With a well-earned reputation for tolerance of both prostitution and miscegenation, New Orleans became known as the Great Southern Babylon in antebellum times. Following the Civil War, a profound alteration in social and economic conditions gradually reshaped the city's sexual culture and erotic commerce. Historian Alecia P. Long traces sex in the Crescent City over fifty years, drawing from Louisiana Supreme Court case testimony to relate intriguing tales of people both obscure and famous whose relationships and actions exemplify the era. Long uncovers a connection between the geographical segregation of prostitution and the rising tide of racial segregation. She offers a compelling explanation of how New Orleans's lucrative sex trade drew tourists from the Bible Belt and beyond even as a nationwide trend toward the commercialization of sex emerged. And she dispels the romanticized smoke and perfume surrounding Storyville to reveal in the reasons for its rise and fall a fascinating corner of southern history. The Great Southern Babylon portrays the complex mosaic of race, gender, sexuality, social class, and commerce in turn-of-the-twentieth-century New Orleans. "Long brilliantly charts the historical roots and evolution of the culture of commercial sexuality in New Orleans.... The result is a landmark book all should read." -- Darlene Clark Hine, coauthor of A Shining Thread of Hope: The History of Black Women in America

From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans's longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy. In particular, Lulu White—a mixed-race prostitute and madam—created an image of herself and marketed it profitably to sell sex with light-skinned women to white men of means. In Spectacular Wickedness, Emily Epstein Landau examines the social history of this famed district within the cultural context of developing racial, sexual, and gender ideologies and practices. Storyville's founding was envisioned as a reform measure, an effort by the city's business elite to curb and contain prostitution—namely, to segregate it. In 1890, the Louisiana legislature passed the Separate Car Act, which, when challenged by New Orleans's Creoles of color, led to the landmark Plessy v. Ferguson decision in 1896, constitutionally sanctioning the enactment of "separate but equal" laws. The concurrent partitioning of both prostitutes and blacks worked only to reinforce Storyville's libidinous license and turned sex across the color line into a more lucrative commodity. By looking at prostitution through the lens of patriarchy and demonstrating how gendered racial ideologies proved crucial to the remaking of southern society in the aftermath of the Civil War, Landau reveals how Storyville's salacious and eccentric subculture played a significant role in the way New Orleans constructed itself during the New South era.

"Between 1897 and 1917, a legal red-light district thrived at the edge of the French Quarter, helping establish the notorious reputation that adheres to New Orleans today. Though many scholars have written about Storyville, no thorough contemporary study of the blue books?directories of the neighborhood?s prostitutes, featuring advertisements for liquor, brothels, and venereal disease cures?has been available until now. Pamela D. Arceneaux?s examination of these rare guides invites readers into a version of Storyville created by its own entrepreneurs. A foreword by the historian Emily Epstein Landau places the blue books in the context of their time, concurrent with the rise of American consumer culture and modern advertising. Illustrated with hundreds of facsimile pages from the blue books in The Historic New Orleans Collection?s holdings, Guidebooks to Sin illuminates the intersection of race, commerce, and sex in this essential chapter of New Orleans history" --from the publisher.

MURDER IN BABYLON is a real-life historical detective story: a true tale of murder and mystery that has remained untold for over two thousand years. Recreating the scene of the crime to reveal eight suspects, each with the motive and opportunity to have assassinated the king. Graham Phillips uncovers a maze of intrigue, power-play and romantic tragedy that led inevitably towards Alexander's death. Ultimately, in a dramatic twist in the tale, the murderer is finally unveiled.

From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans's longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy. In particular, Lulu White -- a mixed-race prostitute and madam -- created an image of herself and marketed it profitably to sell sex with light-skinned women to white men of means. In Spectacular Wickedness, Emily Epstein Landau examines the social history of this famed district within the cultural context of developing racial, sexual, and gender ideologies and practices. Storyville's founding was envisioned as a reform measure, an effort by the city's business elite to curb and contain prostitution -- namely, to segregate it. In 1890, the Louisiana legislature passed the Separate Car Act, which, when challenged by New Orleans's Creoles of color, led to the landmark Plessy v. Ferguson decision in 1896, constitutionally sanctioning the enactment of "separate but equal" laws. The concurrent partitioning of both prostitutes and blacks worked only to reinforce Storyville's libidinous license and turned sex across the color line into a more lucrative commodity. By looking at prostitution through the lens of patriarchy and demonstrating how gendered racial ideologies proved crucial to the remaking of southern society in the aftermath of the Civil War, Landau reveals how Storyville's salacious and eccentric subculture played a significant role in the way New Orleans constructed itself during the New South era.

A gripping portrait of black power politics and the struggle for civil rights in postwar Oakland As the birthplace of the Black Panthers and a nationwide tax revolt, California embodied a crucial motif of the postwar United States: the rise of suburbs and the decline of cities, a process in which black and white histories inextricably joined. American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension. American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership. Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.

New Orleans occupies a singular position within American life. Drawing deeply from Old World traditions and New World possibilities, the port city of the Mississippi has proved a lure to an extraordinary variety of travellers from its very earliest days. New Orleans has always been a world city like no other: it combines the magnolia and moonlight appeal of Southern romanticism, a popular sense of exoticism and decadence, the hint of illicit sex, and a cultural history without compare. However, alongside the glamour there runs another story - of tension, conflict, hardship and destruction. It was in the nineteenth century that the city's most distinctive characteristics were forged, and chapters will be based around signal moments that reveal the city's essential qualities: the Battle of New Orleans in 1815; the World's Fair in 1884; the establishment of Storyville in 1897. Whilst painting a portrait of the public face of New Orleans, the book will look behind the carnival mask to explore aspects of the city's history which have so often been kept hidden from view.

The classic apocalyptic novel that stunned the world.

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson’s early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter. A Sojourn in Paradise: Jack Robinson in 1950s New Orleans features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson’s life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson’s photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city’s history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson’s early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society’s grip and open to exploring life on his own terms.

Peter Clarks ministerial journey provides an in-depth understanding of the sacrifices and hardships faced by black Methodist preachers as they spread the gospel and expanded Methodism in the late nineteenth century and early twentieth century. It provides deep insight into the racial attitudes and economic conditions that prevailed in post-Reconstruction Louisiana. - Angella Current-Felder, author, Breaking Barriers: An African American Family & the Methodist Story I could feel the story better than most because I had been down some of the same roads Peter Clark traveled, although a hundred years later and under more comfortable circumstances. - Rev. James L. Killen, Jr., author, Pastoral Care in the Small Membership Church We sensed Peter Clarks strength and leadership throughout this very turbulent and racially charged time in our history. He would have been honored to have his life written about with such loving care. - Rev. Cindy Foster Serio, spiritual director and retreat leader, Mosaic Spiritual Formation Ministry The information regarding tuberculosis is insightful. The biography walks the reader through some very important points and offers some food for thought on the thinking at the time and implications for the race, the individual and the family unit. - Dr. Lisa Armitige, medical consultant, Heartland National TB Center