Most of the seven million people who visit the cathedral of Notre Dame in Paris each year probably do not realize that the legendary gargoyles adorning this medieval masterpiece were not constructed until the nineteenth century. The first comprehensive history of these world-famous monsters, The Gargoyles of Notre-Dame argues that they transformed the iconic thirteenth-century cathedral into a modern monument. Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc’s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed, sculpted by the little-known Victor Pyanet, and installed. These gargoyles, Camille contends, were not mere avatars of the Middle Ages, but rather fresh creations—symbolizing an imagined past—whose modernity lay precisely in their nostalgia. He goes on to map the critical reception and many-layered afterlives of these chimeras, notably in the works of such artists and writers as Charles Méryon, Victor Hugo, and photographer Henri Le Secq. Tracing their eventual evolution into icons of high kitsch, Camille ultimately locates the gargoyles’ place in the twentieth-century imagination, exploring interpretations by everyone from Winslow Homer to the Walt Disney Company. Lavishly illustrated with more than three hundred images of its monumental yet whimsical subjects, The Gargoyles of Notre-Dame is a must-read for historians of art and architecture and anyone whose imagination has been sparked by the lovable monsters gazing out over Paris from one of the world’s most renowned vantage points.

Written in aid of the crucial restoration work to restore Paris’s great cathedral, Notre-Dame: A Short History of the Meaning of Cathedrals is a moving, short piece of non-fiction celebrating the stunning history of this beloved building, from Ken Follett, author of the multi-million copy selling Kingsbridge series. ‘Two days after Notre Dame burned, I flew to Paris to appear on the TV programme La Grande Librairie for a discussion about cathedrals. The following morning I had breakfast at the Hotel Bristol with my French publisher and she asked me to write a short book about Notre Dame and what it means to all of us. She said she would donate the publisher’s profits to the rebuilding fund and, if I wished, I could do the same with my royalties. Yes, I said; of course, I’d love to.’ – Ken Follett A minimum of 50p per copy on each sale of this book will go to the heritage and restoration charity La Fondation du Patrimoine.

A boy befriends a baby gargoyle in this magical wordless story in graphic-novel style from award-winning creators Jo Ellen Bogart and Maja Kastelic. Anthony’s house is full of family photos — of his parents’ trip to Paris, his great aunt, and Anthony himself as a toddler, holding his favorite rock. When Anthony wakes up one morning, he sees that his “rock” has cracked open — it’s hollow inside. He doesn’t see the little face peering out from the closet. Later, he discovers the newly hatched creature and they become friends. Anthony asks his mother about the rock, and she shows him a photo album of a trip to Paris. Anthony sees that his friend resembles the gargoyles at Notre-Dame cathedral. Back in his room, he shows the photos to the baby gargoyle who looks at them with longing. News arrives that Anthony’s great aunt is in hospital. The family travel to Paris to visit, and Anthony secretly brings the baby gargoyle. When the family have a chance to climb Notre-Dame’s tower, Anthony and his friend wander from one gargoyle to the next ... until the baby gargoyle sees one that looks just like him. A bittersweet story of true friendship and letting go. Key Text Features comic comic strips Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.

A trip to Notre Dame Cathedral in Paris. An art heist. And a locked-room mystery. Alchemist Zoe Faust and her impish gargoyle sidekick Dorian Robert-Houdin travel to Notre Dame Cathedral in Paris to investigate a mysterious discovery found in the wreckage of the tragic fire: a long-lost gargoyle illustration drawn by Victor Hugo himself. When the work of art is stolen under impossible circumstances, Dorian must use his “little gray cells”—not to mention his culinary skills—to solve the crime and discover the true origins of where he came from. Love armchair travel, Paris, and humorous mysteries? Don’t miss this Accidental Alchemist novella from USA Today bestselling and Anthony Award-winning author Gigi Pandian. Includes delicious vegan recipes! The Lost Gargoyle of Paris is an Accidental Alchemist Mystery novella and is less than half the length of the novels in the series. It stands alone, but if you want to read more about Zoe, Dorian, and their misfit friends back in Portland, Oregon, check out The Accidental Alchemist, The Masquerading Magician, The Elusive Elixir, and The Alchemist's Illusion.

