One day every hundred years, a town appears, its location and character different every time. It is home to the greatest miracle a man could imagine: a doorway to Heaven itself. The town’s name is Wormwood, and it is due to appear on the 21st September 1889, somewhere in the American Midwest. There are many who hope to be there: travelling preacher Obeisance Hicks and his simple messiah, Soldier Joe; Henry and Harmonium Jones and their freak show pack of outlaws; the Brothers of the Order of Ruth and their sponsor Lord Forset (inventor of the Forset Thunderpack and other incendiary modes of personal transport); and finally, an aging gunslinger with a dark history. They will face dangers both strange and terrible: monstrous animals, predatory towns, armies of mechanical natives, and other things besides. Wormwood defends its secrets, and only the brave and resourceful will survive...

In a world that's blacker than a demon's soul, only darkness can drive out darkness... Name's Ethan Drake: cop, vigilante, and bearer of more darkness than any single soul should possess. My partner's a demon, which ain't exactly the easiest thing to work with, if you know what I mean. But beggars can't be choosers, and when you're knee-deep in occult cases, you take what you can get. And we just caught a whiff of something rotten - real rotten. Seems some creepazoid's snatching bodies to bring forth something so nasty, it could make Satan himself retch. Not like I care about humanity's fate, but somebody's gotta stop this thing, right? Of course, it doesn't help that a demon has decided it wants to ride shotgun in my body, while the brass is breathing down my neck over some punk who deserved what he got. Oh, and I'm trying to solve the murders of my ex-wife and kid, too. And did I mention the Hellicorn with the sassiest mouth this side of Hell? Let's just say, that thing threatening humanity's future? I might just give it a helping hand... If Harry Bosch and John Constantine had a love child, it'd be this pulse-pounding, urban fantasy noir. Immerse yourself in a world of noir-ish mystery, urban fantasy, and action with the first book in the ETHAN DRAKE SERIES. Don't miss out on the thrills - get your copy now!

A fierce, searing response to the chaos of the war on terror—an utterly original and blackly comic debut In the early years of the Iraq War, a severely burned boy appears on a remote rock formation in the Akkad Valley. A shadowy, powerful group within the U.S. government speculates: Who is he? Where did he come from? And, crucially, what does he know? In pursuit of that information, an interrogator is summoned from his prison cell, and a hideous and forgotten apparatus of torture, which extracts "perfect confessions," is retrieved from the vaults. Over the course of four days, a cavalcade of voices rises up from the Akkad boy, each one striving to tell his or her own story. Some of these voices are familiar: Osama bin Laden, L. Paul Bremer, Condoleezza Rice, Mark Zuckerberg. Others are less so. But each one has a role in the world shaped by the war on terror. Each wants to tell us: This is the world as it exists in our innermost selves. This is what has been and what might be. This is The Infernal.

The Beast, imprisoned beneath the fortress-city of Elysium for a thousand years, has been loosed upon the world and is spreading like a plague through the north. Queen Raesinia Orboan and soldiers Marcus D'Ivoire and Winter Ihernglass face a betrayal they never could have foreseen: their general, Janus bet Vhalnich, has declared himself the rightful Emperor of Vordan. Chaos grips the city as officers and regiments are forced to declare for queen or emperor. As Raesinia struggles to keep her country under control, she risks becoming everything she has fought against, while Marcus must take the field against his old commander. And Winter knows that the demon she carries inside her might be the only thing standing between the Beast and the end of the world...

When seventeen-year-old orphaned shapechanger Tessa Gray is kidnapped by the villainous Mortmain in his final bid for power, the London Institute rallies to save her, but is beset by danger and betrayal at every turn.

Repairman Jack and his brother Tom go on a wild treasure hunt that sends them to a desolate wreck off the coast of Bermuda.

THE THRILLING CONCLUSION TO THE HEAVEN'S GATE TRILOGY! The uprising in Heaven is at an end and Paradise has fallen, becoming the forty-third state of America. Now angels and demons must learn to get along with humans. The rest of the world is in uproar. How can America claim the afterlife as its own? It’s certainly going to try as the President sets out for the town of Wormwood for talks with its governor, the man they call Lucifer. Hell has problems of its own. There’s a new evangelist walking its roads, trying to bring the penitent to paradise, and a new power is rising. Can anyone stand up to the Godkiller?

Includes a new, previously unpublished short story — "A Very Bad Day in Hell" Hell is a city. Forget the old-fashioned sulphurous pit you may have read about. Over the millennia, Hell has evolved into a bustling metropolis with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo. Cassie thought she knew all about Hell. But when her twin sister, Lissa, committed suicide, Cassie found that she was able to travel to the real thing—the city itself. Now, even though she's still alive, Cassie is heading straight to Hell to find Lissa. And the sights she sees as she walks among the damned will never be in any tourist guidebook.

"A mesmerizing study of books by despots great and small, from the familiar to the largely unknown." —The Washington Post A darkly humorous tour of "dictator literature" in the twentieth century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse Since the days of the Roman Empire dictators have written books. But in the twentieth-century despots enjoyed unprecedented print runs to (literally) captive audiences. The titans of the genre—Stalin, Mussolini, and Khomeini among them—produced theoretical works, spiritual manifestos, poetry, memoirs, and even the occasional romance novel and established a literary tradition of boundless tedium that continues to this day. How did the production of literature become central to the running of regimes? What do these books reveal about the dictatorial soul? And how can books and literacy, most often viewed as inherently positive, cause immense and lasting harm? Putting daunting research to revelatory use, Daniel Kalder asks and brilliantly answers these questions. Marshalled upon the beleaguered shelves of The Infernal Library are the books and commissioned works of the century’s most notorious figures. Their words led to the deaths of millions. Their conviction in the significance of their own thoughts brooked no argument. It is perhaps no wonder then, as Kalder argues, that many dictators began their careers as writers.

Hell is empty. The Devil is here. There is no road so long and winding as the one that leads you to the finish line. Every bend is meant to test you, every junction meant to bring you closer to that place where love and sacrifice meet. To that place in the valley where the sun doesn