"There were tragic consequences, however. The Soviet authorities thought Berlin was a British spy, and Akhmatova, who was never a dissident, became an ideological enemy. Until her death in 1966 the KGB persecuted her and her family. Akhmatova was convinced that her meeting with Berlin had inadvertently started the Cold War, yet she remembered it gratefully and it inspired some of her finest love poems."--Jacket.

"There were tragic consequences, however. The Soviet authorities thought Berlin was a British spy, and Akhmatova, who was never a dissident, became an ideological enemy. Until her death in 1966 the KGB persecuted her and her family. Akhmatova was convinced that her meeting with Berlin had inadvertently started the Cold War, yet she remembered it gratefully and it inspired some of her finest love poems."--Jacket.

Now in paperback, the landmark biography of the preeminent liberal thinker of our time, from celebrated social critic Michael Ignatieff. of photos.

WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.

The instant New York Times bestseller. A brilliant recasting of the turning points in world history, including the one we're living through, as a collision between old power hierarchies and new social networks. “Captivating and compelling.” —The New York Times "Niall Ferguson has again written a brilliant book...In 400 pages you will have restocked your mind. Do it." —The Wall Street Journal “The Square and the Tower, in addition to being provocative history, may prove to be a bellwether work of the Internet Age.” —Christian Science Monitor Most history is hierarchical: it's about emperors, presidents, prime ministers and field marshals. It's about states, armies and corporations. It's about orders from on high. Even history "from below" is often about trade unions and workers' parties. But what if that's simply because hierarchical institutions create the archives that historians rely on? What if we are missing the informal, less well documented social networks that are the true sources of power and drivers of change? The 21st century has been hailed as the Age of Networks. However, in The Square and the Tower, Niall Ferguson argues that networks have always been with us, from the structure of the brain to the food chain, from the family tree to freemasonry. Throughout history, hierarchies housed in high towers have claimed to rule, but often real power has resided in the networks in the town square below. For it is networks that tend to innovate. And it is through networks that revolutionary ideas can contagiously spread. Just because conspiracy theorists like to fantasize about such networks doesn't mean they are not real. From the cults of ancient Rome to the dynasties of the Renaissance, from the founding fathers to Facebook, The Square and the Tower tells the story of the rise, fall and rise of networks, and shows how network theory--concepts such as clustering, degrees of separation, weak ties, contagions and phase transitions--can transform our understanding of both the past and the present. Just as The Ascent of Money put Wall Street into historical perspective, so The Square and the Tower does the same for Silicon Valley. And it offers a bold prediction about which hierarchies will withstand this latest wave of network disruption--and which will be toppled.

A new superfast space plane that skirts the edge of space, inbound on a two-hour jaunt to Hong Kong, collides with a satellite. Metals groan as if in pain. The aircraft slowly overturns. Suddenly the emergency floor lights extinguish. All manner of objects bounce and sail though the cabin. In the darkness some debris strikes passengers. Screams of injury join shouts of terror. Various tourists claw at their restraints, freed, they fall away into darkness. Bounding travelers kick, and swing their arms; scratching the bodies of other sightseers. Indescribable howls fill the fuselage. Deafening, hysterical shrieks eject from every throat. One, clear, horrified voice rises above the others. "GOD! GOD. OH GOD." The terrified screamer could be male or female, extreme fear reshapes the shouter's larynx. This is the ultimate roller-coaster ride. The grinding metal begins to sound musical like the screech of an electric guitar. The space plane lurches into the vastness of the stellar realm. With fuel exhausted and onboard life-gases spewing from its hull, the space plane drifts and twists through space. The vacationer's eyes bulge as they await catastrophe. Passengers draw lots to determine who will be among those saved, but unlike the Titanic, in "New York to Hong Kong in Two Hours!" there are no deferrals for women and children.

The Iron Curtain concealed from western eyes a vital group of national and regional writers. Marked by not only geographical proximity but also by the shared experience of communism and its collapse, the countries of Eastern Europe--Poland, Hungary, Albania, Romania, Bulgaria, and the former states of Yugoslavia, Czechoslovakia, and East Germany--share literatures that reveal many common themes when examined together. Compiled by a leading scholar, the guide includes an overview of literary trends in historical context; a listing of some 700 authors by country; and an A-to-Z section of articles on the most influential writers.

The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term "Cold War Culture" is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether -- or to what extent -- the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.

The Zhivago Affair is the dramatic, never-before-told story—drawing on newly declassified files—of how a forbidden book became a secret CIA weapon in the ideological battle between East and West. In May 1956, an Italian publishing scout went to a village outside Moscow to visit Russia’s greatest living poet, Boris Pasternak. He left carrying the manuscript of Pasternak’s only novel, suppressed by Soviet authorities. From there the life of this extraordinary book entered the realm of the spy novel. The CIA published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed from friend to friend. Pasternak’s funeral in 1960 was attended by thousands who defied their government to bid him farewell, and his example launched the great tradition of the Soviet writer-dissident. First to obtain CIA files providing proof of the agency’s involvement, Peter Finn and Petra Couvée take us back to a remarkable Cold War era when literature had the power to stir the world. (With 8 pages of black-and-white illustrations.)

In In Exile, Jessica Dubow situates exile in a new context in which it holds both critical capacity and political potential. She not only outlines the origin of the relationship between geography and philosophy in the Judaic intellectual tradition; but also makes secular claims out of Judaism's theological sources. Analysing key Jewish intellectual figures such as Walter Benjamin, Isaiah Berlin and Hannah Arendt, Dubow presents exile as a form of thought and action and reconsiders attachments of identity, history, time, and territory. In her unique combination of geography, philosophy and some of the key themes in Judaic thought, she has constructed more than a study of interdisciplinary fluidity. She delivers a striking case for understanding the critical imagination in spatial terms and traces this back to a fundamental – if forgotten – exilic pull at the heart of Judaic thought.