Western Samoan novel in English.

Everyone in Phoebe Ferris’s life tells a different version of the truth. Her mother, Meg, ex-rock star and professional question evader, shares only the end of the story—the post-fame calm that Phoebe’s always known. Her sister Luna, indie rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the co-founder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago. But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits in to this family of storytellers, and maybe even to continue her own tale—the one with the musician boy she’s been secretly writing for months. This soul-searching, authentic debut weaves together Phoebe’s story with scenes from the romance between Meg and Kieran that started it all—leaving behind a heartfelt reflection on family, fame, and finding your own way.

The dazzling story of a girl navigating friendship, family, and growing up, an Are You There God, It's Me Margaret? for the modern day, from debut author Aida Salazar. ****Four starred reviews!***** "A worthy successor to Are You There God? It's Me, Margaret set in present-day Oakland." -- Kirkus Reviews, starred reviewCeli Rivera's life swirls with questions. About her changing body. Her first attraction to a boy. And her best friend's exploration of what it means to be genderfluid.But most of all, her mother's insistence she have a moon ceremony when her first period arrives. It's an ancestral Mexica ritual that Mima and her community have reclaimed, but Celi promises she will NOT be participating. Can she find the power within herself to take a stand for who she wants to be?A dazzling story told with the sensitivity, humor, and brilliant verse of debut talent Aida Salazar.

Even young children want answers to the hard questions about God and suffering. In The Moon Is Always Round, seminary professor and author Jonathan Gibson uses the vivid imagery of the moon to explain to children how God’s goodness is always present, even when it might appear to be obscured by upsetting or difficult circumstances. In this beautiful, full-color illustrated book, he allows readers to eavesdrop on the conversations he had with his young son in response to his sister’s death. Father and son share a simple liturgy together that reminds them that, just as the moon is always round despite its different phases, so also the goodness of God is always present throughout the different phases of life. A section in the back of the book offers further biblical help for parents and caregivers in explaining God’s goodness to children. Jonathan Gibson reminds children of all ages that God’s goodness is present in the most difficult of times, even if we can’t always see it.

This major new interdisciplinary study focuses on the representation of the body in the work of eight of Polynesia's most significant contemporary writers. Drawing on anthropology, psychoanalysis, philosophy, history and medicine, Postcolonial Pacific Writing develops an innovative postcolonial framework specific to the literatures and cultures of this region.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

Ten-year-old Samoana Pili describes life in her Samoan village through her dreams and poems, conversations and songs, stories and factual reporting.

Aidan and his parents attend the local coven's Full Moon celebration.

Nai-nai tells her granddaughters the story of her outing, as a seven-year-old girl in China, to see the Moon Lady and be granted a secret wish. Suggested level: primary.

In 28 essays selected from the proceedings of the XXII International Congress of FILLM held at Assumption University, Bangkok, scholars and teachers of languages and literatures have noted, bemoaned and analyzed the waning influence of the humanities to varying degrees. They have raised questions, offered solutions and vigorously defended their languages and literatures, often in no uncertain terms - not as a politically correct thing to do, but as a human obligation. The papers presented here are true to the spirit of the Congress from the moment of the keynote address to what followed in a spontaneous outbreak of voices from scholars of more than 70 universities throughout the world. For the first time, in an international congress, scholars have described with great sensitivity many languages and literatures often considered the periphery, in a sincere attempt to understand ‘the other’, thus making a passionate plea for inclusion in the umbrella of the world’s languages and literatures. With contributions by keynote speaker and authority on Comparative Literature Gayatri Spivak, USA and plenary speakers Vridhagiri Ganeshan, India; Roger Sell, Finland; Antoine Compagnon, France; and Chetana Nagavajara, Thailand this volume is of immense interest to scholars and teachers of languages and literatures the world over.