An extraordinary debut novel of love that survives the fires of hell and transcends the boundaries of time. On a burn ward, a man lies between living and dying, so disfigured that no one from his past life would even recognize him. His only comfort comes from imagining various inventive ways to end his misery. Then a woman named Marianne Engel walks into his hospital room, a wild-haired, schizophrenic sculptress on the lam from the psych ward upstairs, who insists that she knows him – that she has known him, in fact, for seven hundred years. She remembers vividly when they met, in another hospital ward at a convent in medieval Germany, when she was a nun and he was a wounded mercenary left to die. If he has forgotten this, he is not to worry: she will prove it to him. And so Marianne Engel begins to tell him their story, carving away his disbelief and slowly drawing him into the orbit and power of a word he'd never uttered: love.

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.

Gargoyles that grin and leer down from roofs and towers of medieval churches have stood for centuries warding off evil. They reached their flowering in the Middle Ages yet their story goes far beyond that time to the very beginnings of art, when man created demons to scare away demons. This book depicts the many fearsome faces of these monstrosities throughout history.

Seeking a spell that will restore the polluted river Swan Knee to a state of purity, guardian Gary Gargoyle finds himself face-to-face with the Good Magician Humphrey.

A boy befriends a baby gargoyle in this magical wordless story in graphic-novel style from award-winning creators Jo Ellen Bogart and Maja Kastelic. Anthony’s house is full of family photos — of his parents’ trip to Paris, his great aunt, and Anthony himself as a toddler, holding his favorite rock. When Anthony wakes up one morning, he sees that his “rock” has cracked open — it’s hollow inside. He doesn’t see the little face peering out from the closet. Later, he discovers the newly hatched creature and they become friends. Anthony asks his mother about the rock, and she shows him a photo album of a trip to Paris. Anthony sees that his friend resembles the gargoyles at Notre-Dame cathedral. Back in his room, he shows the photos to the baby gargoyle who looks at them with longing. News arrives that Anthony’s great aunt is in hospital. The family travel to Paris to visit, and Anthony secretly brings the baby gargoyle. When the family have a chance to climb Notre-Dame’s tower, Anthony and his friend wander from one gargoyle to the next ... until the baby gargoyle sees one that looks just like him. A bittersweet story of true friendship and letting go. Key Text Features comic comic strips Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.

Gargoyles have been feared and misunderstood for centuries, but now Caldecott Honor artist Dav Pilkey tells the real story of these gentle stone creatures come to life. Behind their cold, stone faces, gargoyles have warm, loving souls -- yet most people don't look deeply enough to notice. Angels can see the good inside them, though, and tonight the angels will sweep down to take their silent, stone friends on a magical journey, hand in hand.Caldecott Honor artist Dav Pilkey's lyrical tale of these gentle stone creatures come to life is a reminder that everyone -- from the grievers to the dreamers to the believers -- is worthy of love.

Fans of Jonathan Auxier's The Night Gardener and Neil Gaiman's The Graveyard Book will tremble with delight for this haunting tale about a lonely gargoyle who isn't alone at all. Penhallow is the last of his kind. The stone gargoyle--he'd prefer you call him a grotesque--fearlessly protects his Boston building from the spirits who haunt the night. But even he is outmatched when Hetty, his newest ward, nearly falls victim to the Boneless King, the ruler of the underworld. Then there's Viola, the mysterious girl who keeps turning up at the most unlikely times. In a world where nightmares come to life, Viola could be just the ally Penhallow needs. But can he trust her when every shadow hides another secret? Can he afford not to?

American Gargoyles: Spirits in Stoneis the first pictorial essay on the many gargoyles found in the United States, featuring unique stories and breathtaking full-color photographs of these monstrous but delightful angels with a sense of humor. A number of books have showcased the medieval gargoyles of Europe, but never before has one been devoted to the thousands of gargoyles that peer down from American buildings. Lewd or ferocious, holy or humorous, these astonishing carvings are distinguished by fine artistry, vivid imagination, and spiritual mystery. American Gargoylesputs us face-to-face with the winged griffins, fallen angels, and damned souls of Washington's National Cathedral, as well as those adorning the Woolworth Building and the Cathedral of St. John the Divine in New York City, Princeton University, the University of Pennsylvania, Tribune Tower in Chicago, Grace Cathedral in San Francisco, and many other buildings. Robert Llewellyn's glorious photographs reveal the craftsmanship of the artisans and sculptors who created these works. With Darlene Trew Crist's fascinating explanations of the varieties of gargoyles, stories about their history and creation, and extensive resource information, including websites,American Gargoylesmakes a convincing case for looking up as we walk down the streets of America's cities.

Amid the soaring grandeur of arches and spires lurks a more down-to-earth architectural flourish: the grinning head of a gargoyle. Singly and clustered, these intriguing creatures form as distinctive an element of Gothic architecture as the flying buttress. Nowhere are they more prominent than along the walls of French cathedrals, and this magnificently illustrated volume prowls the ramparts of those medieval buildings to discover hundreds of authentic gargoyle carvings. According to tradition, the gargoyles were posted as sentries, to ward off malevolent spirits and to remind parishioners of the evil beyond the church doors. Author Lester Burbank Bridaham takes a more optimistic view. Noting the stone guardians' whimsical nature, he discusses the artisanal ingenuity involved in their creation. He also points out how they represented a rare sense of freedom in the Middle Ages, in terms of public satire and unbridled artistic enthusiasm. As this book reveals, the timeless appeal of the gargoyle—whether symbolic, spiritual, decorative, or fanciful—continues to captivate the imagination.