The contributors in this volume present a systematic survey of the struggles of Athens, Sparta and Thebes to dominate Greece in the fourth century - only to be overwhelmed by the newly emerging Macedonian kingdom of Philip II. Additionally, the situation of Greeks in Sicily, Italy and Asia is portrayed, showing the geographical and political diffusion of the Greeks in a broader historical context. This book will provide the reader with a clearly drawn and vivid picture of the main events and leading personalities in this decisive period of Greek history.

The contributors in this volume present a systematic survey of the struggles of Athens, Sparta and Thebes to dominate Greece in the fourth century - only to be overwhelmed by the newly emerging Macedonian kingdom of Philip II. Additionally, the situation of Greeks in Sicily, Italy and Asia is portrayed, showing the geographical and political diffusion of the Greeks in a broader historical context. This book will provide the reader with a clearly drawn and vivid picture of the main events and leading personalities in this decisive period of Greek history.

The contributors in this volume present a systematic survey of the struggles of Athens, Sparta and Thebes to dominate Greece in the fourth century - only to be overwhelmed by the newly emerging Macedonian kingdom of Philip II. Additionally, the situation of Greeks in Sicily, Italy and Asia is portrayed, showing the geographical and political diffusion of the Greeks in a broader historical context. This book will provide the reader with a clearly drawn and vivid picture of the main events and leading personalities in this decisive period of Greek history.

Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.

The Greek World479'¬ ;323 BChas been an indispensable guide to classical Greek history since its first publication. Simon Hornblower has comprehensively re-written and revised his original text, bringing it up-to-date for a new generation of readers. The extensive changes include: two important new chapters '¬ ;Argos, and the Peloponnesian War the incorporation of further primary sources more than thirty new illustrations the insertion of user-friendly subheadings a completely updated bibliography. With valuable coverage of the broader Mediterranean world in which Greek culture flourished, as well as close examination of Athens, Sparta, and the other great city-states of Greece itself, this third edition of a classic work is a more essential read than ever before.

The Greek World After Alexander 323–30 BC examines social changes in the old and new cities of the Greek world and in the new post-Alexandrian kingdoms. An appraisal of the momentous military and political changes after the era of Alexander, this book considers developments in literature, religion, philosophy, and science, and establishes how far they are presented as radical departures from the culture of Classical Greece or were continuous developments from it. Graham Shipley explores the culture of the Hellenistic world in the context of the social divisions between an educated elite and a general population at once more mobile and less involved in the political life of the Greek city.

What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

This Companion provides scholarly yet accessible new interpretations of Greek history of the Classical period, from the aftermath of the Persian Wars in 478 B.C. to the death of Alexander the Great in 323 B.C. Topics covered range from the political and institutional structures of Greek society, to literature, art, economics, society, warfare, geography and the environment Discusses the problems of interpreting the various sources for the period Guides the reader towards a broadly-based understanding of the history of the Classical Age

With its mixture of famous battles and storied commanders, warfare in 4th century B.C. Greece has long held a fascination for military enthusiasts and the general public alike. Histories, biographies, and popular culture have turned the exploits of noted generals like Xenophon and Iphicrates of Athens, Epaminondas of Thebes, and the father-son team of Philip II and Alexander the Great of Macedonia into the stuff of legend. Drawing from ancient accounts along with suitable analogs, this detailed work offers meticulous reconstructions of 187 of the 4th century's most significant land engagements, considering tactical patterns, evolving trends, and the lasting impact of the era's most influential military minds. By separating myth from reality, these recreations provide incredible insight into past ways of war that continue to influence the course of combat today.