This Collection Of Essays Is Meant To Be A Survey Of The Novel In Twelve Major Indian Languages During The Period 1950 To 1980. While Seeking To Bring Into Focus The Major Trends And Tendencies That Characterise The Growth Of The Novel In These Languages, The Book Atempts To Explore The Traditions Being Established In Indian Novel Today And The New Directions The Novel Is Likely To Take In Our Languages. Gobinda Prasad Sarma Convincingly Shows How The Assamese Novel Reflects The Assamese Society And How Experimentation With New Techniques Has Widened The Horizons Of Assamese Novel: And K. Sivathamby, Through A Brilliant Analysis Of The Interconnection Between The Societal Factors And Development Of The Novel, Portrays The Rise Of The Tamil Novel To New Heights During The Period. While I. K. Sharma Shows How Hindi Novel Has Passed Imperceptibly From The Wonderland Of Fancy To The Hinterland Of Society And The Borderland Of Psyche , Shyamala A. Narayan Predicts A Bright Future For Indian English Novel On The Basis Of Her Assessment Of Such Writers As Mulk Raj Anand, R. K. Narayan, Raja Rao, Manohar Malgonkar, Anita Desai And Arun Joshi. Jatindra Kumar Nayak Brings Out The Tension In Post-Independent Oriya Novel Between The Idealism Of The Freedom Struggle And The Values Of A Commercial Society; K. M. Tharakan Describes The Rich Complexity Hints At The Possibility Of A Blend Of Post-Modernist And Leftist Trends: And Ila Pathak Shows How In Gujrati The Traditional Novel And The Experimental Novel Are Growing Side By Side. To Lila Ray, Who Traces The Diverse Trends In Bengali Novel, The Most Remarkable Change Is In The Political Novel; But To Prabhakar Rao, Who Describes The Wide Range Of Exploration In Telugu Novel, The Telugu Novelist Appears Unable To Rise Above The Mediocre . Narinder Singh Sees Punjabi Novel At The Take -Off Stage But Gives A Word Of Caution Against The Increasing Use Of Colloquial Dialect By The Novelists; Seshagiri Rao Traces The Traditions Established In Kannada Novel By The Writers Of The Navodaya Period, Navya Period And The Progressive Movement. Finally, Balachandra Nemade, In His Inimitable Style, Anatomizes The Positive And Negative Trends In The Growth Of Marathi Novel And Gives A Passionate Call To Revolutionise Criticism And Cure Marathi Of Its Present Poverty Of Taste . This Book Is A Gateway To The Edifice Of Contemporary Indian Novel.

Issues for 1965- include section: Annual bibliography of Commonwealth literature, 1964-

Within the pages of this book lies a captivating journey that delves into the origin and development of the English novel, the realm of Indian English Writing, and the profound literary contributions of the renowned author, Chaman Nahal. Nahal's insightful work sheds light on the rift that emerged due to the insulating attitudes of the ruling class, unravelling the impact on both sides of this colonial encounter. As the narrative unfolds, the book meticulously traces the gradual encroachment of materialism within society, leading to a gradual erosion of spirituality. The multifaceted themes explored within these pages paint a vivid tapestry of human emotions and experiences. Love, affirmation, vanity, absurdity, existential questions of life and death, and the haunting memories of a traumatic partition are intricately woven into the fabric of Nahal's narrative. Through his novels, Nahal imparts a powerful message, urging readers to embrace life in its entirety. From the joyous celebrations to the tumultuous adversities, Nahal reveals that life is worth embracing, even in the face of its most challenging moments. His words resonate with an affirmative psychological orientation, guiding readers to manage their emotions in a way that fosters a sense of dignity and forges a path filled with hope. Within the pages of this exceptional book, readers will find themselves captivated by Nahal's mastery of storytelling and his ability to craft characters that resonate deeply within the human psyche. It is a book that leaves an indelible mark on the reader's soul, a testament to the enduring power of words and their ability to illuminate the depths of the human experience.

The literary canon implies the evaluation or estimation of certain literary texts as the most important during a particular time. The canon is not merely a set of texts; it is a set of standards, evaluative procedures and values. Belonging to a canon confers a guarantee of literary greatness. A canon is formed, by a particular group, to channelize cultural hegemony over others, or, can be constructed, by a governed group, to bring about cultural symmetry. The rise of diverse literatures in English in different parts of the world after the colonial rule of England was the consequence of an urge to articulate a cultural equilibrium or an urge to strike back. The process of canon formation is also a focused and bigoted act, and is always carried out to accomplish certain self-centred objectives. It is commonly accepted that canon formation is executed to accomplish or naturalize certain ideological functions. In the sphere of Indian English literature, Indian English fiction after the end of the 1980s has emerged as a new “canon”. This book looks into the process of literary canon formation in Indian universities, and examines such fiction as an alternative literary canon and as an anti-imperialistic response to the British literary canon. The book ascertains the anti-imperialistic design involved in forming the canon of post-1980 Indian English fiction, examines the gradual emerging trends in such fiction, and discerns the role of language, culture, and native ethos in the formation of a canon. It also differentiates post-1980s Indian English fiction from British fiction, bhasa fiction, and even from pre-1980s Indian English fiction.

This book is expected to be of great help to students and teachers in studying English literature especially in fiction and non-fiction writings Indian and African American literature. It deals with several ideologies and theories in order to evaluate the chosen authors in English.

"This is a remarkable collection of information on Indian women's writing written originally in English. Beginning from the 19th century, it introduces 444 writers of poetry and fiction. Now, it has been a part of common critical parlance to say that the Indian English women's writing is in ascendance. One aim of this bibliography is to illustrate this phenomenon and to emphasise the variety of writing. Writers included in the bibliography come from all over India and from the Indian diaspora all over the world. Another aim of this bibliography is to make us aware of the constructed nature of writerhood. A given writer's texts do not exist and circulate in a vacuum but in a context. We can see that Indian English women's writing is taking place. But, what we do not see is the critical establishment, that is, literary scholars and critics, taking much note of it."

This book is a comparative and developmental study of the expression of feminist concerns in the novels of Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande, among the best known and most prolific Indian novelists writing in English, who have been self-consciously engaged with women's issues during the postcolonial era.

The Book Compares The Fiction Of Milan Kundera And O.V. Vijayan In An Illuminating And Original Manner. Both Kundera And Vijayan Are Concerned With Problems Posed By Societies, Exposed To Totalitarianism. Abuse Of Political Power Was Endemic To Both Post-Stalinist Czechoslovakia And Post-Nehruvian India. The Method Of Juxtaposition Adopted By The Author While Analysing The Novels Of Kundera And Vijayan Leads To Interesting New Cross-Cultural Findings.