Disgraced ex-cop Angie Pallorino is determined to make a new start for herself as a private investigator. But first, she and her lover, newly promoted homicide detective James Maddocks, attempt a quiet getaway to rekindle a romance struggling in the shadows of their careers. The peace doesn't last long when human skeletal remains are found in a nearby mossy grove. This decades-old mystery is just what Angie needs to establish her new career even as it thrusts her and Maddocks back into the media spotlight, once again endangering their tenuous relationship. Then, when Angie's inquiry into the old crime intersects with a cold case from her own police past, the investigation takes a startling twist. It puts more than Angie's last shot at redemption and a future with Maddocks at risk, The mystery of the girl in the moss could kill her.

Bahrain, 1970. After a summer spent with her family, fifteen-year-old Anna is flying back to boarding school in England when her plane is hijacked by Palestinian terrorists and taken to the Jordanian desert. Demands are issued. If they are not met, the terrorists will blow up the plane, killing all hostages. The heat becomes unbearable; food and water supplies dwindle. All alone, Anna begins to face the possibility that she may never see her family again. Inspired by true events in the author’s life, this is a story about ordinary people facing agonizing horror with courage and resilience. Includes Q&A with the author.

Allison Briscoe is your average fifteen-year-old-until someone tries to kill her. Shot in the head, her doctors and family think she is in a coma, but in fact, though she cannot move, she can think, she can hear, and she can dream. Each night, Allison lives vicariously through her pioneer ancestors, experiencing their adventures through their eyes. First, she enters the world of Rebecca Haun, a fifteen-year-old rebel who lived in Pennsylvania during the Revolutionary War. To prove a friend innocent of murder, Rebecca betrays her Mennonite beliefs and joins the Women's Brigade with George Washington's rag-tag army at Valley Forge. And each day, Allison struggles to find a way to show her family that she is awake—a goal that becomes increasingly desperate when she realizes that whoever shot her has come back to finish the job.

Ida Lewis loved everything about the sea, so when her father became the official keeper of Lime Rock Lighthouse in Newport, Rhode Island, she couldn’t imagine anything better. Throughout the years, Ida shadowed her father as he tended the lighthouse, listening raptly to his stories about treacherous storms, drowning sailors, and daring rescues. Under her father’s watchful eye, she learned to polish the lighthouse lens so the light would shine bright. She learned to watch the sea for any sign of trouble. And, most importantly, she learned to row. Ida felt ready for anything—and she was. Award-winning author Marissa Moss pairs up with award-winning illustrator Andrea U’Ren in a stunning collaboration that sheds light on a remarkable piece of history. Based on the true story of Ida Lewis, who was dubbed “the Bravest Woman in America” and who was recognized with the Congressional Life Saving Medal and the American Cross of Honor, this inspiring and unforgettable tale of courage and real-life heroism is a tribute to brave women everywhere.

Detective Angie Pallorino took down a serial killer permanently and, according to her superiors, with excessive force. Benched on a desk assignment for twelve months, Angie struggles to maintain her sense of identity--if she's not a detective, who is she? Then a decades-old cold case washes ashore, pulling her into an investigation she recognizes as deeply personal. Angie's lover and partner, James Maddocks, sees it, too. But spearheading an ongoing probe into a sex-trafficking ring while keeping Angie's increasing obsession with her case in check is taking its toll. As startling connections between the parallel investigations emerge, Maddocks realizes he has even more than Angie's emotional state to worry about. Driven and desperate to solve her case, Angie goes rogue, risking her relationship, career, and very life in pursuit of answers. She'll learn that some truths are too painful to bear, and some sacrifices include collateral damage. But Angie Pallorino won't let it go. She can't. It's not in her blood.

Fiction. Winner of the 3-Day Novel Contest (2013). Joshua Chapman Green is searching...searching for answers. He is combing through boxes in the attic of his recently deceased mother's home and uncovering childhood memories, mysterious letters, and perplexing photos of people he does not know. They appear to be circus performers, members of a travelling freak show, or Victorian-era sideshow performers. Then he finds a crumbling copy of Moss-Haired Girl: Confessions of a Circus Performer by Zara Zalinzi...the clasp falls away, and the pages open revealing a family story that may or may not be true. In this ambitious novella, R.H. Slansky weaves a complex narrative about the very nature of narrative: it is an annotated re-issue of a fictional autobiography that casts a questioning eye on the reliability of family lore. MOSS- HAIRED GIRL is wonderful stuff, punchy and clever and engaging.--San Francisco Book Review Ever wonder if the mad-dash products of speed-writing contests can be any good? With MOSS-HAIRED GIRL, winner of the 2013 Three-Day Novel Contest, R.H. Slanksy answers in the affirmative and offers some guidance by example to would-be contestants: Start with a great premise and bite off only so much as you can chew... At 72 pages, it's a slight but extremely fun read. Let's see what Slansky can do with a few more days.--The Globe and Mail MOSS-HAIRED GIRL is an enjoyable, light read with stylistic flair... the elements of Slansky's writing and the novella's presentation offer the reader plenty to reflect upon.--The Peak

This book argues for the critical potential of locating the girl as the subject-position and voice of legal critique. Law’s imaginary is notoriously limited in its ways of thinking through and adjudicating gender violence. This book argues that ‘the girl’ is a key figure through which to understand, theorise, and challenge law’s relation to this violence. Law, Culture and the Figure of the Girl explains the meaning and significance of the figure of the girl to legal, political, and critical projects centred on trauma and responsibility. The book offers new readings of exemplary cultural texts that thematically deal with law’s adjudication of violence against girls, emphasising the ways these texts challenge dominant ways of thinking and doing law, jurisdiction, violence, race, and gender. The book also explores radical cultural figurations of the girl in fiction, films, and TV series and demonstrates the critical potential of these works in understanding and providing counter-narratives to dominant legal and cultural imaginaries. These works provide ways not only to critique existing law but to theorise emergent forms of law-making. This book will be of interest to scholars in the areas of cultural legal studies, law and literature, feminist legal studies, and cultural studies. It will also be suitable as a prescribed text for upper undergraduate classes and graduate studies in the disciplines of law, legal studies, cultural studies, and criminology.

Adopted teen Leila discovers that her connection to nature and passion for environmental activism are part of her unique and magical genetic makeup, and a grove of trees that holds a mythical secret.

Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.