"Revealed here is an unknown Melville, the autodidact who made himself a poet and who brilliantly constructed a personal aesthetic credo. Dispelling baseless claims that Melville had a quarrel with fiction after Moby-Dick (or Pierre) and that he did not, in 1860, complete a book he called Poems, Parker offers new evidence of the full trajectory of Melville's career in all its glory and frustration."--BOOK JACKET.

I invite you to consider briefly with me the beginnings of known history in our home region. Of the general character of that history, as a part of the exploration and settlement of the lake region, you are already familiar. What I undertake is to direct special attention to a few of the individuals who made that history—for history, in the ultimate analysis, is merely the record of the result of personal character and influence; and it is striking to note how relatively few and individual are the dominating minds. Remembering this, when we turn to trace the story of the Niagara, we find the initial impulses strikingly different from those which lie at the base of history in many places. Often the first chapter in the story is a record of war for war's sake—the aim being conquest, acquisition of territory, or the search for gold. Not so here. The first invasion of white men in this mid-lake region was a mission of peace and good will. Our history begins in a sweet and heroic obedience to commands passed down direct from the Founder of Christianity Himself. Into these wilds, long before the banner of any earthly kingdom was planted here, was borne the cross of Christ. Here the crucifix preceded the sword; the altar was built before the hearth. Now, I care not what the faith of the student be, he cannot escape the facts. The cross is stamped upon the first page of our home history—of this Buffalo and the banks of the Niagara; and whoever would know something of that history must follow the footsteps of those who first brought the cross to these shores. It is, therefore, a brief following of the personal experiences of these early cross bearers that we undertake; but first, a word may be permitted by way of reminder as to the conditions here existing when our recorded history begins. From remote days unrecorded, the territory bordering the Niagara, between Lakes Erie and Ontario, was occupied by a nation of Indians called the Neuters. A few of their villages were on the east side of the river, the easternmost being supposed to have stood near the present site of Lockport. The greater part of the Niagara peninsula of Ontario and the north shore of Lake Erie was their territory. To the east of them, in the Genesee valley and beyond, dwelt the Senecas, the westernmost of the Iroquois tribes. To the north of them, on Lake Huron and the Georgian Bay, dwelt the Hurons. About 1650 the Iroquois overran the Neuter territory, destroyed the nation and made the region east of the Niagara a part of their own territory; though more than a century elapsed, after their conquest of the Neuters, before the Senecas made permanent villages on Buffalo Creek and near the Niagara. It is necessary to bear this fact in mind, in considering the visits of white men to this region during that period; it had become territory of the Senecas, but they only occupied it at intervals, on hunting or fishing expeditions.

Brill’s Companion to Classics in the Early Americas opens a window onto classical receptions across the Hispanophone, Lusophone, Francophone and Anglophone Americas during the early modern period, examining classical reception as a phenomenon in transhemispheric perspective for the first