Throughout the 1990s, Dave Thompson was the Seattle-based contributing editor to Alternative Press magazine—America's biggest-selling and most influential alternative rock monthly—and a regular contributor to other publications both nationally and internationally. Throughout this decade, grunge music ruled the world and Seattle was its birthplace and focal point. Thompson was an eyewitness to it all. His writings and interviews chronicled the entire history of grunge—from its roots in the earliest explosion of punk in the mid-1970s to its rise and ultimate fall from grace in the late 1990s. Drawing from Thompson's extensive experience and research—from personal files and journals and hours of interviews with both musicians and fans, other music industry figures, and a wealth of characters from the Seattle scene—The Grunge Diaries is an exhaustive account of this unique era. Featured are all of the major acts—Nirvana, Pearl Jam, Mudhoney, Soundgarden—and many lesser known bands and artists. But it's not only about the music, the fashions, and the personalities that still resonate today. The Grunge Diaries also tells the tale of the end of an era in American history—twentieth-century music culture's last hurrah before the dot-com monsters (many of whom were themselves based in Seattle) devoured its soul and faceless corporations rebranded entertainment. These were the days when fame was still within reach of anyone who knew three chords and had three friends.

Experiencing Nirvana is a photo journal, grunge rock micro-history and an inside look into a crucial eight-day period in the touring life of Nirvana. In this brief period, the young band goes from breaking up in Rome to winning over the influential British music press at Sub Pop's LameFest U.K. showcase in London, setting the stage for their imminent popularity. Opening for Tad and Mudhoney at the Astoria Theatre in 1989, Nirvana's heart-pounding performance won over the crowd and changed the band's fate.

Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

The Nirvana bassist “offers specific platforms for electoral reform . . . as well as charming anecdotes about rock ‘n’ roll as a pursuit of happiness” (Sarah Vowell, The New York Times Book Review). A memoir of both music and politics, Of Grunge and Government tells Krist Novoselic’s story of how during his years with Kurt Cobain and Nirvana, the band made a point of playing benefits—the Rock for Choice show, a concert for gay rights, a fundraising gig for the Balkan Women’s Aid Fund—and how in the ensuing years he has dedicated himself to being a good citizen and participating in American democracy. In this book he shares stories about making music and making a statement—as well as inspiring ideas for anyone who wants to advance progressive causes, to become a more active part of the community, and to make sure our votes count and our voices are heard.

On May 18, 2017, Chris Cornell, lead vocalist for the rock band Soundgarden, is found dead in a hotel room in Detroit. It's been over twenty years since that short period of time marked by grunge and by that last wave of musical rebellion. Kurt Cobain of Nirvana and Layne Staley of Alice in Chains have been dead for years, and now fate has come for Cornell as well.A protagonist with an unknown name, with his sun and his time hanging over the world, moves away from home and family, from any errand and work life. He just wants to walk and write, write and talk with the last of those facing the audience, the last still alive, and still on stage. Eddie Vedder.We Were Grunge is the story of this arduous path, this wrangling of souls that bottomed out and now compete for anything left, in the meanness, passion, disgrace and truth, until the final count to figure out if there's still a difference between succumbing and resisting.

Grunge isn’t dead – but was it every truly alive? Twenty years after the height of the movement, The Strangest Tribe redefines grunge as we know it. Stephen Tow takes a second look at the music and community that vaulted the likes of Nirvana, Pearl Jam, Mudhoney, and Soundgarden to international fame. Chock-full of interviews with the starring characters, Tow extensively chronicles the rise of rock 'n' roll’s last great statement and contextualizes what the music really meant to the key players. Delving deep into the archives, Tow paints a vivid picture of the underground rock circuit of tattered warehouses and community centers. Seattle’s heady punk scene of the late '80s gave birth to a rowdy and raucous movement, influenced by metal, but wholly its own. Seattle made its own sound, a sound that came to be known internationally as grunge. Tow walks the reader through this sonic evolution, interviewing members of every band along the way. In 1991, Seattle’s sound took the world by storm--but this same storm had been brewing in the Pacific Northwest for a decade before it hit MTV. The Strangest Tribe is a reframing of this last transformative era in music. Not just plaid shirts, bleached hair, and angst, “grunge” is a word used to describe a rich community of artists and jokers.

