Wittgenstein entrusted three of his former students – Elizabeth Anscombe, Rush Rhees and Georg Henrik von Wright – with the task of publishing from his writings what they thought fit. During the subsequent decades, these literary heirs edited the volumes that the learned world has come to know as the influential works of Wittgenstein. Now, the essays in this book tell about Wittgenstein’s literary heirs in their ambition to publish the writings of their beloved teacher. This history of the posthumous publication processes for Wittgenstein’s writings will extinguish the genius cult that still exists in some historiographies of philosophy. This cult is partly responsible for the impression that great philosophical works fall from the window of an ivory tower, in completed form, printed and bound, just in order to hit and inspire the next genius philosopher walking by. In actual fact, in the history of philosophy, there are a number of cases in which it takes the great philosophers’ pupils and followers to bring their teachers’ thought into a publishable form. Indeed, this is how literary tradition of Western philosophy begins. In the case of Wittgenstein’s writings, this book opens, at least to some extent, the black box of the discipulary production processes of the making of a classic philosopher.

Making extensive use of unique archival resources this collection presents, for the first time, an in-depth study of the work and influence of Wittgenstein's original literary heirs, Rush Rhees, Elizabeth Anscombe and Georg Henrik von Wright as editors of Wittgenstein's posthumous writings. Presenting philosophical portraits of Rhees, Anscombe and von Wright, a team of international contributors provide a history of their collaboration and discuss how the individual philosophical views of the literary heirs shaped what we now know as the works of Wittgenstein. They consider the link between philosophically relevant aspects of their biography, their friendship with Wittgenstein and the development of their philosophical personalities, offering us a new appreciation of the dynamics of their editorial collaboration and how each of the heirs worked individually as an editor to create Wittgenstein's philosophy. Each chapter reveals what the editors did to enrich and shape our understanding of Wittgenstein's philosophical contribution on topics such as rule-following, logical necessity, aesthetics and the methods and aims of philosophy. This thorough critical analysis of the editorial history of Wittgenstein's works allows us to finally appreciate the profound impact the editors have had on our understanding of his philosophy, his views and his cultural significance.

This “wicked, melancholy, and . . . astonishing” novel reimagines the lives of three wildly different men adrift in the 20th century: Ludwig Wittgenstein, Bertrand Russell, and G. E. Moore (Newsday). When Bruce Duffy’s The World As I Found It was first published, critics and readers were bowled over by its daring reimagining of the lives of three very different men, the philosophers Bertrand Russell, G. E. Moore, and Ludwig Wittgenstein. A brilliant group portrait with the vertiginous displacements of twentieth-century life looming large in the background, Duffy’s novel depicts times and places as various as Vienna 1900, the trenches of World War I, Bloomsbury, and the colleges of Cambridge, while the complicated main characters appear not only in thought and dispute but in love and despair. Wittgenstein, a strange, troubled, and troubling man of gnawing contradictions, is at the center of a novel that reminds us that the apparently abstract and formal questions that animate philosophy are nothing less than the intractable matters of life and death.

This work is a study and translation of the testimony given by witnesses at the canonization hearings of St. Elizabeth, who died at age twenty-four in 1231. The depositions offer vivid anecdotes about her life as well as the healing miracles that were associated with her shrine in Marburg.

