Excerpt from The Greek Romances in Elizabethan Prose Fiction I am under Obligations to the authorities Of the Libraries of Columbia, Harvard, Princeton, and the University of Michigan, for many cour tesies. To the owner of the Clifford and Ashburnham Manuscripts of the Old Ar cadia, who prefers to remain unnamed, and to Mr. A. T. Porter of London, both Of whom most kindly allowed me the free use of their property, my special acknowledgments are due. My friend Dr. S. M. Tucker, Professor of Eng lish at the Brooklyn Polytechnic Institute, gave me indispensable assistance in seeing this book through the press. To Professor A. H. Thorn dike, Of Columbia University, I am obliged for many excellent suggestions. Professor Woodberry was the onlie begetter of the studies which have at last issued in this book; and my indebtedness to him is greater than I can express or he would own. Professor J. B. Fletcher, of Columbia University, has given freely his valuable advice and criticism, as well as a personal interest and encouragement without which my work, however auspiciously begun. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is the first study to relate the Greek romances to Elizabethan drama. It focuses upon the Greek romance materials in Shakespeare's plays to clarify the background of his art and to illuminate the relationship between the two literatures. The Greek romance tradition is described historically and traced through the works of Boccaccio and Cervantes, as well as other continental and English writers. Then, full attention is given to those plays of Shakespeare which utilize the Greek materials. The notes are full and, with the aid of the extensive index, can serve as a manual of the Greek romance materials in Renaissance literature. A bibliographic appendix lists the known editions, translations, and adaptations of Greek romances from about 1470 to about 1642. The manuscript history is reviewed briefly. Thorough, careful, the book will be indispensable for concerned scholars and libraries.

Delve into the enchanting world of ancient literature with Essays on the Greek Romances by Elizabeth Hazelton Haight. This compelling collection invites readers to explore the rich narratives and cultural significance of Greek romance, revealing the timeless themes that resonate through the ages. As you journey through these essays, consider this thought-provoking question: How do the romantic ideals of ancient Greece continue to influence modern storytelling? Haight offers insightful analysis, illuminating the connections between past and present.In her essays, Haight dissects various Greek romances, examining their plots, characters, and underlying philosophies. Her eloquent prose and thorough research provide a window into the historical context and literary traditions that shaped these narratives, making them accessible to contemporary readers. Are you ready to uncover the layers of meaning within these classic tales?Essays on the Greek Romances is essential reading for lovers of literature and history alike, offering a deeper understanding of the romantic tradition that has inspired countless authors over the centuries. Haight’s exploration invites readers to appreciate the beauty and complexity of these ancient works. Don’t miss the chance to enrich your literary knowledge. Purchase Essays on the Greek Romances now and embark on a captivating exploration of love and storytelling!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Essays on the Greek Romances Original Author: Elizabeth Hazelton Haight Edited/Added and Translated By: M. Meenachi Sundaram TABLE OF CONTENTS Essays on the Greek Romances. 1 PREFACE.. 4 ESSAYS ON THE GREEK ROMANCES. 7 Chapter I : THE GREEK ROMANCES AND THEIR RE-DATING.. 7 Chapter II : CHARITON’S CHAEREAS AND CALLIRHOE.. 18 Chapter III: THE EPHESIACA OR HABROCOMES AND ANTHIA BY XENOPHON OF EPHESUS 36 Chapter IV: THE AETHIOPICA OF HELIODORUS. 54 Chapter V: THE ADVENTURES OF LEUCIPPE AND CLITOPHON BY ACHILLES TATIUS 80 Chapter VI: THE LESBIAN PASTORALS OF DAPHNIS AND CHLOE BY LONGUS. 98 Chapter VII : LUCIAN AND HIS SATIRIC ROMANCES: THE TRUE HISTORY AND LUCIUS OR ASS 117 Chapter VIII: A COMPARISON OF THE GREEK ROMANCES AND APULEIUS’ METAMORPHOSES 148 INDEX.. 160 ABOUT THE AUTHOR.. 173 PREFACE If all the world loves a lover, as the old proverb says, then this my book should win wide fame. For these Greek Romances of the first to the fourth century of our era seem still to be singing the immemorial refrain from the old spring-time song of “The Vigil of Venus”: Cras amet qui numquam amavit, quique amavit cras amet. “Let those love now, who never lov’d before; Let those who always lov’d, now love the more.” At a time when fiction is the most popular form of literature, these wonderful old Greek stories of love, adventure and worship are half forgotten and rarely read except by the scholar. Yet here, as in epic, lyric, elegy, drama, oratory and history, the Greeks were pioneers. In the second and third centuries they had created four different types of romance (of love, of adventure, the pastoral, the satiric) which were to have great influence on French, Italian and English fiction. The student of comparative literature, the student of the history of fiction cannot afford to neglect these pioneer Greek novels. Their appeal, however, should be just as great for the general reader as for the scholar. For here are stories that mirror the life of the Mediterranean world in the Roman Empire with all its new excitements of travel, piracy, kidnapping, the new feminism, the new religious cults. And through all the different types of romance except viii the satiric the Love-God holds supreme sway over the hearts of men. So human, so vivacious are the love-stories that I offer to my readers Longus’ assurance of profit in his introduction to his Pastoral Romance:

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.