American Gargoyles: Spirits in Stoneis the first pictorial essay on the many gargoyles found in the United States, featuring unique stories and breathtaking full-color photographs of these monstrous but delightful angels with a sense of humor. A number of books have showcased the medieval gargoyles of Europe, but never before has one been devoted to the thousands of gargoyles that peer down from American buildings. Lewd or ferocious, holy or humorous, these astonishing carvings are distinguished by fine artistry, vivid imagination, and spiritual mystery. American Gargoylesputs us face-to-face with the winged griffins, fallen angels, and damned souls of Washington's National Cathedral, as well as those adorning the Woolworth Building and the Cathedral of St. John the Divine in New York City, Princeton University, the University of Pennsylvania, Tribune Tower in Chicago, Grace Cathedral in San Francisco, and many other buildings. Robert Llewellyn's glorious photographs reveal the craftsmanship of the artisans and sculptors who created these works. With Darlene Trew Crist's fascinating explanations of the varieties of gargoyles, stories about their history and creation, and extensive resource information, including websites,American Gargoylesmakes a convincing case for looking up as we walk down the streets of America's cities.

Like a mystical tome awaiting to be deciphered, a Gothic cathedral holds many secrets about the soul's yearning for God. In Heaven in Stone and Glass, Catholic priest and professor of theology at Mundelein Seminary in Chicago teaches us how to read these secrets, with beautiful reflections on aspects such as light and darkness, the labyrinth, the meaning of gargoyles and demons, and the imagery of vertical space. whether you are preparing for a pilgrimage to York Cathedral of Notre Dame in Paris, or looking ahead to inspirational bedside reading, this book is the perfect guide.

Enter a mysterious world of fantasy, beauty, and horror with this historic collection of architectural details from centuries-old structures — gargoyles, busts, cartouches, pedestals, more. Bonus CD-ROM includes all images from the book.

Gargoyles are an architectural feature designed to throw rainwater clear of the walls of a building. Widely used on medieval churches, these water spouts were often richly decorated, and fashioned as serpents' heads and other fanciful shapes. Today, the term gargoyle is also popularly applied to any carved decorative head or creature high up on a building and this book is an exploration of all of these enchanting features. Written by an academic and stonecarver, it is the perfect introduction to this fascinating subject. Gargoyles aims to provide a concise introduction to the stone carvings often found on religious and secular buildings in Britain from the medieval period to the modern. It will explore the typical imagery, some of the theories put forward to explain them, as well as consider the carvings within their architectural and social contexts. Incorporating recent and current research, the book will nevertheless be accessible to the general reader.

The symbols and strange images that we find in our cemeteries, religious structures, banks and in our parks are the same symbols that have been part of the framework of the human psyche for thousands of years. While contemporary man may think that they are simply decorative manifestations of a by-gone era, they represent the fears, dreams, ideas, beliefs and struggles that humankind has endured since we began to walk upright. This book surveys many of these icons and will give a meaning for them both in the context of ancient history and folklore as well as a meaning that is suitable for our contemporary times. Illustrated with dozens of photographs, this book will be of interest to anyone interested in historic preservation, ancient symbolism, the Green Man and the universal application of imagery. Gary R. Varner has written numerous books on ancient traditions, folklore, the environment and contemporary issues. He is a member of the American Folklore Society and the Foundation for Mythological Studies.

This ground-breaking book aims to take a new and innovative view on how disability and architecture might be connected. Rather than putting disability at the end of the design process, centred mainly on compliance, it sees disability – and ability – as creative starting points for the whole design process. It asks the intriguing question: can working from dis/ability actually generate an alternative kind of architectural avant-garde? To do this, Doing Disability Differently: explores how thinking about dis/ability opens up to critical and creative investigation our everyday social attitudes and practices about people, objects and space argues that design can help resist and transform underlying and unnoticed inequalities introduces architects to the emerging and important field of disability studies and considers what different kinds of design thinking and doing this can enable asks how designing for everyday life – in all its diversity – can be better embedded within contemporary architecture as a discipline offers examples of what doing disability differently can mean for architectural theory, education and professional practice aims to embed into architectural practice, attitudes and approaches that creatively and constructively refuse to perpetuate body 'norms' or the resulting inequalities in access to, and support from, built space. Ultimately, this book suggests that re-addressing architecture and disability involves nothing less than re-thinking how to design for the everyday occupation of space more generally.