Twelve-year-old David sneaks through the ventilation shafts in his London apartment building pulling pranks on his neighbors, which awakens the ghost of a boy with a grudge against the lonely, senile old man who lives upstairs.

A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019 “Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” —Emma Donoghue, author of Room "A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle.” —Margaret Talbot, The New Yorker A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior The light blinds you; there’s a lot you miss by gathering at the fireside. In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer

In the bleak, forbidding house of her great-aunts, neglected twelve-year-old orphan Maggie hears ghostly voices and finds magic that awakens in her the capacity to love and be loved.

It's 1961, Grady, Oklahoma, population 103. Fifteen-year-old Jacob Leeds lives in a modest house on Hooper Circle. His world includes a wily sister, provincial parents, a grandfather named Woody, and an obsession with superheroes. Peel back one layer, though, and find a very different Hooper Circle--one teeming with lies, a family cover-up, and a secret that will change Jake forever. The summer of 1961 begins with a teenage initiation rite for Jake, delivered by his best friend, Mikey Savage: "Initiation into Manhood--sleep on bare ground in the old baseball diamond. No sleeping bag, no shoes, no blanket." How difficult could it be? Pirate songs and funny stories accompany him in the darkness, until he hears the first of the screams. As he approaches the sound, he sees an apparition of a young woman, brutally beaten. He tries to run away, but finds he's running toward her. When Jake tells Mikey the story, he learns the legend of Mary McCann--a murdered Grady girl who to this day haunts the Oklahoma prairie in search of her killer. For Jake, this sighting marks the end of his childhood and the beginning of his quest to find the truth of her story. "During a beastly-hot Oklahoma summer, on a hard-scrabble farm, Jake Leeds makes the emotional journey from easy boyhood to complicated adolescence when he uncovers a mystery that points to shattered truths and stunning secrets. Lisa Polisar's moving story and elegant prose bring vitality and wonder to an ages-old theme, turning The Ghost of Mary Prairie into a contemporary masterpiece."--Pari Noskin Taichert, two-time Agatha Award finalist

Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play "The Ghost Sonata" (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. In this monograph of the play as text and as performance --the first of its kind--Egil Tornqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.

As dusk falls over the ruins of an ancient castle, David feels a strange presence behind him. He looks around nervously and sees a mysterious shape standing in the shadows of a ruined tower. When he peers more carefully he makes out a ghost with an arrow stuck in his chest! Not everybody can see ghosts but David could see this ghost, whose name was Llewellyn. Now David was faced with a big question, was Llewellyn friendly or did he intend to hurt him? In addition, evil was afoot, much closer to hand than David realised. Greedy men, who would stop at nothing, had hijacked new science and were planning to use it to hold the country to ransom. Eventually, David, and his new friend Jemma, were all that stood between good and evil. If Llewellyn was friendly, how could a 700 year ghost possibly help two young people stop evil triumphing in today's world?

Some secrets should stay buried. Ghost hunter Verity Long is no stranger to scandal. In fact, it seems to follow her around like her pet skunk, Lucy. But Verity is as shocked as anybody when a town relic discovered in a time capsule unleashes a torrent of secrets that lead to murder. Trouble is, the only residents in Sugarland who know the truth behind the scandal also happen to be very dead themselves. With a killer on the loose and a town in crisis, Verity braves a side of Sugarland she's never seen before. From a booby-trapped haunted mansion to a run-in with the spirit of Sugarland's most notorious blackmailer who may hold the key to setting mob ghost Frankie free...for a price. But when a live killer gets an inside track on Verity's investigation, will she live long enough to give up the ghost?