The story of the Massacre of Glencoe in 1692 is still widely told around the Highlands of Scotland. The Campbell Dragoons came, asking for shelter from the Glencoe MacDonalds. They were fed and housed for two weeks before they arose one night and butchered their hosts in their beds. Anna takes her two small sons to a cottage in Glencoe for the summer. She meets Calum, who is dealing with a crazed ex-girlfriend, Helena, but there is something more sinister lurking around Anna's cottage. Her six-year-old son is talking to ghosts and Anna is having violent dreams, reliving the night of the massacre as Kirstin MacDonald, who died horribly from frostbite, screaming for her missing son, two weeks after the massacre. With the help of an eccentric local historian and his sidekick, they try to save Anna's son from Kirstin's ghost, but things are not what they seem.

Do you believe in ghosts? You will after reading these original short novels from four of today's best writers of the fantastic. Brian Lumley, a Grand Master of Horror and author of the popular Necroscope series, opens the collection with the tense "A Place of Waiting." The moors of Devon, England, are home to many ghosts, but none as fearsome as the red-eyed specter that refuses to accept his death. His only chance of release, however, comes at a terrible cost. Orson Scott Card puts a new spin on one of literature's most famous ghosts in "Hamlet's Father." What if the former King of Denmark was not killed by his treacherous brother for his crown, but by someone entirely unexpected as punishment for the darkest of crimes? Would his troubled son still seek revenge? The patrons of an Edinburgh tavern are introduced to a beverage with an unusual history in "The Haunted Single Malt" by Marvin Kaye, a clever and spooky story about ghost stories and the people who love them. Tanith Lee offers "Strindberg's Ghost Sonata," a chilling tale set in an alternate Russia. When a poor man is rescued from certain death by hospitable strangers, he discovers that he is not a guest in their haunted tenement building--he is a prisoner destined to become a sacrifice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Part travelogue, part diary, part poetry, history and genealogy With an Introduction by Ted Cowan, Scottish historian, University of Glasgow SUMMARY An American poet who, according to family tradition, is related to the iconic poet Robert Burns, embarks upon a life-changing adventure through Scotland to find the lost connections to his immigrant forebears. From Bannockburn to Culloden, Edinburgh to Stirling to Inverness and Skye, Glencoe and Loch Lomond, Glasgow and Dumfries, each page reveals another thread of the lore and the mystery, offering a fresh perspective on the times, the places and the people that are woven into the beautiful tapestry that is Scotland. As an historical snapshot in time, this book will have significant social and cultural relevance for Scotland and the UK in times to come. PRAISE FOR THE GHOST OF RABBIE BURNS "A wonderful book of poetry and a great asset if you are making a trip to Scotland." Duke of Argyll, Chief of Clan Campbell "Laurence is a true sennachie, a genealogist as well as a bard." Ted Cowan, Emeritus professor of Scottish history and literature, University of Glasgow "touchingly sincere and thoughtful... laced with a wry but kindly humour." Isla St Clair, singer and broadcaster "Historically interesting and accurate... a passionate perspective of olden Caledonia." Steve McDonald, composer, Sons of Somerled "an amusing, heartfelt, historical journey that every exile should take. Weel duin, Laurence." Iain H Scott, Scocha "Overmire has captured that idea of the warrior/poet/wanderer so many of us dream of being. We can live the adventure of William Wallace at Stirling Bridge, or the devotion of Greyfriars Bobby, or the heartbreak of Culloden. Whither from your armchair at home with a glass of single malt in your hand, or on the plane ride over for your own first Scottish Adventure, I would highly recommend Overmire's capture of his own 'first trip home'." Eric Bullard, President, Clan Buchanan Society Intl., Inc. "an engaging meditation on Scotland, its history, places and people." Rev. Calum I. MacLeod, Minister of St. Giles' Cathedral, Edinburgh "The imagery evoked in his verse and the moral lessons imparted by Laurence represent the message of Robert Burns for the modern time." Mark Myers, President, Clan Maclean Association of California, USA "Much of Burns' collected works were captured during his tours of Scotland... this book captures the mood very well as a trail through Scotland." Jock Meikle, President of the Burns Club of London "Overmire uncovers the heart of each place he visits and helps us know the very soul of this country." Anita Scott-Philbrick, Ph.D, Deputy Chieftain, Clan Scott Society "Overmire has captured what it is like for those with even a trace of Scottish heritage to long for a connection with their ancestral roots... It is refreshing to view history in the context of poetry." Larry Bardell, President, Oregon Scottish Society "This book is a poetic, informed and sensitive testament to Scotland - its history, its art, its enduring values, its conflicts, and its spirituality." Weeden Nichols, F.S.A. Scot., President, Clan MacLeod Society USA "always with an ear/eye on literary or musical echoes... this poet is interested in connections, not separations." Dr. Keith Hughes, English Literature, University of Edinburgh "The art of painting into words my homeland and its history was well done and should be experienced by all whose blood runs 'Per Mare Per Terras'." Chevalier Dr. Gregory A. McDonald, D.D.S., K.T.J., formerly Ohio Deputy Commissioner, Clan Donald "It's a pleasant book to curl up with on a cold winter's evening in front of the fireplace, or at the beach on a sunny summer day." Margaret Frost, Chairman, Scottish American Society, President, American Clan Cumming Association

Reviews 1,400 books for children chosen as the best published during the years 1966-1972.

The scholarship, research, and criticism of women who developed key theories of communication and methods for the study of media. The Ghost Reader: Recovering Women’s Contributions to Media Studies offers a fresh perspective on the intellectual history of the field of media studies, a broad scholarly field that encompasses the interdisciplinary and overlapping fields of media studies, cultural studies, and communication studies. By recovering the work of the diverse group of women who labored at the margins of media studies as it took shape during the formative years of communication research between the 1930s and the 1950s, and providing scholarly contexts for this work, The Ghost Reader shows that “intersectional considerations” were key modes of engagement for intellectuals, academics, and activists who happened to be women. They did so decades before feminist perspectives were reintegrated into histories of the field.

In 1914, in the canefields of northern New South Wales, the young men couldn't wait to set off for the adventure of war. The women coped as best as they could, raised the children, lived in fear of being the next to receive an official telegram. They grieved their dead, and came to learn that for returned men there are worse things than death in combat. They bore more children to replace those lost in the First World War, and the sons were just the right age to go off to the second. The Ghost at the Wedding is like no other account of war, chronicling events from both sides - the horror of the battlefields and the women who were left at home. Shirley Walker's depictions of those battles - Gallipoli, the Western Front, the Kokoda Track - are grittily accurate, their reverberations haunting. Written with the emotional power of a novel, here is a true story whose sorrow is redeemed by astonishing beauty and strength of spirit.