On the run from the police, Edison Hark heads to the only person he can for help—and confronts a long-avoided past. Featuring a variant cover by renowned fine artist and star of FX’s Choe Show, DAVID CHOE. “Both important and incredibly fun. Don’t miss it.” —Scott Snyder (NOCTERRA, Batman)

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

Throughout the history of the United States, fluctuations in cultural diversity, immigration, and ethnic group status have been closely linked to shifts in the economy and labor market. Over three decades after the beginning of the civil rights movement, and in the midst of significant socioeconomic change at the end of this century, scholars search for new ways to describe the persistent roadblocks to upward mobility that women and people of color still encounter in the workforce. In Glass Ceilings and Asian Americans, Deborah Woo analyzes current scholarship and controversies on the glass ceiling and labor market discrimination in conjunction with the specific labor histories of Asian American ethnic groups. She then presents unique, in-depth studies of two current sites-a high tech firm and higher education-to argue that a glass ceiling does in fact exist for Asian Americans, both according to quantifiable data and to Asian American workers' own perceptions of their workplace experiences. Woo's studies make an important contribution to understanding the increasingly complex and subtle interactions between ethnicity and organizational cultures in today's economic institutions and labor markets.

Writer PORNSAK PICHETSHOTE’s long-awaited follow-up to the critically acclaimed INFIDEL with stunning art by ALEXANDRE TEFENKGI (OUTPOST ZERO)! Following Edison Hark—a haunted, self-loathing Chinese-American detective—on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they’re besieged by rampant murders, abusive police, and a world that seemingly never changes. Collects THE GOOD ASIAN #1-4, plus covers by SANA TAKEDA, ANNIE WU, JEN BARTEL, DAVE JOHNSON, and more. Select praise for THE GOOD ASIAN: “Both important and incredibly fun. Don’t miss it.”—SCOTT SNYDER (Batman, NOCTERRA) “A smart, classic noir drenched in style and history."—JAMES TYNION IV (THE DEPARTMENT OF TRUTH, Batman) "One of the best debuts of the year… ambitious, engrossing, and relevant." – The Hollywood Reporter “Absolutely the best kind of comics noir."—KIERON GILLEN (THE WICKED + THE DIVINE, DIE) “The best noir comic I've read in years. It's taut, evocative, and though it's set nearly 100 years ago, incredibly relevant.”—G. WILLOW WILSON (Ms. Marvel) “Fantastic.”—JEFF LEMIRE (GIDEON FALLS, Sweet Tooth) "This is the book I've been waiting for."—CLIFF CHIANG (PAPER GIRLS)

Fresh Talk/Daring Gazes chronicles the blossoming of Asian American art and anticipates the growing democratization of American art and culture. Pairing work by twenty-four contemporary Asian American visual artists with responses provocatively drawn from cultural critics, other artists, activists, and intellectuals, this book explores themes of geographical movement, the sexuality of Asian bodies, colonization, miscegenation, hybrid forms of immigrant cultures, the loss of home, war, history, and memory. Elaine H. Kim's historical introduction charts the trajectory of Asian American art from the nineteenth century to the present, offering a comprehensive account of artists, major artworks, and major events. Commentaries by writers, artists, and cultural activists examine the work of visual artists such as Pacita Abad, Albert Chong, Y. David Chung, Allan deSouza, Michael Joo, Hung Liu, Yong Soon Min, Manuel Ocampo, PipoNguyen-Duy, Roger Shimomura, Carlos Villa, and Martin Wong. Prominent artists and critics such as Homi K. Bhabha, Luis Camnitzer, Enrique Chagoya, Gina Dent, Ellen Gallagher, Arturo Lindsay, Kobena Mercer, Griselda Pollock, Jolene Rickard, Faith Ringgold, Ella Shohat, Lowery Stokes Sims, Jaune Quick-to-See Smith, and Hulleah Tsinhnahjinnie offer thought-provoking reflections on each artist. Sharon Mizota's extended captions further elucidate the paintings, graphics, photography, installations, and mixed-media constructions under discussion. As a set of dialogues, simultaneously visual and textual, Fresh Talk/Daring Gazes encourages the cross-cultural conversation that is shaping the emerging art of Asian Americans and of the United States in general. Alternately personal, intellectual, aesthetic, and political, these essays and the art they consider provide unique perspectives on both the past and the future of American art.

Covers the period from 1790 to 1905 in The Times of London.