The master of ancient Greek comic drama, Aristophanes combined slapstick, humour and cheerful vulgarity with acute political observations. In The Frogs, written during the Peloponnesian War, Dionysus descends to the Underworld to bring back a poet who can help Athens in its darkest hour, and stages a great debate to help him decide between the traditional wisdom of Aeschylus and the brilliant modernity of Euripides. The clash of generations and values is also the object of Aristophanes’ satire in The Wasps, in which an old-fashioned father and his loose-living son come to blows and end up in court. And in The Poet and the Women, Euripides, accused of misogyny, persuades a relative to infiltrate an all-women festival to find out whether revenge is being plotted against him.

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'Ko-ax, ko-ax, ko-ax! Now listen, you musical twerps, I don't give a damn for your burps!' A biting comedy from the great Ancient Greek playwright. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

This vibrant collection of verse translations of Aristophanes' works-featuring Clouds, Women at the Thesmophoria (or Thesmophoriazusae), and Frogs-combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Including expansive introductions to each play, as well as detailed explanatory notes and an illuminating appendix, this volume presents freshinterpretations of three key works from one of the most original playwrights in the entire Western tradition.

Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.

Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.

"Disgusted with the state of current entertainment, Dionysus, God of Wine and Poetry, decides that it's time to retrieve Shakespeare from the underworld. Surely if the Bard were given a series on HBO, he'd be able to raise the level of discourse! Accompanied by his trusted servant, Xanthias (the brains of the operation), Dionysus seeks help from Hercules and Charon the Boatman. Unfortunately, his plan to rescue Shakespeare goes horribly awry, as he's captured by a chorus of reality-television-loving demon frogs. The frogs put the god on trial and threaten him with never-ending torment unless he brings more reality shows into the world. It won't be easy for Dionysus to survive, and, even if he does get past the frogs, Jane Austen isn't ready to let Shakespeare escape without a fight. Adapted from Aristophanes' classic satire, The Frogs is a hilarious and scathing look at highbrow and lowbrow art."--

This book offers a challenging multi-disciplinary interpretation of Aristophanes' Frogs. Drawing on a wide range of literary and anthropological approaches, it deploys an impressive series of religious and cultural considerations which have never previously been used to illuminate this text. Rather than seeking to recover the 'authorial' meaning of the Frogs, Dr Lada-Richards attempts to reconstruct the wider spectrum of potential meanings that various segments of the play could have hadin their own socio-cultural milieu. The key question the book explores is how membership in Greek fifth-century society would have shaped understanding of the play, with particular emphasis on the persona of Dionysus who, as Dr Lada-Richards argues, should not be viewed merely as a stock comic character but as inseparable from the complex, paradoxical figure of his mythical and ritual counterpart. Combining sophistication and complexity with clarity and elegance of style, the book is addressesto the scholar as well as the student of Greek drama and culture, and its insights should appeal to anybody interested in the manifold ways theatre (of any period and culture) remoulds the ritual sequences of the social frame to which it belongs.

List of Figures -- Preface -- Hopping: Some Ways to Read this Book -- 1. Dionysus -- 2. Lenaia -- 3. Aristophanes -- 4. Hero -- 5. Names -- 6. Costumes (Frogs 1-51) -- 7. Yearning (Frogs 52-107) -- 8. Underworlds (Frogs 108-66) -- 9. Warships (Frogs 167-208) -- 10. Croaking (Frogs 209-68) -- 11. Monsters (Frogs 269-322) -- 12. Eleusis (Frogs 323-459) -- 13. Disguise (Frogs 460-604) -- 14. Torture (Frogs 605-73) -- 15. Parabasis (Frogs 674-737) -- 16. Xanthias (Frogs 738-829) -- 17. Contest (Frogs 830-94) -- 18. Teachers (Frogs 895-1098) -- 19. Prologues (Frogs 1099-1247) -- 20. Songs (Frogs 1248-1364) -- 21. Scales (Frogs 1365-1410) -- 22. Alcibiades (Frogs 1411-66) -- 23. Aeschylus (Frogs 1467-1533) -- 24. Euripides: a Heresy -- 25. Reperformance -- 26. Afterlife -- 27. Translations -- 28. Twentieth-Century Frogs -- 29. Seriously -- Readings -- Bibliography.