In landmass and population, Scotland is a fairly small country but in terms of making an impact on the world throughout history, she has regularly punched above her weight. This small reference work highlights Scotland's key movers and shakers: political leaders, inventors, engineers, doctors, writers, kings, artists, sports personalities, singers, actors... Brief biographical data is given for each entry. Updated edition.

Robert Bruce was Scotland's greatest king ever. The Bruce, as he was known, was crowned King of Scots in 1306, a time when the ancient kingdom of Scotland was under English occupation. When King Robert began his reign, his first two battles were losses. Yet from 1307- 1313, The Bruce won battle after battle.

Great Scots, A Very Peculiar History looks at a whole host of great (and not so great) Scots and their influence on the world. The book features a short history of each person, detailing their achievements, personalities and lifestyles in a quirky and memorable way. Including chapters about Scots in power, scientific Scots, scandalous Scots and many, many more, Great Scots, A Very Peculiar History celebrates the men and women who have helped to shape Scottish history.

Originally published in 1966, this was the first book on this subject to be published for over a hundred years. It covers all facets including little-known types of Gaelic song, the bagpipes and their music, including the esoteric subject of pibroch, the Ceol Mor or ‘Great Music’ of the pipes. It gives a comprehensive review of the fiddle composers and their music, and of the Clarsach and its revival, with an example of all-but-extinct Scottish harp music. A chapter is devoted to the music of Orkney and Shetland and the book contains over 100 examples of music many of which were from the author’s own collection and published here for the first time.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.