Provides a unique, up-to-date survey of twelve Germanic languages from English and German to Faroese and Yiddish.

Germanic - one of the largest sub-groups of the Indo-European language family - comprises 37 languages with an estimated 470 million speakers worldwide. This book presents a comparative linguistic survey of the full range of Germanic languages, both ancient and modern, including major world languages such as English and German (West Germanic), the Scandinavian (North Germanic) languages, and the extinct East Germanic languages. Unlike previous studies, it does not take a chronological or a language-by-language approach, organized instead around linguistic constructions and subsystems. Considering dialects alongside standard varieties, it provides a detailed account of topics such as case, word formation, sound systems, vowel length, syllable structure, the noun phrase, the verb phrase, the expression of tense and mood, and the syntax of the clause. Authoritative and comprehensive, this much-needed survey will be welcomed by scholars and students of the Germanic languages, as well as linguists across the many branches of the field.

'A New History of German Literature' offers some 200 essays on events in German literary history.

Any reader of scholarship on the ancient and early medieval world will be familiar with the term 'Germanic', which is frequently used as a linguistic category, ethnonym, or descriptive identifier for a range of forms of cultural and literary material. But is the term meaningful, useful, or legitimate? The term, frequently applied to peoples, languages, and material culture found in non-Roman north-western and central Europe in classical antiquity, and to these phenomena in the western Roman Empire’s successor states, is often treated as a legitimate, all-encompassing name for the culture of these regions. Its usage is sometimes intended to suggest a shared social identity or ethnic affinity among those who produce these phenomena. Yet, despite decades of critical commentary that have highlighted substantial problems, its dominance of scholarship appears not to have been challenged. This edited volume, which offers contributions ranging from literary and linguistic studies to archaeology, and which span from the first to the sixteenth centuries AD, examines why the term remains so pervasive despite its problems, offering a range of alternative interpretative perspectives on the late and post-Roman worlds.

This is a study in the pathology of cultural criticism. By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbehn, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.

Traces the five-hundred year history and wide-ranging influence of the Roman historian's unflattering book about the ancient Germans that was eventually extolled by the Nazis as a bible.

One of the most intriguing questions of our time is how some of the masterpieces of modernity originated in a country in which personal liberty and democracy were slow to emerge. This Companion provides an authoritative account of modern German culture since the onset of industrialisation, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture - including national identity, class, Jews in German society, minorities and women, the functions of folk and mass culture, poetry, drama, theatre, dance, music, art, architecture, cinema and mass media - from the nineteenth century to the present. Guidance is given for further reading and a chronology is provided. In its totality the Companion shows how the political and social processes that shaped modern Germany are intertwined with cultural genres and their agendas of creative expression.

An account of the Germanic peoples and their kingdom between the 3rd and 8th centuries, as they invaded, settled in and transformed the Roman empire.