In this book I continue the story of my late mother’s life, tying up some loose ends and filling in inadvertent gaps in the narrative. Memories are fickle and evanescent, often no more substantial than last night’s dream. They cannot be summoned up at will to reveal themselves and often require a period of incubation before to begin to coalesce. As was the case in The Girl From Copenhagen, I have in this sequel used pictures in my mother’s photo albums to rekindle half-forgotten memories. I was surprised when I wrote this book by how many significant events in my mother’s life that I had failed to record. But such is the nature of memory.

Starring Academy Award-winner Eddie Redmayne and directed by Academy Award-winner Tom Hooper, this major motion picture portrays an unforgettable celebration of love. It starts with a question, a simple favour asked by a wife of her husband, setting off a transformation neither can anticipate. Einar Wegener and his American wife Greta Waud have been married for six years, but are yet to have a child. Both painters, they live a life of bohemian languor in Copenhagen until one day their lives are irreversibly altered. The Danish Girl eloquently shows the intimacy that defines a marriage and the nearly forgotten story of the love between a man who discovers that he is, in fact, a woman, and his wife who would sacrifice anything for him. Set against the glitz and decadence of 1920s Copenhagen, Paris and Dresden, and inspired by a true story, The Danish Girl is about one of the most passionate and unusual marriages of the twentieth century. 'a story of true love, suffering and sacrifice' - Sunday Telegraph

A New York Times 10 Best Books of the Year (2021) An NPR Best Books of the Year (2021) Called "a masterpiece" by The New York Times, the acclaimed trilogy from Tove Ditlevsen, a pioneer in the field of genre-bending confessional writing. Tove Ditlevsen is today celebrated as one of the most important and unique voices in twentieth-century Danish literature, and The Copenhagen Trilogy (1969–71) is her acknowledged masterpiece. Childhood tells the story of a misfit child’s single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband. Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today’s discussions around feminism. Ditlevsen’s trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up—in this sense, it’s Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction. Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories, and memoirs. Having been dismissed by the critical establishment in her lifetime as a working-class female writer, she is now being rediscovered and championed as one of Denmark’s most important modern authors.

Iraqi women in Denmark is an ethnographic study of ritual performance and place-making among Shi‘a Muslim Iraqi women in Copenhagen. The book explores how Iraqi women construct a sense of belonging to Danish society through ritual performances, and investigates how this process is interrelated with their experiences of inclusion and exclusion in Denmark. The findings refute the all too simplistic assumptions of general debates on Islam and immigration in Europe that tend to frame religious practice as an obstacle to integration in the host society. In sharp contrast to the fact that the Iraqi women’s religious activities in many ways contribute to categorising them as outsiders to Danish society, their participation in religious events also localises them in the city. Written in an accessible, narrative style, this book addresses both an academic audience and the general reader interested in Islam in Europe and immigration to Scandinavia.

Under the heartless vault of Greenland's arctic sky the body of a girl is discovered. Half-naked and tied up, buried hundreds of miles from any signs of life, she has lain alone, hidden in the ice cap, for twenty-five years. Now an ice melt has revealed her. When Detective Chief Superintendent Konrad Simonsen is flown in to investigate this horrific murder and he sees how she was attacked, it triggers a dark memory and he realizes this was not the killer's only victim. As Simonsen's team works to discover evidence that has long since been buried, they unearth truths that certain people would prefer stayed forgotten. Disturbing details about the moral standing of some of Denmark's political figures are revealed and powerful individuals are suddenly working against the case. But the pressure is on as it becomes clear that the killer chooses victims who all look unsettlingly similar, a similarity that may be used to the investigators' advantage--just so long as they can keep the suspect in their sights.