This publication of Abraham Polonsky’s unproduced screenplay for The Gladiators is a tribute to one of Hollywood’s premiere post-WW II directors and writers whose career was severely impacted by the blacklist. His script for The Gladiators survives to remind us that he could, and did, transform a difficult and complex novel of an ancient slave rebellion into a screenplay worthy of Arthur Koestler’s bold fictional vision. Through a combination of the ambivalence of its executive producer and star, plus bad timing, it never went before the cameras. This book is published in the hope that The Gladiators will be produced for cinema or television.

Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a wide range of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky’s rediscovered screenplay.

"Gritty, passionate and violent, this thrilling book is a real page-turner and a damn good read. It brings Spartacus—and ancient Rome—to vivid, colorful life."—Steven Pressfield, author of Gates of Fire Sink your teeth into the gritty, powerful tale of Spartacus: The Gladiator, a historical thriller that will grip you from the first page to the very last. Written by bestselling novelist Ben Kane, this epic journey delves into the life of Spartacus—from Roman auxiliary and slave to revered gladiator and a symbol of defiance against the most potent army of the era. Step onto the unforgiving sands of the gladiatorial arena and experience the brutality and raw energy of combat at its most primal. Witness the audacious bid for freedom led by Spartacus and his band of gladiators as they risk everything to break free from their shackles and challenge their oppressors–the mighty, ever-expanding Roman Empire. Spartacus's tale isn’t just a story of rebellion; it's an exploration of humanity, resilience, love, and sacrifice, set against the historic grandeur of ancient Rome. Charged with emotion and vivid color, this novel will transport you back in time to the underbelly of the Roman Empire—a journey that’s as thrilling as it is enlightening. Enjoy a fresh perspective of the legend that is Spartacus, one that goes deeper than ever before, uncovering the man at the heart of the myth.

Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a variety of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky's rediscovered screenplay.

Featuring a selection of brand new essays by a group of accomplished scholars, Arthur Koestler's Fiction and the Genre of the Novel covers all of Koestler's novels published in his lifetime, the first book to attempt this in English since Mark Levene's Arthur Koestler, published thirty-seven years ago. The team of contributors, with research backgrounds in history, political science, religious studies, law, linguistics and journalism besides literature, offers a truly multidisciplinary take on how Koestler's novels utilize, and at times transcend, the genre of the novel, and argues for their enduring relevance and appeal in the twenty-first century, inviting the reader to revisit and reassess them. With the topics of Koestler's novels including terrorism, massive migration, espionage, rape trauma, war trauma, the crisis of faith, propaganda, fake news and the role and responsibility of intellectuals in major international crises, as the volume aims to show, these texts are just as topical today, as they were at the time of their publication.

Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars—and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.

The best-selling novel about a slave revolt in ancient Rome and the basis for the popular motion picture.

The author posits that all generally accepted chronology before the 16th century is in error by hundreds or thousands of years.

The legendary Spartacus is recast as a fierce female warrior in this action-packed tale of a 17-year-old princess and a handsome gladiator who dared take on the Roman Republic.