"The Fourth Evangelist understood the elements of Greek drama and employed them to construct the Gospel's plot. Scholars of literary criticism in the Bible and students of drama alike will find in this text a detailed, compelling, and interdisciplinary study that will answer questions left open by prevailing theories and launch avenues of research that have yet to be explored."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In The Adaptable Jesus of the Fourth Gospel, Jason S. Sturdevant argues that the Gospel of John portrays Jesus as an adaptable teacher, who accommodates to different people in various ways to a singular end, to bring each to faith. In the same way, the Logos accommodates to humanity via the incarnation. Adaptability serves as both an interpersonal and universal category. Early Christian interpretations of John, especially that of John Chrysostom, describe the Jesus of John by echoing characterizations of the ideal Greco-Roman pedagogue, adapting to his diverse students. By looking to such interpretations, as well as illumination from the milieu of the Fourth Evangelist, Jason S. Sturdevant provides a new lens through which to understand the characterization of the Johannine Jesus.

Arguing that the thought-world of the Gospel is Jewish, not Greek, and that the text is composed over an extended period as the evangelist responded to the changing situation of the community, this book offers a partial answer to a key question: how did Christianity emerge from Judaism?

Using various narrative approaches and methodologies, an international team of forty-four Johannine scholars here offers probing essays related to individual characters and group characters in the Gospel of John. These essays present fresh perspectives on characters who play a major role in the Gospel (Peter, Nicodemus, the Samaritan woman, Thomas, and many others), but they also examine characters who have never before been the focus of narrative analysis (the men of the Samaritan woman, the boy with the loaves and fishes, Barabbas, and more). Taken together, the essays shed new light on how complex and nuanced many of these characters are, even as they stand in the shadow of Jesus. Readers of this volume will be challenged to consider the Gospel of John anew.

Craig Koester's respected study uses the symbolic language of the Gospel of John as a focus to explore "the Gospel's literary dimensions, social and historical context, and theological import." This edition is fully revised and updated and includes a number of new sections on such topics as Judas and the knowledge of God. Fresh treatments are given on a number of issues, including the Gospel's Christology. This new edition offers both new insights and proven worth for students and scholars alike.

Here is a sustained literary-critical reading of John's Gospel in terms of mystical theology. Arguing that John "is guiding, perhaps at times impelling, the reader along a path that leads from conversion through Christian initiation to mystical enlightenment and union," Professor Countryman suggests that this concern controls the Gospel's literary structure and unity. He demonstrates this argument through a fresh and readable translation of the Fourth Gospel, offering a new way of reading John that has direct relevance to Christian life today. The chapters in the book follow the progress of the would-be mystic from initial conversion through baptism and Eucharist to mystical enlightenment. In addition to this mystical program, and integrated with the narrative of the Gospel, is a theological interpretation of Jesus which explains why he is centrally important for the mystic. "An appealing and attractive interpretation that deserves close attention." Adris Newsletter L.William Countryman is Professor of New Testament at the Church Divinity School of the Pacific and the author of many books, including Good News of Jesus, The Language of Ordination, and Biblical Authority or Biblical Tyranny all published by Trinity Press International.

“Those who eat my flesh and drink my blood abide in me, and I in them.” Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel—an explanation that he argues would hardly have surprised some of the Gospel’s early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides’s play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals, but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death—and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides’s Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest Evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.