In a quiet and unassuming way, Contraduction is utterly brilliant. Every page has a thought so deep and unexpected that it stops you in your tracks, as you not only realize, “That’s a different, really interesting way to think about the world, exactly the opposite of how I normally view things” but also, “And it is absolutely equally valid (and enriching) to adopt this opposite way of thinking.” I loved this book. — Robert Sapolsky, author of Behave and Determined. An ingenious word for an invaluable concept. Sharp, clear, and timely. — Steven Pinker, Johnstone Professor of Psychology, Harvard University, and the author of The Blank Slate and Rationality Both a delightful read and a penetrating argument: Barker has invented an invaluable new concept, and puts it to work with clarity, wit, and above all conclusiveness. A must-have book! — A. C. Grayling, author of The History of Philosophy and The God Argument I am completely down with the concept of contraduction. It fills a need. False pattern recognitions pose a real danger to our survival. Well done! — Ann Druyan, author (with Carl Sagan) of Cosmos, Contact, and Demon Haunted World I love it when brilliant ideas are conveyed clearly and soundly. That’s why I love this book. Dan Barker has provided a much-needed explication of a common fallacy that needs to be understood and rebutted. It is an engaging, enlightening, and insightful book.—Phil Zuckerman, author of Society Without God and What it Means to be Moral With Contraduction, Dan Barker gives us a new word—and a new way of looking at things. I thoroughly enjoyed this! So much to think about—and it made me laugh. What else could I ask for? — Kate Cohen, contributing columnist for the Washington Post and author of We of Little Faith I love how Dan Barker offers us a new word to help us understand how to think rationally in a fun, simple way. I will never look at my reflection in the mirror the same! — Bailey Harris, author of My Name is Stardust Barker has really created something mega with this book. WOW, what an absolutely awesome mind bender [mind fuck] contraductions are, while at the same time seeming very obvious. I give Contraduction 50 hell-yeahs! [fuck-yeahs!] (outta 50). — Zeke Piestrup, director of Apocalypse Later and Satan's Guide to the Bible Dan Barker's approach reminds me of Douglas Adams' famous Intelligent Design analogy about the rain puddle that "fits me rather neatly." A simple shift of perspective can be invaluable in our understanding, and Dan's fresh angle gives us plenty to consider. Simply put, I've never read anything quite like Contraduction, and that's a good thing. — Seth Andrews, Author of Deconverted: A Journey from Religion to Reason Contraduction is a delight and lights the way through complexity. Pound for pound, Dan Barker’s best book. — Ed Buckner, Author (with Michael Buckner) of In Freedom We Trust: An Atheist Guide to Religious Liberty A clarifying vision of the most baffling aspects of reality: from the simplest, such as our reflection in a mirror, to the most complex, such as time, evolution or the very existence of life. – Manel Salido, founder of "Razón o fe" and the author of ¡Fascinaos!: [Be Fascinated!] Una respuesta a las grandes preguntas.

This text combines study of the dynamic historical development of each religious tradition with a comparative thematic structure. Students are encouraged to discover and explore the nature of religious experience by comparing basic themes and issues common to all religions, finding connections with their own personal experiences. By sensitively introducing descriptive material within a comparative thematic structure, this text helps students to understand how each religion provides, for its adherents, patterns and meanings that make up a full way of life.

JPS is proud to reissue Cohen and Mendes-Flohr’s classic work, perhaps the most important, comprehensive anthology available on 20th century Jewish thought. This outstanding volume presents 140 concise yet authoritative essays by renowned Jewish figures Eugene Borowitz, Emil Fackenheim, Blu Greenberg, Susannah Heschel, Jacob Neusner, Gershom Scholem, Adin Steinsaltz, and many others. They define and reflect upon such central ideas as charity, chosen people, death, family, love, myth, suffering, Torah, tradition and more. With entries from Aesthetics to Zionism, this book provides striking insights into both the Jewish experience and the Judeo-Christian tradition.

Following the overwhelming success of AWKWARD and BRAVE, Svetlana Chmakova's award winning Berrybrook Middle School series continues with its next installment - CRUSH! Jorge seems to have it all together. He's big enough that nobody really messes with him, but he's also a genuinely sweet guy with a solid, reliable group of friends. The only time he ever really feels off his game is when he crosses paths with a certain girl... But when the group dynamic among the boys starts to shift, will Jorge be able to balance what his friends expect of him versus what he actually wants?

Carle is one of the most beloved illustrators of children's books. This retrospective is more than just an appreciation of his art, however. The book also contains an insightful autobiography illustrated with personal photographs, an anecdotal essay by his longtime editor, a photographic essay on how Carle creates his collages, and writings by Carle and his colleagues. Still, it is the artwork in the oversize volume that seizes the imagination. More than 60 of his full-color collage pictures are handsomely reproduced and serve as a statement of Carle's impressive talent. - Booklist

"This book documents the political and religious turmoil of seventeenth century Europe by exploring the life and doctrines of the German barber surgeon turned prophet, Ludwig Friedrich Gifftheil (1595-1661). Inspired by family tragedy and theosophical religious writings, between 1624 and 1661 Gifftheil stalked Europe's battlefields, petitioning kings, princes, and emperors to end the warfare endemic on the continent. Convinced that all conflict was prompted by 'false prophets'-by which Gifftheil meant the clergy of Europe's Christian confessions-he pleaded with rulers to abjure the counsel of their advisors and institute instead a godly peace. When this approach proved fruitless, Gifftheil reinvented himself by taking up his sword as 'God's warrior.' Thereby he embarked on a quest to recruit an army of the righteous to wage holy war, and establish peace with the blade of his sword. This work examines the growth and fallout of Gifftheil's mission and its reception among Europe's religious dissenters-including figures such as Abraham von Franckenberg and Quirinus Kuhlmann-as well as the results of his strivings in European political circles. Gifftheil's story reveals an alternative transnational history of religious and political dissent in the seventeenth century. It casts new light on the place of prophecy and madness in the negotiation of religious authority, the origins of the theosophical current, and the stranger apocalyptic impulses at the roots of Pietism and missionary Christianity"--