Given the limitless freedom of animation, why would anyone use it to make a sitcom about a struggling family-owned burger place? And why would audiences embrace this greasy fantasy, not just by tuning in but by permanently decorating their legs and arms with images from the show and writing detailed backstories for its minor characters? This book-length critical study of Bob's Burgers examines the moments in which the animated sitcom exposes the chasms between generations, explores gender and sexual identity, and allows fans to imagine a better world. Essays cover how the show can be read as a series of critiques of Steven Spielberg's early blockbusters, a rejection of Freudian psychology, or an examination of the artificiality of gendered behaviors through the cross-casting of characters like Tina and Linda. By tracing the ways that the popular reception of Bob's Burgers reflects changing cultural attitudes, the essays provoke broader questions about the responsibility of popular entertainment to help audiences conceive of fantasies closer to home: fantasies of loving and accepting parents, of creative, self-assured children, and of menus filled with artisanal puns.

Given the limitless freedom of animation, why would anyone use it to make a sitcom about a struggling family-owned burger place? And why would audiences embrace this greasy fantasy, not just by tuning in but by permanently decorating their legs and arms with images from the show and writing detailed backstories for its minor characters? This book-length critical study of Bob's Burgers examines the moments in which the animated sitcom exposes the chasms between generations, explores gender and sexual identity, and allows fans to imagine a better world. Essays cover how the show can be read as a series of critiques of Steven Spielberg's early blockbusters, a rejection of Freudian psychology, or an examination of the artificiality of gendered behaviors through the cross-casting of characters like Tina and Linda. By tracing the ways that the popular reception of Bob's Burgers reflects changing cultural attitudes, the essays provoke broader questions about the responsibility of popular entertainment to help audiences conceive of fantasies closer to home: fantasies of loving and accepting parents, of creative, self-assured children, and of menus filled with artisanal puns.

The hand-written, pun-packed “Burger of the Day” special on the Belcher’s restaurant chalkboard is one of the show's best sight gags and a fan favorite. Now, Bob’s Burgers fans can grill up 75 of the best burgers Bob Belcher ever created with this hilarious cookbook. This fantastic collection of recipes lists which season and episode each burger comes from, and it also includes original artwork exclusive to the cookbook, plus all-new character commentary from the entire Belcher family as well as beloved characters including Teddy, Jimmy Pesto Jr., and Aunt Gayle. Along with some general cooking tips on how to turn out the best burgers and fries, a selection of the recipes included are: The "Bleu is the Warmest Cheeseburger" The "Bruschetta-Bout-It Burger" The "Texas Chainsaw Massa-Curd Burger" The "We’re Here, We’re Gruyère, Get Used to It Burger" The "I Know Why the Cajun Burger Sings Burger" The “Final Kraut-Down Burger” All recipes originated from Cole Bowden’s wildly popular "The Bob’s Burger Experiment" blog and were further developed together with Bouchard and the rest of the Bob’s Burgers writing team. Ravenous Bob’s Burgers fans can now create the ultimate Bob’s Burgers experience at home—why not make the burger, then put on the episode where it appears!

The Bob’s Burgers comic book delivers the second serving of its one-story issues when Louise’s Unsolved Mysteries and Curious Curiosities Presents… Giant Chinchilla Girl! Louise invents a machine capable of teleportation – but when she decides to give it a spin herself, the outcome is a little fuzzy. Or in her case, furry. Everyone loves Bob's Burgers, the fan-favorite animated sitcom that airs on Fox television with other hits such as The Simpsons and Family Guy!

You'll lick your lips with this latest helping of the Belcher family, the stars of Fox Television's fan-favorite animated sitcom! Those delightful little scamps Tina, Gene, and Louise are always daydreaming of a life far from the reality of the family restaurant, whether they become boy-crazy martial artists, mutated chinchillas, or the knights of King Arthur's court! Satisfy with ample portions of hilarity, cooked to perfection by the fine folks at the Emmy Award-winning studio Bento Box Entertainment!

Given the limitless freedom of animation, why would anyone use it to make a sitcom about a struggling family-owned burger place? And why would audiences embrace this greasy fantasy, not just by tuning in but by permanently decorating their legs and arms with images from the show and writing detailed backstories for its minor characters? This book-length critical study of Bob's Burgers examines the moments in which the animated sitcom exposes the chasms between generations, explores gender and sexual identity, and allows fans to imagine a better world. Essays cover how the show can be read as a series of critiques of Steven Spielberg's early blockbusters, a rejection of Freudian psychology, or an examination of the artificiality of gendered behaviors through the cross-casting of characters like Tina and Linda. By tracing the ways that the popular reception of Bob's Burgers reflects changing cultural attitudes, the essays provoke broader questions about the responsibility of popular entertainment to help audiences conceive of fantasies closer to home: fantasies of loving and accepting parents, of creative, self-assured children, and of menus filled with artisanal puns.

“Highly recommended reading for those hungry for surprise” (A.J. Jacobs, New York Times bestselling author)—a rollicking collection of personal stories and essays on relationships, technology, and contemporary society from the news editor at Funny or Die and former artistic director at the Upright Citizens Brigade Theater. This hilarious collection of essays spans a wide variety of topics. There’s the open letter to Charles Manson, a brave archeologist’s journey into a suburban man cave, and a long overdue, sternly worded letter from Leif Erikson to Christopher Columbus. Walt Whitman even teaches a spin class. Nate Dern’s razor-sharp eye examines modern society and technology, man buns, dating apps, and juicing crazes. Anyone who’s ever scrunched their eyes at WiFi Terms & Conditions, listened to the reasons that led a vegetarian to give up meat, or looked on in horror at the evolving audacity of reality TV will appreciate Dern’s wicked and funny take on modern life. Not Quite a Genius is fun, and funny, “a breath of fresh air that you can eat up bit by bit or all at once” (Abbi Jacobson, cocreator and star of Broad City).

A reissue of the bestselling Official Bob's Burgers Coloring Book. The first and only coloring book based on the Emmy-winning animated hit TV show. Crossing the line from line art to Pop Art, The Official Bob's Burgers Coloring Book follows in the bestselling pop-culture coloring book footsteps of Star Wars, Game of Thrones, Doctor Who, The Walking Dead, and Outlander. This collection serves up not only images of the best moments of the show, but also enough puns and fun to have the show's ravenous fans salivating with hunger and hilarity. Bob's Burgers is continuing to enjoy its place in the pop-culture hall of fame: the 13th season just premiered this past fall, the Bob's Burgers feature film was released last year, and it has spawned several bestselling books, albums, and other merchandise.

The two-time Newbery Honor winner Gary D. Schmidt delivers the shattering story of Joseph, a father at thirteen, who has never seen his daughter, Jupiter. After spending time in a juvenile facility, he's placed with a foster family on a farm in rural Maine. Here Joseph, damaged and withdrawn, meets twelve-year-old Jack, who narrates the account of the troubled, passionate teen who wants to find his baby at any cost. In this riveting novel, two boys discover the true meaning of family and the sacrifices it requires.

Gene, Louise, and Tina share a spooky story of a burger gone bad in issue #16 of the Bob’s Burgers Comic Book! Bob prepares a burger with a strange spice, but when a hungry Gene reaches for it and pricks his finger, the kids find out that it’s the burger that’s hungry – for blood. As it grows and brings great success to the restaurant, the kids have to decide whether to continue to feed the burger, or fry it.