Francesca’s father is a well-known painter in the bustling port city of Amsterdam; he is also a gambler. Though their household is in economic chaos, thankfully the lessons she learned in his studio have prepared her to study with Johannes Vermeer, the master of Delft. When she arrives to begin her apprenticeship, Francesca is stunned to find rules, written in her father’s hand, insisting that she give up the freedoms she once enjoyed at home- including her friendship with Pieter van Doorne, a tulip merchant. Unaware of a terrible bargain her father has made against her future, Francesca pursues her growing affection for Pieter even as she learns to paint like Vermeer, in layers of light. As her talent blooms, “tulip mania” sweeps the land, and fortunes are being made on a single bulb. What seems like a boon for Pieter instead reveals the extent of the betrayal of Francesca’s father. And as the two learn the true nature of the obstacles in their path, a patron of Francesca’s father determines to do anything in his power to ensure she stays within the limits that have been set for her. The Golden Tulip brings one of the most exciting periods of Dutch history alive, creating a page-turning novel that is as vivid and unforgettable as a Vermeer painting.

In the 1630s the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story—how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn’t) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation. But it wasn’t like that. As Anne Goldgar reveals in Tulipmania, not one of these stories is true. Making use of extensive archival research, she lays waste to the legends, revealing that while the 1630s did see a speculative bubble in tulip prices, neither the height of the bubble nor its bursting were anywhere near as dramatic as we tend to think. By clearing away the accumulated myths, Goldgar is able to show us instead the far more interesting reality: the ways in which tulipmania reflected deep anxieties about the transformation of Dutch society in the Golden Age. “Goldgar tells us at the start of her excellent debunking book: ‘Most of what we have heard of [tulipmania] is not true.’. . . She tells a new story.”—Simon Kuper, Financial Times

This theological classic is organized as follows: To the Christian Reader I. Of the Body of Scripture, and Theology II. Of God, and the Nature of God III. Of the Life of God IV. Of God’s Glory, and Blessedness V. Concerning the Persons of the Godhead VI. Of God’s Works, and His Decree VII. Of Predestination and Creation VIII. Of Angels IX. Of Man, and the Estate of Innocency X. Of Sin, and the Fall of Angels XI. Of Mans Fall and Disobedience XII. Of Original Sin XIII. Of Actual Sin XIV. Of the Common Punishment of Sin XV. Of Election, and of Jesus Christ the Foundation Thereof XVI. Of the Union of the Two Natures in Christ XVII. Of the Distinction of Both Natures XVIII. Of Christs Nativity and Office XIX. Concerning the Outward Means of Executing the Decree of Election, and of the Decalogue XX. Of the First Commandment XXI. Of the Second Commandment XXII. Of the Third Commandment XXIII. Of the Fourth Commandment XXIV. Of the Fifth Commandment XXV. Concerning the Sixth Commandment XXVI. Of the Seventh Commandment XXVII. Of the Eighth Commandment XXVIII. Concerning the Ninth Commandment XXIX. Of the Tenth Commandment XXX. Of the Use of the Law XXXI. Of the Covenant of Grace XXXII. Of the Sacraments XXXIII. Of Baptism XXXIV. Of the Lords Supper XXXV. Of the Degrees of Executing God’s Decree of Election XXXVI. Concerning the First Degree of the Declaration of God’s Love XXXVII. Concerning the Second Degree of the Declaration of God’s Love XXXVIII. Concerning the Third Degree of the Declaration of God’s Love XXXIX. Of Repentance and the Fruits Thereof XL. Of Christian Warfare XLI. Of the First Assault XLII. Of the Second Assault XLIII. Of the Third Assault XLIV. Of the Patient Bearing of the Cross XLV. Of the Calling Upon God XLVI. Of Christian Apology, and Martyrdom XLVII. Of Edification, and Almes Among the Faithful XLVIII. Of the Fourth Degree, of the Declaration of God’s Love: And of the Estate of the Elect After This Life XLIX. Of the Estate of the Elect at the Last Day of Judgement L. Of the Estate of the Elect After Judgement LI. Concerning the Order of the Causes of Salvation, According to the Doctrine of the Church of Rome LII. Concerning the Decree of Reprobation LIII. Concerning the Execution of the Decree of Reprobation LIV. Concerning a New Devised Doctrine of Predestination, Taught by Some New and Late Divines LV. Of the State and Condition of the Reprobates When They Are Dead LVI. Of the Condemnation of the Reprobates at the Last Judgement LVII. Of the Estate of the Reprobates in Hell LVIII. Of the Application of Predestination

