"THE GODS ARE FUNNY. Except when you piss them off. Then they suck. They really, really suck. (Really). Alexander Weiss discovers this tidbit when he inadvertently insults Athena, Goddess of Wisdom, and she casts him away on a forgotten isle filled with statues. Being marooned is bad enough, but the fact that the island is also the home of Euryale, elder sister to Medusa, makes the situation a touch worse. The only thing keeping Alex from being petrified is the fact that Euryale has taken a liking to the blundering mortal. For now. What follows next is a wild, adventurous tale filled with heroes, gods, monsters, love, and war that is nothing short of legendary" -- back cover

BEING IMMORTAL IS GREAT. Except when you're an outcast. Then it sucks. It really, really sucks. (Really). Euryale, sister of Medusa, longs to be accepted, but no matter what she does, all she gets is more of the same: heroes who want to kill her; strangers who want to manipulate her; and gods who want to torment her. But there's only so much a gorgon can take. So when Euryale finally snaps and seeks vengeance, she discovers an ancient being who offers her a way to bring all of her enemies to their knees--if she's willing to pay a hefty price. And for a girl who's shunned by all, what's one more curse to bear? Rise of the Gorgon is the wild, adventurous sequel to The Gorgon Bride, but is also a perfect jumping-on point for new readers.

What she wanted was to reunite with her exiled sister.What she got was a betrayal that left her with a broken body and a shattered family.Euryale had always tried to live her life in peace, but clearly that was a mistake. Now, the gorgon is determined to rise from the ashes, save those she loves, and lay waste to all who wronged her.And if that means making pacts with the darkest, most powerful beings in all of creation to burn Olympus to the ground, so be it.A Storm of Blood and Stone picks up immediately after the events of Rise of the Gorgon, and continues the epic saga through Greek Mythology.

The adventures of Jason and the Argonauts, with poetic tales of Heracles, Theseus, Perseus, and other legendary characters that enchant audiences of all ages. 40 illustrations.

From New York Times bestselling author Lauren Willig comes The English Wife, a scandalous novel set in the Gilded Age full of family secrets, affairs, and even murder. "Brings to life old world New York City and London with all the splendor of two of my favorite novels, The Age of Innocence and The Crimson Petal and the White. Mystery, murder, mistaken identity, romance--Lauren Willig weaves each strand into a page-turning tapestry."--Sally Koslow, author of The Widow Waltz "Her best yet...A dark and scintillating tale of betrayal, secrets and a marriage gone wrong that will have readers on the edge of their seats until the final breathtaking twist."--Pam Jenoff, New York Times bestselling author of The Orphan's Tale A Book of the Month club pick! Annabelle and Bayard Van Duyvil live a charmed life in New York: he’s the scion of an old Knickerbocker family, she grew up in a Tudor house in England, they had a fairytale romance in London, they have three-year-old twins on whom they dote, and he’s recreated her family home on the banks of the Hudson and named it Illyria. Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to try to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

Mrs Midas, Queen Kong, Mrs Lazarus, the Kray sisters, and a huge cast of others startle with their wit, imagination, lyrical intuition and incisiveness.

"A Book of Myths" deals in a most entertaining manner with the mythology of Greece and Rome and many other noted lands. Added to the pleasure of the story there is the lure of the legend and the spell of old ways and customs. Not only many of the most celebrated are retold, but also many of the less well-known tales. The aim of the author, it is stated, has been to simplify for those who are not erudite scholars the stories of mythology, to which constant reference is made not only in classic, but in modern poetry, and to direct the attention of readers to poems which are not already known to them. Included are tales of Prometheus, Pygmalion, Orpheus, Perseus, King Midas, Pan, the Lorelei, Baldur and many more.

Celebrates the classic tales of goddesses and heroines including Medea who helped Jason capture the golden fleece, and Persephone who was kidnapped by Pluto and forced to live with him in the underworld

Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.