Each of us has the potential to learn French, read French books, and speak French fluently.How do some people become fluent faster than others? Is it a specific "language learning gene" that those people possess? No. It's the tools and techniques that make learning easier and more enjoyable.How to Learn French in a Year outlines the step-by-step process you need to take to go from stumbling your way through conversation, to mastering the four core language skills - read, write, listen, and speak.From the minute you begin using the tools and techniques outlined in How to Learn French in a Year you'll be addicted to the process. You'll discover: How to avoid some of the most common mistakes people make when learning French. Three simple ingredients needed to become fluent in French. How to finally pronounce French words in a way that sounds like a native. How to avoid going crazy while trying to understand French grammar. The little-known method polyglots use that'll help you learn French words - and never forget them! How to create a virtual immersion environment. The best resources to help you become an even better French speaker. And more... Whether you're just starting out on your journey to learn French, or whether you're not making much progress in your efforts to learn the language, How to Learn French in a Year will work as your secret weapon to conquer this language once and for all.

Her Majesty's government in the United Kingdom have decided to publish the most important documents in the Foreign Office archives relating to British foreign policy between 1919 and 1939 in three series: the 1st ser. covering from 1919-1930, the 2d from 1930-39, the 3d from Mar. 1938 to the outbreak of the War.

A documentary history with brief narrative introductions illustrating the evolution of civil affairs policy and practice in the Mediterranean and European theaters.

A documentary history with brief narrative introductions illustrating the evolution of civil affairs policy and practice in the Mediterranean and European theaters.

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

Historians generally—and Marxists in particular—have presented the revolution of 1789 as a bourgeois revolution: one which marked the ascendance of the bourgeois as a class, the defeat of a feudal aristocracy, and the triumph of capitalism. Recent revisionist accounts, however, have raised convincing arguments against the idea of the bourgeois class revolution, and the model on which it is based. In this provocative study, George Comninel surveys existing interpretations of the French Revolution and the methodological issues these raise for historians. He argues that the weaknesses of Marxist scholarship originate in Marx’s own method, which has led historians to fall back on abstract conceptions of the transition from feudalism to capitalism. Comninel reasserts the principles of historical materialism that found their mature expression in Das Kapital; and outlines an interpretation which concludes that, while the revolution unified the nation and centralized the French state, it did not create a capitalist society.