The creation myth of the United States begins with the plucky English puritans of the Mayflower--but what about the story of its sister ship, the Seaflower. Few people today know the story of the passengers aboard the Seaflower, who in 1630 founded a rival puritan colony on an isolated Caribbean island called Providence. They were convinced that England’s empire would rise not in barren New England, but rather in tropical Central America. However, Providence became a colony in constant crisis: crops failed, slaves revolted . . . and then there were the pirates. And, as Tom Feiling discovers in this surprising history, the same drama was played out by the men and women who re-settled the island one hundred years later. The Island That Disappeared presents Providence as a fascinating microcosm of colonialism--even today. At first glance it is an island of devout churchgoers - but look a little closer, and you see that it is still dependent on its smugglers. At once intimate and global, this story of puritans and pirates goes to the heart of the contradictory nature of the Caribbean and how the Western World took shape.

An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998

This is a book of historical anecdotes about the Colombian islands of San Andres and Providencia. The book contains various anecdotes that range from pirate lore to Hemingway's visit to World II adventures.

A world list of books in the English language.

Settled in the seventeenth century by Puritans, Providence Island, as it was then known, attracted a wide diversity of people from around the world over the next three centuries, including English, Scottish, Afro-Caribbean, American Indian, Irish, Polish, Swedish, Austrian, Chinese, and Spanish immigrants. Part One of this book provides an historical, religious, and cultural background to the development of Providencia Island. Part Two contains genealogical listings of the Robinson, Archbold, Howard, Newball, Taylor, and Britton families, and of those interrelated with them.

PROVIDENCIA, Sean Frederick Forbes’s debut poetry collection, offers deeply personal poetry that digs beneath the surface of family history and myth. This coming of age narrative traces the experience of a gay, mixed-race narrator who confronts the traditions of his parents’ and grandparents’ birthplace: the seemingly idyllic island of Providencia, Colombia against the backdrop of his rough and lonely life in Southside Jamaica, Queens. These lyric poems open doors onto a third space for the speaker, one that does not isolate or hinder his sexual, racial, and artistic identities. Written in both free verse and traditional poetic forms, PROVIDENCIA conjures numerous voices, images, and characters to explore the struggles of self-discovery.

Five hundred miles from mainland Colombia, grassroots resistance, sloppy vacationers, and a muddy history of conquest converge for Verónica, returning after living in Mexico City, ready to understand herself and the place she came from. San Andrés rises gently from the Caribbean, part of Colombia but closer to Nicaragua, the largest island in an archipelago claimed by the Spanish, colonized by the Puritans, worked by slaves, and home to Arab traders, migrants from the mainland, and the descendants of everyone who came before. For Victoria – whose origins on the island go back generations, but whose identity is contested by her accent, her skin colour, her years far away – the sunburnt tourists, sewage blooms, sudden storms, and ‘thinking rundowns’ where liberation is plotted and dinner served from a giant communal pot, bring her into vivid, intimate contact with the island she thought she knew, her own history, and the possibility for a real future for herself and San Andrés.

In 1822, the Mary departed Philadelphia and sailed in the direction of the Spanish colony of Puerto Rico. Like most vessels that navigated the Caribbean, the Mary brought together men who had served under a dozen different flags over the years. Unlike most crews, those aboard the Mary were in a different line of commerce: they exported revolution. In addition to rifles and pistols, the Mary transported a box filled with proclamations announcing the creation of the "Republic of Boricua." This imagined republic rested on one principle: equal rights for all, regardless of birthplace, race, or religion. The leaders of the expedition had never set foot in Puerto Rico. And they never would. When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simón Bolívar might come to mind. But Rogue Revolutionaries recovers the interconnected stories of now-forgotten "foreigners of desperate fortune" who dreamt of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in the narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization. In the midst of wars and upheavals, the question of who had the legitimacy to launch a revolution and to start a new country was open to debate. Behind the growing power of nation-states, Mongey uncovers a lost world of radical cosmopolitanism grounded in the pursuit of material interests and personal prestige. In demonstrating that these would-be revolutionaries and their fleeting republics were critical to the creation of a new international order, Mongey reminds us of the importance of attending to failures, dead ends, and the unpredictable nature of history.