In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Even the warrior-hero's concern with his reputation is usually expressed negatively: that the wrong songs are not sung about him. The author discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as "heroic poetry" to include the German so-called "minstrel epic" and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with "Beowulf" allows us to span half a millennium.

Presents the legends of the great German heroes, including the story of Gudrun, the saga of Siegfried, and the vengeance of Kriemhild with a lively collection of traditional folk tales.

In The Germanic Hero Brian Murdoch looks at the role the warrior-hero plays within a set of predetermined political and social constraints. the hero is not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Brian Murdoch discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as 'heroic poetry' to include the German so-called 'minstrel epic', and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with Beowulf allows us to span half a millennium.

It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.

NEW YORK TIMES BESTSELLER • From the bestselling master espionage writer, hailed by Vince Flynn as “the best in the business,” comes a riveting novel about the French Resistance in Nazi-occupied Paris. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST 1941. The City of Light is dark and silent at night. But in Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu, a leader of the French Resistance, leads one such cell, helping downed British airmen escape back to England. Alan Furst’s suspenseful, fast-paced thriller captures this dangerous time as no one ever has before. He brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions. Aiding Mathieu as part of his covert network are Lisette, a seventeen-year-old student and courier; Max de Lyon, an arms dealer turned nightclub owner; Chantal, a woman of class and confidence; Daniel, a Jewish teacher fueled by revenge; Joëlle, who falls in love with Mathieu; and Annemarie, a willful aristocrat with deep roots in France, and a desire to act. As the German military police heighten surveillance, Mathieu and his team face a new threat, dispatched by the Reich to destroy them all. Shot through with the author’s trademark fine writing, breathtaking suspense, and intense scenes of seduction and passion, Alan Furst’s A Hero of France is at once one of the finest novels written about the French Resistance and the most gripping novel yet by the living master of the spy thriller.

Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.

Discover the untamed paganism of the Vikings and the Germanic tribes prior to the complete Christianization of Europe • Explores the different forms of magic practiced by these tribes, including runic magic, necromancy (death magic), soul-travel, and shape-shifting • Examines their rites of passage and initiation rituals and their most important gods, such as Odin, Loki, and Thor • Looks at barbarian magic in historical accounts, church and assembly records, and mythology as well as an eyewitness report from a 10th-century Muslim diplomat • Reveals the use and abuse of this tradition’s myths and magic by the Nazis Before the conversion of Europe to Christianity in the Middle Ages, Germanic tribes roamed the continent, plundering villages and waging battles to seek the favor of Odin, their god of war, ecstasy, and magic. Centuries later, predatory Viking raiders from Scandinavia carried on similar traditions. These wild “barbarians” had a system of social classes and familial clans with complex spiritual customs, from rites of passage for birth, death, and adulthood to black magic practices and shamanic ecstatic states, such as the infamous “berserker’s rage.” Chronicling the original pagan tradition of free and wild Europe--and the use and abuse of its myths and magic by the Nazis--Hans-Peter Hasenfratz offers a concise history of the Germanic tribes of Europe and their spiritual, magical, and occult beliefs. Looking at historical accounts, church and assembly records, mythology, and folktales from Germany, Russia, Scandinavia, and Iceland as well as an eyewitness report of Viking customs and rituals from a 10th-century Muslim diplomat, Hasenfratz explores the different forms of magic--including charms, runic magic, necromancy, love magic, soul-travel, and shamanic shape-shifting--practiced by the Teutonic tribes and examines their interactions with and eventual adaptation to Christianity. Providing in-depth information on their social class and clan structure, rites of passage, and their most important gods and goddesses, such as Odin, Loki, Thor, and Freyja, Hasenfratz reveals how it is only through understanding our magical barbarian roots that we can see the remnants of their language, culture, and dynamic spirit that have carried through to modern times.