Veteran science writer Michael Balter skillfully weaves together many threads in this fascinating book about one of archaeology’s most legendary sites— Çatalhöyük. First excavated forty years ago, the site is justly revered by prehistorians, art historians, and New Age goddess worshippers alike for its spectacular finds dating almost 10,000 years ago. Archaeological maverick Ian Hodder, leader of the recent re-excavation at this Turkish mound, designated Balter as the project’s biographer. The result is a skillful telling of many stories about both past and present: of the inhabitants of Neolithic Çatalhöyük and the development of human creativity and ingenuity, as revealed in the recent excavation; of James Mellaart, the original excavator, whose troubles off the mound eventually overshadowed his incisive work at the site; of Hodder and his intense, brilliant crew who marveled and squabbled over the meaning of finds in dusty trenches while attempting to reintepret Mellaart’s work; and of the recent history of the theory and methods of archaeology itself. Part story of the human past, part soap opera of modern scholarly life, part textbook on the practice of modern archaeology, this book should appeal to general readers and archaeological students alike.

Veteran science writer Michael Balter skillfully weaves together many threads in this fascinating book about one of archaeology’s most legendary sites— Çatalhöyük. First excavated forty years ago, the site is justly revered by prehistorians, art historians, and New Age goddess worshippers alike for its spectacular finds dating almost 10,000 years ago. Archaeological maverick Ian Hodder, leader of the recent re-excavation at this Turkish mound, designated Balter as the project’s biographer. The result is a skillful telling of many stories about both past and present: of the inhabitants of Neolithic Çatalhöyük and the development of human creativity and ingenuity, as revealed in the recent excavation; of James Mellaart, the original excavator, whose troubles off the mound eventually overshadowed his incisive work at the site; of Hodder and his intense, brilliant crew who marveled and squabbled over the meaning of finds in dusty trenches while attempting to reintepret Mellaart’s work; and of the recent history of the theory and methods of archaeology itself. Part story of the human past, part soap opera of modern scholarly life, part textbook on the practice of modern archaeology, this book should appeal to general readers and archaeological students alike.

Thousands of years before the pyramids were built in Egypt and the Trojan War was fought, a great civilization arose on the Anatolian plains. The Goddess and the Bull details the dramatic quest by archaeologists to unearth the buried secrets of human cultural evolution at this huge, spectacularly well-preserved 9,500-year-old village in Turkey. Here lie the origins of modern society -- the dawn of art, architecture, religion, family -- even the first tangible evidence of human self-awareness, the world's oldest mirrors. Some archaeologists have claimed that the Mother Goddess was first worshipped at Çatalhöyük, which is now a site of pilgrimage for Goddess worshippers from all over the world. The excavations here have yielded the seeds of the Neolithic Revolution, when prehistoric humans first abandoned the hunter-gatherer life they had known for millions of years, invented farming, and began living in houses and communities. Michael Balter, the excavation's official biographer, brings readers behind the scenes, providing the first inside look at the remarkable site and its history of scandal and thrilling scientific discovery. He tells the very human story of two colorful men: British archaeologist James Mellaart, who discovered Çatalhöyük in 1958 only to be banned from working at the site forever after a fabulous ancient treasure disappeared without a trace; and Ian Hodder, a pathbreaking archaeological rebel who reinvented the way archaeology is practiced and reopened the excavation after it had lain dormant for three decades. Today Hodder leads an international team of more than one hundred archaeologists who continue to probe the site's secrets. Balter reveals the true story behind modern archaeology -- the thrill of history-making scientific discovery as well as the crushing disappointments, the community and friendship, the love affairs, and the often bitter rivalries between warring camps of archaeologists. Along the way, Balter describes the cutting-edge advances in archaeological science that have allowed the team at Çatalhöyük to illuminate the central questions of human existence.

Pioneer study of the need for an inner female authority in a masculine-oriented society. Interprets the journey into the underworld of Inanna-Ishtar, Goddess of Heaven and Earth, to see Ereshkigal, her dark sister. So must modern women descend into the depths of themselves. Rich in insights.

Describes the aspects of the Mother Goddess as an archetype and brings to light the role of the feminine as one of the most important facets of Minoan-Mycenaean culture.

'Hillbilly Hollywood' is the first serious look at the origins of country & Western style in California in the 1930s and '40s and the stories of the tailors Nudie and Turk. We may think of Nashville as the country & Western capital of America, but L.A. had more hillbilly singers at work in the early years--in the movies, at the recording studios and on C&W radio shows. The style adopted by these music pioneers, a colorful mix of cowboy and show business, still defines fancy Western wear. Book cover has real rhinestones on a black cowboy-shirt-like cloth background and a die-cut frame over vintage photograph. Winner of many design awards.

A brother and sister's search for a new life and new home . . . 5,000 years ago in ancient Mesopotamia during a terrible drought, Jomar and Zefa's father must send his children away to the city of Ur because he can no longer feed them. At fourteen, Jomar is old enough to apprentice with Sidah, a master goldsmith for the temple of the moongod, but there is no place for Zefa in Sidah's household. Zefa, a talented but untrained musician, is forced to play her music and sing for alms on the streets of Ur. Marjorie Cowley vividly imagines the intrigues, and harsh struggle for survival in ancient Mesopotamia.

Zeus's version of the Theseus myth is totally fabricated! Theseus went into the labyrinth all right, but the only thing he did in there was get lost. He never killed the Minotaur. Zeus made the whole thing up so everyone would think the Minotaur was gone for good. Hades, King of the Underworld, sets the record straight on the story of Theseus and the Minotaur.

Historical fiction. A saga of love and war in the setting of the Minoan Bronze Age civilization of ancient Crete.

From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.