The tattooed vixen in my first college class is everything I shouldn't crave if I want to stay on the straight and narrow path. My family expects me to find a sweet, innocent girl. Harley Kain's questionable past and skin-baring clothing definitely don't fit the bill. I think she might be the temptress my momma prayed I would resist, but I can't look away. All I want is to get an Agriculture degree and go back to the cornstalks and dirt. It's the only life I've ever known, and I'm perfectly content on the farm. Until I see her. She's guarded, but my protective instincts kick into overdrive when I find out she's been walking home alone at night. When she finally confides in me, I start to realize the dangerous life she's running from. I want to protect her. I want to do more than that. But if I give in to my overwhelming desire for her, I'll be throwing away my future. My family will never approve. Even if I am willing to sacrifice it all and fall for temptation, convincing Harley she's worthy of love could be impossible.

It was complicated, it was also just the beginning. A decision. A simple choice. There is always that one moment in life where things could have been different. That one moment where you could have chosen a path that would lead you down a certain road. A different life. It was easier to pretend that we were still best friends, and that she was my girl and I was her boy. Pretending was better than knowing the truth... I. Ruined. Us. I had her. I lost her. I love her. All I did was complicate us.

From USA Today Bestselling Author ALL FOUR GOOD OL' BOYS BOOKS IN ONE COMPLICATE MEIt was complicated, it was also just the beginning. A decision. A simple choice. There is always that one moment in life where things could have been different. That one moment where you could have chosen a path that would lead you down a certain road. A different life. It was easier to pretend that we were still best friends, and that she was my girl and I was her boy. Pretending was better than knowing the truth... I. Ruined. Us. I had her. I lost her. I love her. All I did was complicate us.FORBID MEIt was only a matter of time until the truth came out. I never thought it would come to this... I tried, God knows I tried to stay away from her but eventually I crossed that line and broke that trust. I could no longer go back and I sure as fuck didn't regret a single moment of it. I knew there would be hell to pay, I knew the wrath I'd be facing but I would willingly take the burns and scars just to have the love of my best friend's sister. If there is one person I'd willingly go to hell and back for it was... Lillian RyderUNDO MEI met her when I was sixteen. I fell in love with her when I was seventeen. She brought me to my knees when I was twenty. I loved her against reason. I loved her against hope. I loved her against all odds. Now she's back, a constant reminder of what I lost, what could have been. I hate her. I resent her. I still love her. Can I forgive her... Will she be my end once again or my beginning? CRAVE METhey say in order to find yourself you have to go home. What if home was what you were running from? Where did that leave you? Always on the other side of the fence. Always looking in. Always wishing you were someone you couldn't be. Until one day you meet her. The one. She was my high, but she was also... My demise.

In 1906, cowboy Hewey Calloway realizes that the West is changing and that he must find a new way of life in a new era.

By the time federal prosecutors announced an end to their investigation of Oklahoma local government in the early 1980s, more than 200 people had been convicted in 60 counties. Most were county commissioners who had been taking kickbacks paid by suppliers on orders for county road-building supplies.

I met her when I was sixteen. I fell in love with her when I was seventeen. She brought me to my knees when I was twenty. I loved her against reason. I loved her against hope. I loved her against all odds. Now she's back, a constant reminder of what I lost, what could have been. I hate her. I resent her. I still love her. Can I forgive her... Will she be my end once again or my beginning?"

The author's boyhood escapades in his hometown of Yazoo City, Mississippi.

They say in order to find yourself you have to go home. What if home was what you were running from? Where did that leave you? Always on the other side of the fence. Always looking in. Always wishing you were someone you couldn't be. Until one day you meet her. The one. She was my high, but she was also... My demise.

What do Scott Joplin, John Grisham, Gen. Douglas MacArthur, Maya Angelou, Brooks Robinson, Helen Gurley Brown, Johnny Cash, Alan Ladd, and Sonny Boy Williamson have in common? They’re all Arkansans. What do hillbillies, rednecks, slow trains, bare feet, moonshine, and double-wides have in common? For many in America these represent Arkansas more than any Arkansas success stories do. In 1931 H. L. Mencken described AR (not AK, folks) as the “apex of moronia.” While, in 1942 a Time magazine article said Arkansas had “developed a mass inferiority complex unique in American history.” Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture stereotypes have been perpetuated and altered through succeeding generations. Brooks Blevins argues that the image has not always been a bad one. He discusses travel accounts, literature, radio programs, movies, and television shows that give a very positive image of the Natural State. From territorial accounts of the Creole inhabitants of the Mississippi River Valley to national derision of the state’s triple-wide governor’s mansion to Li’l Abner, the Beverly Hillbillies, and Slingblade, Blevins leads readers on an entertaining and insightful tour through more than two centuries of the idea of Arkansas. One discovers along the way how one state becomes simultaneously a punch line and a source of admiration for progressives and social critics alike. Winner, 2011 Ragsdale Award

Winner of the 2006 National Council on Public History Book Award for the best work published about or growing out of public history, Road, River, and Ol' Boy Politics has quickly established its reputation as the definitive source on the subject of the growth of supersuburbs. In 1946 Williamson County was profoundly rural, centered on an agricultural economy, ethnically diverse, and Democratic. Half a century later, it was one of the five fastest-growing counties in the United States, staunchly Republican, and culturally homogeneous. Linda Scarbrough presents the story of how this came about through the machinations of a handful of local political and economic "bosses" who brought Williamson County two federal public works projects: Interstate Highway 35 and a dam on the San Gabriel River.