Philosophers have not appreciated how pervasive and deep division of labor is, and consequently they have not noticed the many intellectual devices deployed in managing it. The Great Endarkenment makes the case that those devices are central pieces of puzzles that have traditionally been on philosophers' agendas.

Human beings have always been specialists, but over the past two centuries division of labor has become deeper, ubiquitous, and much more fluid. The form it now takes brings in its wake a series of problems that are simultaneously philosophical and practical, having to do with coordinating the activities of experts in different disciplines who do not understand one another. Because these problems are unrecognized, and because we do not have solutions for them, we are on the verge of an age in which decisions that depend on understanding more than one discipline at a time will be made badly. Since so many decisions do require multidisciplinary knowledge, these philosophical problems are urgent. Some of the puzzles that have traditionally been on philosophers' agendas have to do with intellectual devices developed to handle less extreme forms of specialization. Two of these, necessity and the practical `ought', are given extended treatment in Elijah Millgram's The Great Endarkenment. In this collection of essays, both previously published and new, Millgram pays special attention to ways a focus on cognitive function reframes familiar debates in metaethics and metaphysics. Consequences of hyperspecialization for the theory of practical rationality, for our conception of agency, and for ethics are laid out and discussed. An Afterword considers whether and how philosophers can contribute to solving the very pressing problems created by contemporary division of labor. "These always interesting, often brilliant, and contentious essays focus on the question of how we need to reason practically, if we are to flourish, given Millgram's account of our human nature and of the environments that we inhabit. The originality of his thought is matched by his clarity and his wit."--Alasdair MacIntyre, University of Notre Dame

The poet employs colloquial diction, references pop and classical culture, and travels at 1000 miles per hour in his fourth collection. For those who think contemporary poetry is about abject confessions, vacation in Provence and opaque ‘academicisms,’ McDaniel is an intro to a new world.

Games are a unique art form. They do not just tell stories, nor are they simply conceptual art. They are the art form that works in the medium of agency. Game designers tell us who to be in games and what to care about; they designate the player's in-game abilities and motivations. In other words, designers create alternate agencies, and players submerge themselves in those agencies. Games let us explore alternate forms of agency. The fact that we play games demonstrates something remarkable about the nature of our own agency: we are capable of incredible fluidity with our own motivations and rationality. This volume presents a new theory of games which insists on games' unique value in human life. C. Thi Nguyen argues that games are an integral part of how we become mature, free people. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. We can pursue goals, not for their own value, but for the sake of the struggle. Playing games involves a motivational inversion from normal life, and the fact that we can engage in this motivational inversion lets us use games to experience forms of agency we might never have developed on our own. Games, then, are a special medium for communication. They are the technology that allows us to write down and transmit forms of agency. Thus, the body of games forms a "library of agency" which we can use to help develop our freedom and autonomy. Nguyen also presents a new theory of the aesthetics of games. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. They are unlike traditional artworks in that they are designed to sculpt activities - and to promote their players' aesthetic appreciation of their own activity.

Hard Truths is a groundbreaking new work in whichnoted philosopher Elijah Millgram advances a new approach to truthand its role in our day-to-day reasoning. Takes up the hard truths of real reasoning and draws out theirimplications for logic and metaphysics Introduces and takes issue with prevailing views of thepurpose of truth and the way we reason, including deflationismabout truth, possible worlds treatments of modality, andantipsychologism in philosophy of logic Develops philosophically ambitious ideas in a style accessibleto non-specialists Will make us rethink the place of metaphysics in our dailylives

"I'd rather have one or two of his whiplashing essays in my hands than almost any tome of philosophy". -- Thomas Moore

Whether Jeffrey McDaniel is denouncing insomnia ("4,000 A.M."), exploring family tragedy ("Ghost Townhouse"), or celebrating love and lust ("The Biology of Numbers"), his writing is original and provocative. A noted poet, McDaniel has appeared on ABC’s Nightline and NPR’s Talk of the Nation. "Wild, fierce, irreverent, full of praise and lament, and deeply, intensely human." — Thomas Lux

Examines how practical reasoning can be put into the service of ethical and moral theory.

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in thelong-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory andartistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest.The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectualengagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt. Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.