From the revered British illustrator, a modern fable for all ages that explores life's universal lessons, featuring 100 color and black-and-white drawings. "What do you want to be when you grow up?" asked the mole. "Kind," said the boy. Charlie Mackesy offers inspiration and hope in uncertain times in this beautiful book based on his famous quartet of characters. The Boy, the Mole, the Fox, and the Horse explores their unlikely friendship and the poignant, universal lessons they learn together. Radiant with Mackesy's warmth and gentle wit, The Boy, the Mole, the Fox, and the Horse blends hand-written narrative with dozens of drawings, including some of his best-loved illustrations (including "Help," which has been shared over one million times) and new, never-before-seen material. A modern classic in the vein of The Tao of Pooh, The Alchemist, and The Giving Tree, this charmingly designed keepsake will be treasured for generations to come.

Mutual kidnapping between the Maori and the English inhabitants in New Zealand had dated back to the 1760s. In 1869, After an English defeat in battle in the Taranaki forest, one more Maori boy, aged five, was captured and adopted by the Prime Minister, and educated to become a lawyer and an 'English gentleman'. As the story of this little Maori unfolded Peter Walker discovered that he had played a crucial role in New Zealand's history. More surprisingly as he followed Ngataua Omahuru (or little 'William Fox') out of the forest and into the drawing rooms of Wellington and London, he found himself on a personal journey which converged unexpectedly with tale he had uncovered.

New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s most well regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America – exclusively within the pages of the prestigious Believer magazine. You’re All Just Jealous of My Jetpack distils perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and fictional towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Tom Gauld reaffirms his position as a first rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

A story of hope and friendship, in which resilience trumps tragedy in the wake of a forest fire. After moving from the city, one boy discovers his new home in the woods isn't so bad—there is friendship in the midst of the forest. But when he spots a fire on the horizon that soon engulfs everything he's come to know—the bugs, the plants, the fox who keeps him company—he is forced to flee. When his newfound comfort goes up in smoke, how can he ever feel at home again? In a forest fire, so much can change in an instant. But both fox and boy learn that there are some things fire cannot burn. With time, the forest will regrow, the animals will return to their home, and so will the boy and his mom. As we all search for tools for understanding the destruction of forest fires, this touching story shows that hope, friendship, and resilience shine the brightest. TIMELY: As fires rage over a wider swath of the United States and internationally, and as fire season lengthens year after year, and sets new records year after year, these are themes communities are engaging with daily during fire season. WRITTEN BY A FIREFIGHTER: The author-illustrator was a volunteer firefighter, giving him a unique perspective on the topic of forest fires. EMOTIONALLY RESONANT: This moving story ends with rebuilding—both for humans and for nature—and with a truly uplifting message of resilience. COMMUNITY-BUILDING: A wonderful resource for families and communities experiencing the aftermath of a fire or other natural disasters, as well as anyone looking to empathize with, and better understand, those communities in need. CLASSROOM RESOURCE: Not only is this the perfect resource for talking about topics like the environment, natural disasters, forest management, and emergency preparedness, this book will also spark important conversations about coping with personal and community tragedies. The author-illustrator reflects on his own experiences with forest fires in the autho's note, and backmatter provides additional context. Perfect for: Parents, Educators, Nature lovers

Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.

This is a brilliant and creative rendition of The Boy, The Mole, The Fox and The Horse by Charlie Mackesy translated into Scots by Matthew Fitt. Discover the very special book that has captured the hearts of millions of readers all over the world. 'A wonderful work of art and a wonderful window into the human heart' Richard Curtis A book of hope for uncertain times. Enter the world of Charlie's four unlikely friends, discover their story and their most important life lessons. The boy, the mole, the fox and the horse have been shared millions of times online - perhaps you've seen them? They've also been recreated by children in schools and hung on hospital walls. They sometimes even appear on lamp posts and on cafe and bookshop windows. Perhaps you saw the boy and mole on the Comic Relief T-shirt, Love Wins? Here, you will find them together in this book of Charlie's most-loved drawings, adventuring into the Wild and exploring the thoughts and feelings that unite us all.

A sixteen-year-old from the Bronx, popular at school and "sort of" going steady, falls in love for the first time with another boy one exuberant summer.

The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera.

A gripping narrative that sweeps the reader along as it seeks to uncover a mystery from the pages of New Zealand's troubled racial past. While doing some preliminary research for a travel book, Peter Walker came across a photograph taken in the mid-nineteenth century that haunted him. A Maori boy, at age five or six, is dressed up as a proper English gentleman, one hand hidden in the pocket of his trousers, the other placed squarely on what looks like a bible. How did such a young member of the native population of New Zealand wind up in such a place, why did he look so unhappy, and what happened next? With picture in hand and numerous questions in mind, Peter set off on his quest to solve the riddle of Ngatau Omahuru (or little 'William Fox'). It was soon revealed that this little boy, about whom perhaps ten lines had ever been published in history books, was kidnapped during a battle and later adopted by the Prime Minister himself to be trained as lawyer. As Walker uncovers more and more information-following the boy's footsteps out of the forest and into the high society drawing rooms of Wellington and London-it becomes clear that little William Fox played a crucial role in New Zealand's violent interracial history. As Walker travels in pursuit of the facts he finds himself on a personal journey as well, revisiting the scenes of his own childhood and quite unexpectedly coming across information that connects him personally to the historical material he finds, making The Fox Boy both travel writing and narrative history at their finest.