A sensual tale of art, lust, and deception—now a major motion picture In 1630s Amsterdam, tulipomania has seized the populace. Everywhere men are seduced by the fantastic exotic flower. But for wealthy merchant Cornelis Sandvoort, it is his young and beautiful wife, Sophia, who stirs his soul. She is the prize he desires, the woman he hopes will bring him the joy that not even his considerable fortune can buy. Cornelis yearns for an heir, but so far he and Sophia have failed to produce one. In a bid for immortality, he commissions a portrait of them both by the talented young painter Jan van Loos. But as Van Loos begins to capture Sophia's likeness on canvas, a slow passion begins to burn between the beautiful young wife and the talented artist. As the portrait unfolds, so a slow dance is begun among the household’s inhabitants. Ambitions, desires, and dreams breed a grand deception—and as the lies multiply, events move toward a thrilling and tragic climax. In this richly imagined international bestseller, Deborah Moggach has created the rarest of novels—a lush, lyrical work of fiction that is also compulsively readable. Seldom has a novel so vividly evoked a time, a place, and a passion. Praise for Tulip Fever “Sumptuous prose . . . reads like a thriller.”—The New York Times Book Review “An artful novel in every sense of the word . . . deftly evokes seventeenth-century Amsterdam’s vibrant atmosphere.”—Los Angeles Times “Need a brief escape into a beautiful and faraway world? Deborah Moggach’s wonderful Tulip Fever can offer you that.”—New York Post “Taut with suspense and unexpected revelations.”—Entertainment Weekly “Elegantly absorbing.”—The Philadelphia Inquirer

Contains a market research guide to the travel and tourism industry, including airlines, hotels, tour operators; travel agencies; E-commerce firms, cruise lines and car rentals. This book is useful for competitive intelligence, strategic planning, employment searches, or financial research.

*Includes pictures *Includes contemporary accounts *Includes online resources and a bibliography for further reading If one were to glide over the Dutch countryside via helicopter in the springtime, the beauty below them would seem almost surreal. The rolling rectangular fields are composed of immaculately neat, horizontal stripes in vibrant swatches of scarlet, pink, lavender, cream-white, and midnight-blue. The ethereal sight is even more breathtaking when one takes a stroll along these fields, surrounded by endless carpets of bright color. These world-famous three-petal, three-sepal flowers, all craning their necks towards the dazzling sun, are none other than Dutch tulips. The Netherlands is now the world's leading commercial producer of tulips, shipping out more than 3 billion of these colorful beauties each year. Standard tulips, depending on where one is based, typically sell for anywhere between $1.00 to $3.50 USD per stem today. They are a creative alternative to roses, lilies, and other traditional flowers. Needless to say, like every other floral breed, special tulips - such as hybrids, or ones with unique, multi-colored streaks and patterns - will cost buyers a pretty penny, but a bouquet is certainly not going to break the bank. Legend has it, however, that this was not always the case. As a matter of fact, these delightful "harbingers of spring" were supposedly once so rabidly sought-after that it wasn't just more valuable than gold - men threw themselves into financial ruin all for the sake of attaining just one of these sacred flowers. At the crescendo of what is now remembered as "Tulip Mania," or the "Tulip Craze," a single, shallot-like bulb of an unripe tulip was worth 20 times the annual salary of a skilled laborer. This aggressively volatile period, marked by convoluted and careless market speculation, inevitably culminated in the disastrous bursting of one of the world's first financial bubbles, an example of the perils of herd mentality. But how much truth is there to this oft-repeated story of the Tulpenmanie, really? Tulip Mania: The History and Legacy of the World's First Speculative Bubble during the Dutch Golden Age analyzes the legendary mania, and whether it was as dramatic as portrayed. Along with pictures of important people, places, and events, you will learn about Tulip Mania like never before.

Contains a market research guide to the travel and tourism industry, including airlines, hotels, tour operators; travel agencies; E-commerce firms, cruise lines and car rentals. This book is useful for competitive intelligence, strategic planning, employment searches, or financial research.

Susan Cerulean’s memoir trains a naturalist’s eye and a daughter’s heart on the lingering death of a beloved parent from dementia. At the same time, the book explores an activist’s lifelong search to be of service to the embattled natural world. During the years she cared for her father, Cerulean also volunteered as a steward of wild shorebirds along the Florida coast. Her territory was a tiny island just south of the Apalachicola bridge where she located and protected nesting shorebirds, including least terns and American oystercatchers. I Have Been Assigned the Single Bird weaves together intimate facets of adult caregiving and the consolation of nature, detailing Cerulean’s experiences of tending to both. The natural world is the “sustaining body” into which we are born. In similar ways, we face not only a crisis in numbers of people diagnosed with dementia but also the crisis of the human-caused degradation of the planet itself, a type of cultural dementia. With I Have Been Assigned the Single Bird, Cerulean reminds us of the loving, necessary toil of tending to one place, one bird, one being at a time.

The seventeenth century is considered the Dutch Golden Age, a time when the Dutch were at the forefront of social change, economics, the sciences, and art. In Dutch Culture in the Golden Age, eminent historian J. L. Price goes beyond the standard descriptions of the cultural achievements of the Dutch during this time by placing these many achievements within their social context. Price’s central argument is that alongside the innovative tendencies in Dutch society and culture there were powerful conservative and reactionary forces at work—and that it was the tension between these contradictory impulses that gave the period its unique and powerful dynamic. Dutch Culture in the Golden Age is distinctive in its broad scope, examing art, literature, religion, political ideology, theology, and scientific and intellectual trends, while also attending to the high and popular culture of the times. Price’s new interpretation of Dutch history places an emphasis on the paradox of the Dutch resistance to change as well as their general acceptance of innovation. This comprehensive look at the Dutch Golden Age provides a fascinating new way to understand Dutch culture at the height of its historic and global influence.