Set in a remote area of Western Australia, The Fringe Dwellers is the story of two part-Aboriginal sisters, Noonah and Trilby, who live in a family camp on the fringe of white society. Noonah accepts her position—but Trilby refuses to.

By day, Monica Holy’s life looks like millions of others. She paints, jogs, talks to friends, and worries about her children. Monica’s nightlife is a different story. Since birth, she has entered extraordinary worlds of consciousness through the portal of lucid dreams. While there, she conducts souls to the other side and to the light, teaches, guides, and heals. She enters those non-ordinary realities not just to explore them, but to work on behalf of the human community. In Fringe Dweller on the Nightshift, she eloquently recounts her psychic and spiritual work with the troubled dead, the newly dead or those about to die – especially children – to provide emergency relief. She also brings back messages from the world beyond this one, by offering each and every one of us inspiration and ideas for honoring our feelings and connecting to the divine expression of all that is. Ultimately, we will all see The Grid (chapter 10): the invisible reality beyond our five senses that underlies all physical form as we know it. Fringe Dweller on the Nightshift combines cosmic adventure with down-to-earth practical information – part art, part memoir, part philosophy, part guidance, this book is a work of the heart.

In a landmark essay, Stan Grant writes Indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive, but to prosper. Their legacy is the extraordinary flowering of Indigenous success – cultural, sporting, intellectual and social – that we see today. Yet this flourishing co-exists with the boys of Don Dale, and the many others like them who live in the shadows of the nation. Grant examines how such Australians have been denied the possibilities of life, and argues eloquently that history is not destiny; that culture is not static. In doing so, he makes the case for a more capacious Australian Dream. ‘The idea that I am Australian hits me with a thud. It is a blinding self-realisation that collides with the comfortable notion of who I am. To be honest, for an Indigenous person, it can feel like a betrayal somehow – at the very least, a capitulation. We are so used to telling ourselves that Australia is a white country: am I now white? The reality is more ambiguous … To borrow from Franz Kafka, identity is a cage in search of a bird.’ —Stan Grant, The Australian Dream

There's a megalomaniac professor digging a hole outside his flat. His small stake in the amphetamine market in Brixton is being threatened by a mysterious Chinese man. And the Milk Marketing Board has taken out a contract on his life. Welcome to the bizarre, obsessive world of Alby Starvation. Albys doctor refuses to believe he's allergic to just about everything (which he is), especially milk. But when Alby soon discovers that his ongoing ailments are directly linked to the consumption of said product, he gives it up and is cured. Only thing is, he goes on to suggest this remedy to a number of other people suffering from milk allergies. In Millar's surreal backyard, the Milk Marketing Board sees sales slump to an all time low. So there's only one thing left to do: put out a contract on Alby Starvation. Now Alby must save both his life and his precious comic collection. In Martin Millar's surreal tale of the urban counter culture a world full of shoplifting, death threats, paranoia, and video game arcades Albys frantic struggle to avoid being shot falls somewhere between Irvine Welsh and Lock, Stock and Two Smoking Barrels.

American Leif Langdon who discovers an amazing warm valley in Alaska! Two races inhabit the valley, the Little People and a branch of an ancient Mongolian race and they worship the Kraken named Khalk'ru which they summon from another dimension to offer human sacrifice. The inhabitants believe Langdon to be the reincarnation of their long dead hero, Dwayanu...

This is a memoir about the Australian film industry, with inside stories about how films are funded and made, and the problems facing a producer. Sue met and worked with some unforgettable characters, including Sidney Nolan, George Johnston and Charmian Clift, Frank Thring, John Meillon, Graham Kennedy, John Hargreaves, Bryan Brown, Graeme Blundell and Barry Humphries. The book includes a number of black-and-white photos, and a foreword by well known director Bruce Beresford, who has worked closely with Sue.

Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

"When Europeans first reached Australian shores, a long-held and expedient perception developed that Australian Aboriginal people did not have houses or settlements, that they occupied temporary camps, sheltering in makeshift huts or lean-tos of grass and bark. This book redresses that notion, exploring the range and complexity of Aboriginal-designed structures, spaces and territorial behaviour, from minimalist shelters to permanent houses and villages. 'Gunyah, Goondie and Wurley' encompasses Australian Aboriginal Architecture from the time of European contact to the work of the first Aboriginal graduates of university-based courses in architecture, bringing together in one place a wealth of images and research."--Publisher's website.

Lords Of Chaos It was big news in Ft. Myers, Florida when an abandoned historic building was destroyed by vandals in a spectacular blast. Behind it lay the Lords of Chaos, a band of teenage misfits led by Kevin Foster, 18, a vicious hatemonger who idolized Oklahoma City bomber Timothy McVeigh and was known as "God" to his five-man gang. Vortex Of Violence The explosion was only one episode in a month-long crime spree that began with vandalism and theft, escalating into what a local sheriff later called "a vortex of bloodlust and arson." The rampage culminated in the brutal shotgun murder of high school band director Mark Schwebes, 32. Police busted the gang before they could unleash a planned racist mass murder at Disney World--but their leader wasn't done yet. Compulsion To Kill Author Jim Greenhill conducted extensive interviews with Kevin Foster on Florida's Death Row. In an astounding development, Greenhill was solicited by the prisoner and his mother Ruby Foster to arrange the killings of three witnesses, leading to a new case against Foster in 2002. Here is the chilling inside story of how a pack of teenage losers found a way to succeed--at murder. . . 16 Pages Of Shocking Photos Praise for Jim Greenhill and Someone Has to Die Tonight "Fascinatingly lurid . . . insightful and well written. . . . Greenhill has brought the light of excellent reporting and emotional insight to the brooding darkness that consumes fringe-dwellers at virtually any high school." --Mike Clark, The Durango Herald (Durango, CO) "Recommended reading. . . . True crime in the strictest sense . . . the most factual account possible of the events of that stormy April." --Jay MacDonald, The News-Press (Fort Myers, FL) "Greenhill, a big fan of Truman Capote's In Cold Blood, did his hero proud . . . the most detailed true crime you will read." --Sam Cook, The News-Press (Fort Myers, FL) "Meticulously reported and carefully crafted, a major debut." --Gregg Olsen, bestselling author of Abandoned Prayers "Riveting and gut wrenching." --Lt. Col. Dave Grossman, bestselling author of On Killing "A searing look, by a true journalist, behind a sordid tale of murder and deception--a real page-turner." --M. William Phelps, author of Murder in the Heartland "An extraordinary book . . . compelling . . . it accumulates force as it rolls along and winds up flooring you with the sheer power of Greenhill's reporting." --Bob Norman, The Daily Pulp

Compelled by pity for a wayward girl, Elaine is blind to Bridget's dangerous influence on her daughter, Hannah, who at the summer's end takes part in a malicious game that irrevocably alters the course of all of their lives.