A detailed overview of street gangs in the Chicago metropolitan area.

/DIVEveryone’s favorite toys are on a new adventure, and now readers can feel as if they’re part of the action. Lenticular elements are sprinkled throughout the story. Readers can tilt the book to see the toys move each time they turn the page. Plus, the book features a padded cover and sturdy board book pages.DIV

New York Times bestseller: A novel of a messy mob war in Brooklyn that “makes you laugh out loud” (Chicago Sun-Times). Kid Sally Palumbo has been a loyal servant to the Brooklyn Mafia for years. His specialty is murder, and he is so skilled at it that he has gotten the attention of Mafia boss Papa Baccala. But unfortunately for Kid Sally, murder pays poorly. He wants to make real dough, to get respect, and to be able to tell his colleagues where to sit when they eat dinner. In short, he wants to be boss. The job would be his for the taking—if only Kid Sally weren’t a Grade A moron. To keep Sally from stirring up trouble, Baccala tosses him an easy assignment: Organize a bicycle race through Brooklyn, and keep the profits. Kid Sally bungles it, setting off a turf war that quickly engulfs the borough. The dimwitted mobsters are masters in the art of murder, and they are about to put on a show. This ebook features an illustrated biography of Jimmy Breslin including rare photos and never-before-seen documents from the author’s personal collection.

The DIY fashion brand presents ten fun and easy crochet projects featuring Ra-Ra Raffia—the endlessly versatile plant-based yarn. Raffia yarn is made of one-hundred percent long wood fiber, making it not only vegan and biodegradable, but also water-repellent and quick-drying. This light and eco-friendly yarn adds structure to your projects, making it perfect for crocheting hats, bags and other accessories. Here you’ll find ten crochet projects that show off the ease, versatility and style of Wool and the Gang's line of Ra-Ra Raffia yarns. Ranging from beginner to intermediate skill levels, the projects include bags, hats and baskets, which are then further embellished with raffia yarn embroidery. General techniques are covered at the end of the book, with step-by-step instructions accompanied by clear illustrations.

“One of the year’s most important books, a gripping meticulously reported account of the rise of one of the world’s most notorious street gangs.” —Mitch Weiss, Pulitzer Prize winner Winner of the Lukas Prize An NPR Best Book of the Year The MS-13 was born from war. In the 1980s, Alex and his brother fled El Salvador for the US and formed the Mara Salvatrucha Stoners. Initially bound by a love of heavy metal music, the group soon took on a harder edge, selling drugs, stealing cars and killing rivals. Gang members like Alex were incarcerated and deported. But in the prison system, the group only grew stronger. Today, MS-13 is one of the most infamous street gangs on earth—and also largely misunderstood. Longtime organized crime investigator Steven Dudley brings readers inside the nefarious group to tell a broader story of flawed US and Central American policies and the exploitative, unequal systems that shape them. “A remarkable feat of reporting; the ways in which the United States is complicit in the creation and preservation of MS-13 might well keep you awake deep into the night, as it did me.” —Rachel Louise Snyder, author of No Visible Bruises “By detailing the experiences of gang members and victims alike, he anatomizes the complex, fluid dynamics of this elusive transnational network. A startling book.” —Patrick Radden Keefe, New York Times–bestselling author of Rogues: True Stories of Grifters, Killers, Rebels and Crooks “The definitive account of MS-13 . . . An outstanding book for true crime readers.” —Library Journal (starred review)

While gangs and gang culture have been around for countless centuries, The Gang is one of the first academic studies of the phenomenon. Originally published in 1927, Frederic Milton Thrasher’s magnum opus offers a profound and careful analysis of hundreds of gangs in Chicago in the early part of the twentieth century. With rich prose and an eye for detail, Thrasher looked specifically at the way in which urban geography shaped gangs, and posited the thesis that neighborhoods in flux were more likely to produce gangs. Moreover, he traced gang culture back to feudal and medieval power systems and linked tribal ethos in other societies to codes of honor and glory found in American gangs. Thrasher approaches his subject with empathy and insightfulness, and creates a multifaceted and textured portrait that still has much to offer to readers today. With handsome images that evoke the era, this unabridged edition of The Gang not only explores an important moment in the history of Chicago, but also is itself a landmark in the history of sociology and subcultural theory.

The Bay City Rollers were one of the brightest things to happen in the tumultuous 1970s, illuminating a dark decade marred by falling stock markets, a plummeting economy and industrial unrest. Alan Longmuir, an apprentice plumber from Edinburgh, was inspired by the Beatles to form a band. After enlisting his brother and throwing a dart at a map, they became the Bay City Rollers. In I Ran with the Gang , Alan recounts his incredible journey from the Dalry backstreets to the Hollywood hills and back again. Along the way, he punctures some of the myths and untruths that have swirled around the group, and unflinchingly tells of the acrimony and exploitation that led to the disintegration of the band. Most of all, though, Alan captures the great adventure of five young boys from Edinburgh who for a few heady years threatened to turn the whole world tartan.

A New York Times Bestseller "A rich portrait of the urban poor, drawn not from statistics but from vivid tales of their lives and his, and how they intertwined." —The Economist "A sensitive, sympathetic, unpatronizing portrayal of lives that are ususally ignored or lumped into ill-defined stereotype." —Finanical Times Foreword by Stephen J. Dubner, coauthor of Freakonomics When first-year graduate student Sudhir Venkatesh walked into an abandoned building in one of Chicago’s most notorious housing projects, he hoped to find a few people willing to take a multiple-choice survey on urban poverty--and impress his professors with his boldness. He never imagined that as a result of this assignment he would befriend a gang leader named JT and spend the better part of a decade embedded inside the projects under JT’s protection. From a privileged position of unprecedented access, Venkatesh observed JT and the rest of his gang as they operated their crack-selling business, made peace with their neighbors, evaded the law, and rose up or fell within the ranks of the gang’s complex hierarchical structure. Examining the morally ambiguous, highly intricate, and often corrupt struggle to survive in an urban war zone, Gang Leader for a Day also tells the story of the complicated friendship that develops between Venkatesh and JT--two young and ambitious men a universe apart. Sudhir Venkatesh’s latest book Floating City: A Rogue Sociologist Lost and Found in New York’s Underground Economy—a memoir of sociological investigation revealing the true face of America’s most diverse city—is also published by Penguin Press.

Nicholas and the Gang is the fourth book in the classic series of stories about a cheeky French schoolboy, Nicholas, and his friends. Nicholas and his gang always find exciting new things to do: Max does magic tricks, Jeremy wants to go camping, and Geoffrey invents a secret code that only the gang will understand.

. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction