"In this well-researched book, Fradkin contends that it was the people of San Francisco, not the forces of nature, who were responsible for the extent of the destruction and death."--"Booklist."

"1906 San Francisco comes to life in this unique collection of over 100 original stereo photographs (viewer included) of the "City-by-the-Bay". These haunting 3-D images were created before, during and after the earthquake and fire.

A collection of essays accompany this collection of photos of San Francisco following the 1906 earthquake and fire, juxtaposed with photos of the city today.

“I believe I can just see you on the streets of that bright city.” Gran’s gone now, but her words live on with Nicholas Dray, almost twelve, as he makes his way from the hot cotton fields to that Queen of Cities: San Francisco. Nick’s on his own for the first time, with nowhere to turn. Then he meets jaunty, talkative Pat Patterson, owner of the most beautiful store–and the friendliest golden dog–in all the city. And for the first time in months, Nick feels safe. Safe in San Francisco. But the year is 1906, the month is April, and early one morning the walls begin to shake. The floor begins to buckle. And the earth opens up. A devastating earthquake and then raging firestorms ravage the city, and Nick is right in the middle of it all. But for a young boy who’s got few ties and nothing to lose, what’s the right choice: escape to safety or stay–at deadly risk–to help others? From acclaimed author Deborah Hopkinson comes a suspenseful and carefully researched novel of the Great 1906 San Francisco Earthquake and Fire and of one boy’s heroic fight to survive it.

Several years after Jack London’s death, his wife Charmian released a 2-volume biography of his life. Volume I starts with the origins of his parents, John and Flora, and covers Jack’s childhood and early life growing up in the San Francisco Bay Area. It also covers his oyster pirating, Klondike trips, and time spent riding the railroads. The book is full of his letters to Cloudesley Johns, Anna Strunsky, and others. The first volume ends with his voyage to Asia to cover the Japanese-Russian War. Volume II starts with his return from Korea after war-reporting and his divorce from his first wife. It covers their trip on the Snark and trips to New York and around Cape Horn. The 'bad year' when his house burns is described in detail, as is a return to Hawaii and the start of World War I. The volume ends with Jack's death in 1916.

During the first hundred years of Chinese immigration--from 1848 to 1943--San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler shines a light on this little-known chapter in our history--and gives us a vivid portrait of the safe house to which enslaved women escaped. The Occidental Mission Home, situated on the edge of Chinatown, served as a gateway to freedom for thousands. Run by a courageous group of female Christian abolitionists, it survived earthquakes, fire, bubonic plague, and violent attacks. We meet Dolly Cameron, who ran the home from 1899 to 1934, and Tien Fuh Wu, who arrived at the house as a young child after her abuse as a household slave drew the attention of authorities. Wu would grow up to become Cameron's translator, deputy director, and steadfast friend. Siler shows how Dolly and her colleagues defied convention and even law--physically rescuing young girls from brothels, snatching them from their smugglers--and how they helped bring the exploiters to justice. Riveting and revelatory, The White Devil's Daughters is a timely, extraordinary account of oppression, resistance, and hope.

"At 5:12 A.M. on the morning of April 18, 1906, San Francisco was struck by one of the worst earthquakes ever recorded, a disaster that instantly killed hundreds and leveled large sections of the city. The quake has become a watershed event in American history, yet with the passage of time its drama has overshadowed the even greater calamity to which it gave rise: the fires that broke out as the result of toppling chimneys, broken flues, and severed gas lines. These blazes burned for days and were ultimately responsible for the deaths of as many as three thousand people, the destruction of more than five hundred blocks and twenty-eight thousand buildings, and the dislocation of some two hundred thousand residents." "In San Francisco Is Burning, Dennis Smith recounts the three terrible days of the tragedy with an almost cinematic immediacy, tracing the drama through the experiences of a number of people who lived it: a valiant naval officer who helped save the city's piers and wharves, the corrupt mayor, a firefighter who witnessed firsthand the staggering intensity of the fires, a woman who ran a shelter in Chinatown, and the army general who took command of the city and inadvertently placed the city and its people at even greater risk." "Above all, San Francisco Is Burning is a compelling and timely account of how a city copes with catastrophe - how it prepares for such contingencies and how effectively it deals with them when they occur. Smith reveals how San Francisco's corrupt municipal government had paid little heed to the warnings of its fire chief about the inadequacies of the public water system, a failing that would leave the city particularly vulnerable to spreading blazes. Once the fires began, a number of decisions made by the emergency leadership not only proved ineffective hut actually exacerbated the situation. Dynamiting to create firebreaks became, in the hands of amateurs, a dangerous incendiary, while the enforced evacuation of many of the city's neighborhoods deprived them of a volunteer fire brigade, desperate to save their own homes. But the most drastic measure - the declaration of martial law and posting of militia with shoot-to-kill orders against looters - turned out to be the most damaging of all as it led to senseless deaths and the demoralizing of an already overwhelmed populace."--BOOK JACKET.

A look at the truth and myths surrounding his life and disappearance at age 20 in the Utah canyonlands.

Focusing on one landmark catastrophic event in the history of an emerging modern nation—the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923—this fascinating volume examines the history of the visual production of the disaster. The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.

This compelling and eerie memoir tells of his odyssey through recorded history and eventually to the bay iteslf, as he explores the dark and unyielding side of nature."--BOOK JACKET.