'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters 'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick Hornby Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell. Ernest Ralph Gorse's heartlessness and lack of scruple are matched only by the inventiveness and panache with which he swindles his victims. With great deftness and precision Hamilton exposes how his dupes' own naivete, snobbery or greed make them perfect targets. These three novels are shot through with the brooding menace and sense of bleak inevitability so characteristic of the author. There is also vivid satire and caustic humour. Gorse is thought to be based on the real-life murderer Neville Heath, hanged in 1946.

WHEN AN ASSASSIN bursts from the shadows to try to kill him on the dark, windswept grounds of his boarding school in England, Max Gordon realizes his life is about to change forever. After learning that his explorer father is missing, Max is determined to find him, no matter what dangers may lay in his path. A secret clue his father left behind leads Max to the inhospitable wilderness of Namibia, where he soon discovers a potentially massive ecological disaster masterminded by Shaka Chang, a very powerful and completely ruthless man—a man Max fears may have put his father in mortal danger. Max needs all the help he can get. Because whoever is behind his father’s disappearance is determined to get rid of Max, too. For good.

Has Max's quest for the truth led to an answer for which he'll pay the ultimate price? Deep in the London underground, a train shudders across an unseen body. Days later, on the bleakness of Dartmoor, Max Gordon learns of a fellow student's death in the capital. Danny Maguire was carrying an envelope with Max's name on it--containing the secret of Max's mother's death. The clues take Max into the endangered rainforest of Central America where, hunted down by a ruthless killer, he must also escape the jaws of deadly crocodiles and flesh-eating piranhas. The truth Max is desperately trying to uncover lies deep within the dangerous forest's heart . . . if only he can stay alive to reach it. The third and final novel in David Gilman's supercharged, sophisticated adventure series, perfect for fans of Anthony Horowitz, James Patterson, and the Jason Bourne movies.

This New York Times bestseller from “one of the great storytellers of our time” (San Francisco Book Review) turns from the glamour of the royal courts to tell the story of an ordinary woman, Alinor, living in a dangerous time for a woman to be different. A country at war A king beheaded A woman with a dangerous secret On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom. Alinor’s suspicious neighbors are watching each other for any sign that someone might be disloyal to the new parliament, and Alinor’s ambition and determination mark her as a woman who doesn’t follow the rules. They have always whispered about the sinister power of Alinor’s beauty, but the secrets they don’t know about her and James are far more damning. This is the time of witch-mania, and if the villagers discover the truth, they could take matters into their own hands. “This is Gregory par excellence” (Kirkus Reviews). “Fans of Gregory’s works and of historicals in general will delight in this page-turning tale” (Library Journal, starred review) that is “superb… A searing portrait of a woman that resonates across the ages” (People).

The fourth book in the Circle of Magic series by Tamora Pierce.

Oh, what a tangled web . . . Everything should have been quiet and pleasant for Ben Holiday, the former Chicago lawyer who became sovereign of the Magic Kingdom of Landover. But it wasn’t. Horris Kew, conjurer, confidence-man, and trickster, had returned to Landover from Ben’s own world. Alas, Horris had not returned of his own volition—he had been sent by the Gorse, a sorcerer of great evil, whom Horris had unwittingly freed from the magic Tangle Box, where it had long ago been imprisoned by the fairy folk. Now it had returned to enslave those who had once dared condemn it. But first, it would rid Landover of all who could stand in its way. . . . Soon Ben found himself imprisoned within the gloom of the Tangle Box, lost in its mists and its labyrinthine ways. The only one who could free Ben from the Tangle Box was the lady Willow. But she had disappeared, was gone from Landover on a mysterious mission of her own. . . .

NYRB Classics presents 3 darkly humorous, atmospheric novellas of love and disappointment, set in a run-down London pub after WWI—from the author of the Hitchcock classics Gaslight and Rope. “Bleak and brilliant. . . an authentic lost classic.” —The Guardian Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters. Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration. Included: The Midnight Bell (1929) The Siege of Pleasure (1932) The Plains of Cement (1934)