Alexander Mackenzie was the first European to complete a land crossing of the continent of America north of Mexico, preceding the famous Lewis and Clark expedition by twelve years. In his journals he details two separate voyages: one up what is now known as the Mackenzie River to the Arctic Ocean in 1789, and another to what is now Bella Coola on the Pacific Ocean in 1792 and 1793. Both journals provide a detailed description of the many difficulties in navigating and traveling in a country that had yet to be mapped. Having to rely on Native guides and rumors, and enduring hardships that almost beggar belief, Mackenzie and his team were able to achieve their objective of finding an east to west land crossing through the Rocky Mountains and to the Pacific Ocean. Although his route didn’t prove as practical as routes found by later explorers, Mackenzie has cemented himself as a key explorer of Western Canada. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Set in the years between the meteoric launches of Madonna and Courtney Love, Petal Pusher takes readers on a stirring journey across rock and roll, from the big-haired 1980s to the grunge-filled 1990s, when Laurie Lindeen brought her all-girl band, Zuzu's Petals, to compete in the indie rock arena. Minneapolis in the eighties was a musical hotbed, the land of 10,000 lakes and 10,000 bands that gave birth to Prince, the Replacements, and Soul Asylum. For Laurie Lindeen it was the perfect place to launch her rock-and-roll dream. She moved to the city with her best friends Phyll ("Annie Oakley meets Patsy Cline") and Coleen ("former cheerleader gone off the arty deep end") to crash in decrepit apartments and coax punk rock from crappy used guitars. But unbeknownst to her friends, Laurie has a secret in her past -- a diagnosis of multiple sclerosis that fuels her passion to make it big on the local, national, and international rock scene. With inspiring determination, Laurie and her Zuzu's Petals survive the many challenges of being underdogs in a man's world. Then Laurie is thrown a curveball when she falls for Paul Westerberg of Replacements fame and reevaluates exactly what it means to "make it big." By turns hilarious and heartrending, Petal Pusher is a brilliant behind-the-scenes look at music on the front lines, and the awe-inspiring tale of one woman's fight against disease and the disillusionment of life in the rock underground.

Dirty Windshields is the long-awaited memoir from CBC host and award-winning author Grant Lawrence, baring all the salacious and hilarious details from his touring days as the lead singer of Vancouver-based rock and roll band The Smugglers. Formed when most of the members were still in high school, The Smugglers came of age during the height of the grunge explosion in the early 1990s, when Grant, working as a concert promoter, put on shows for Nirvana, Green Day and Bad Religion, among many others. In Dirty Windshields, Grant chronicles the band’s booze-fueled, sweaty, broke and wayward attempts at rock and roll glory as they trekked across Canada, the United States, and eventually, Europe and the Pacific Rim. In their sixteen years of touring, the Smugglers experienced all the highs and lows the road can offer, from playing a gig at New York’s legendary CBGB club to starting a riot in a Denver nightclub to having their performance tuxes stolen in Australia. Through the fights, sexual misadventures, new friendships, dance contests and mayhem, the band grew up together on the road. Told with Grant’s signature self-deprecating wit, the anecdotes develop into a compelling story of the growth of an independent, do-it-yourself touring band, a community, and a musical movement. So crack open a semi-cold can of Black Label beer, stick a Smugglers tape into the cassette deck and let the good times roll.

A stunningly candid portrait of the Seattle grunge scene of the '90s and a memoir of an addict during the last great era of rock 'n' roll excess, by Hole drummer Patty Schemel Patty Schemel's story begins with a childhood surrounded by the AA meetings her parents hosted in the family living room. Their divorce triggered her first forays into drinking at age twelve and dovetailed with her passion for punk rock and playing the drums. Patty's struggles with her sexuality further drove her notoriously hard playing, and by the late '80s she had focused that anger, confusion, and drive into regular gigs with well-regarded bands in Tacoma, Seattle, and Olympia, Washington. She met a pre-Nirvana Kurt Cobain at a Melvins show, and less than five years later, was living with him and his wife, Hole front-woman Courtney Love, at the height of his fame and on the cusp of hers. As the platinum-selling band's new drummer, Schemel contributed memorable, driving beats to hits like "Beautiful Son," "Violet," "Doll Parts," and "Miss World." But the band was plagued by tragedy and heroin addiction, and by the time Hole went on tour in support of their ironically titled and critically-acclaimed album Live Through This in 1994, both Cobain and Hole bassist Kristen Pfaff had died at the age of 27 With surprising candor and wit, Schemel intimately documents the events surrounding her dramatic exit from the band in 1998 that led to a dark descent into a life of homelessness and crime on the streets of Los Angeles, and the difficult but rewarding path to lasting sobriety after more than twenty serious attempts to get clean. Hit So Hard is a testament not only to the enduring power of the music Schemel helped create but an important document of the drug culture that threatened to destroy it.